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ちょな子

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Avatar image of ちょな子
High-quality Japanese manga/anime style illustration. Energetic hand-drawn line art and vivid colors reminiscent of color illustrations in manga magazines from the 2010s. Vertical composition, an extreme close-up composition with the characters' faces and upper bodies filling the screen. 1. Composition/Camera Angle Vertical portrait composition. Two young women are facing each other at very close range. The pink-haired woman is placed largely from the center to the right side of the screen, and the red-orange long-haired woman is placed largely from the left to the bottom. Their faces are very close near the center of the screen, to the point where their noses and mouths are almost touching. A bold, oppressive composition that emphasizes the sense of distance between their faces. The heads, hair, and shoulders are heavily cropped at the edges of the screen; the full bodies are not depicted. Faces and hair occupy most of the screen. 2. Woman on the Left Very long straight hair that transitions from red-orange to vivid orange, becoming reddish-purple toward the tips. Long bangs cover one side of her face. The hair flows from the left side of the screen toward the bottom, depicted with many delicate lines for thin strands of hair. Yellow-green eyes. Eyes wide open, staring at the woman on the right from a very close distance. Bright highlights in the eyes to create a gaze mixed with surprise and tension. The face is flushed, with dense diagonal hatching applied from the cheeks to around the nose. The mouth is positioned close to the other person, with a stiff expression. A face that conveys extreme tension, agitation, and awkwardness. 3. Woman on the Right Pale pink to salmon pink hair. Long bangs hang down in front of her face, partially covering one eye. A voluminous high bun, with hair gathered largely toward the upper right, is placed on top of her head. The hair strands are curvilinear, with the flow carefully drawn using thin black-brown lines. Green eyes. Looking steadily at the woman on the left with eyes half-cast down. Sharp eyelashes and fine lines around the eyes. The face is tilted significantly toward the other person, with the tip of the nose and mouth very close. The mouth is slightly open. The expression is a mix of tension and bewilderment, and the entire face is flushed red. Draw large amounts of sweat on the face, forehead, cheeks, and neckline. Sweat is expressed as transparent droplets of various sizes, dripping from the forehead to the cheeks, chin, and neck. Combine fine beads of sweat with long droplets to emphasize extreme tension. Clothing is a white collared shirt. Only the shoulder and part of the chest are visible in the bottom right of the screen, with thin black lines and small buttons. Clothing depiction is a supporting element to the composition, prioritizing the expression of faces and hair. 4. Positional Relationship and Emotional Expression The two face each other directly, their gazes intersecting. The tips of their noses and mouths are almost touching. There is almost no gap between their faces, concentrating the tension in the center of the screen. The woman on the left is frozen with wide eyes, while the woman on the right looks at her with eyes half-cast. Both have red faces and are sweating profusely. This manga-style exaggeration depicts not only romantic fluttering but also extreme awkwardness, confusion, agitation, and an inescapable sense of tension. 5. Background The entire background is a solid color of bright, vivid turquoise green or mint green. A wide green area is left at the top of the screen and in the gaps between the figures. Add fine paper grains, subtle white scuffs, and an uneven texture like printed material to the background. No decorations or scenery in the background; make the faces and hair stand out. 6. Line Art, Coloring, and Finishing 2010s Japanese manga color illustration style. Outline lines are black to dark brown. Hair is drawn with many overlapping thin, sharp lines, clearly depicting the flow of each lock. Use fine diagonal lines, cross-hatching, and short parallel lines for facial shading. The skin is based on white, with soft blood-color in orange, pink, and pale red added to the cheeks and forehead. The hair features vivid colors of orange, red, pink, and magenta, with color irregularities like analog printing. Sweat is depicted as droplets with white highlights. Texture like a hand-drawn manga manuscript. Combine detailed drawing with bold omissions to make facial expressions and hair lines most prominent. High resolution, sharp line art, print-like grain, high saturation colors, and tense direction. 7. Screen Design Priority Highest priority: Composition where the two faces are almost touching. Second priority: Red-orange long hair, pink hair, and the green eyes of both. Third priority: Facial redness, large amounts of sweat, and tension expressed through detailed hatching. Fourth priority: Turquoise green background. Fifth priority: Analog manga-style line art and print texture.
Oct 25, 2026 2:50 AM
#Ikuyo Kita#Yuri Kiss
AI artwork
Avatar image of ちょな子
A wide 16:9 digital anime illustration, full-body side view from a low camera angle near the ground: a black Shiba Inu on the left side of the frame, a schoolgirl on the right, both fully in frame with a taut black leash stretching diagonally between them. The girl is the character from image1: messy black bob hair with heavy straight bangs reaching her chin, droopy sanpaku eyes drawn with extremely small irises and tiny black pupils set in wide-exposed whites — noticeably smaller pupils than a typical anime character, narrow half-lidded sleepy eyes with minimal highlights, a plain unassuming face. She wears the same black sailor uniform with red neckerchief, black knee-high socks and black loafers as image1. Blushing and flustered, she grits her teeth in a desperate strained expression, gripping the leash with both hands and pulling backward hard, torso leaning back, knees bent, both feet braced against the ground. The Shiba Inu, matching the face of the dog in image2 — black-and-tan coat with cream markings on the eyebrows, cheeks, muzzle, chest and parts of the legs, wearing a red collar with the black leash firmly attached — lies flat on the ground in stubborn refusal: belly pressed to the asphalt, hind legs stretched back, front legs extended straight toward the girl, its whole weight pushed into the ground; tail on the left, head, body and all four limbs facing toward the girl on the right. The taut leash presses the fur and cheek around its collar so its face looks slightly squished, eyes narrowed and brows furrowed in a grumpy sulk, its skeleton and joints kept natural and un-twisted. The background is a peaceful Japanese countryside road — asphalt mixed with gravel, a white guardrail, green roadside grass, farm fields, distant houses, utility poles, lush green mountains, and a blue sky with white clouds under bright soft summer sunlight, rendered with full depth to the far distance. The girl and the dog share one unified anime art style with clean delicate linework, careful shading, soft natural light and rich detail, the dog drawn with a rounded endearing cartoon coat rather than realistically.
Oct 24, 2026 4:43 AM
AI artwork
Avatar image of ちょな子
A wide 16:9 digital anime illustration, full-body side view from a low camera angle near the ground: a black Shiba Inu on the left side of the frame, a schoolgirl on the right, both fully in frame with a taut black leash stretching diagonally between them. The girl is the character from image1: messy black bob hair with heavy straight bangs reaching her chin, droopy sanpaku eyes drawn with extremely small irises and tiny black pupils set in wide-exposed whites — noticeably smaller pupils than a typical anime character, narrow half-lidded sleepy eyes with minimal highlights, a plain unassuming face. She wears the same black sailor uniform with red neckerchief, black knee-high socks and black loafers as image1. Blushing and flustered, she grits her teeth in a desperate strained expression, gripping the leash with both hands and pulling backward hard, torso leaning back, knees bent, both feet braced against the ground. The Shiba Inu, matching the face of the dog in image2 — black-and-tan coat with cream markings on the eyebrows, cheeks, muzzle, chest and parts of the legs, wearing a red collar with the black leash firmly attached — lies flat on the ground in stubborn refusal: belly pressed to the asphalt, hind legs stretched back, front legs extended straight toward the girl, its whole weight pushed into the ground; tail on the left, head, body and all four limbs facing toward the girl on the right. The taut leash presses the fur and cheek around its collar so its face looks slightly squished, eyes narrowed and brows furrowed in a grumpy sulk, its skeleton and joints kept natural and un-twisted. The background is a peaceful Japanese countryside road — asphalt mixed with gravel, a white guardrail, green roadside grass, farm fields, distant houses, utility poles, lush green mountains, and a blue sky with white clouds under bright soft summer sunlight, rendered with full depth to the far distance. The girl and the dog share one unified anime art style with clean delicate linework, careful shading, soft natural light and rich detail, the dog drawn with a rounded endearing cartoon coat rather than realistically.
Oct 24, 2026 4:43 AM
AI artwork
Avatar image of ちょな子
A wide 16:9 digital anime illustration, full-body side view from a low camera angle near the ground: a black Shiba Inu on the left side of the frame, a schoolgirl on the right, both fully in frame with a taut black leash stretching diagonally between them. The girl is the character from image1: messy black bob hair with heavy straight bangs reaching her chin, droopy sanpaku eyes drawn with extremely small irises and tiny black pupils set in wide-exposed whites — noticeably smaller pupils than a typical anime character, narrow half-lidded sleepy eyes with minimal highlights, a plain unassuming face. She wears the same black sailor uniform with red neckerchief, black knee-high socks and black loafers as image1. Blushing and flustered, she grits her teeth in a desperate strained expression, gripping the leash with both hands and pulling backward hard, torso leaning back, knees bent, both feet braced against the ground. The Shiba Inu, matching the face of the dog in image2 — black-and-tan coat with cream markings on the eyebrows, cheeks, muzzle, chest and parts of the legs, wearing a red collar with the black leash firmly attached — lies flat on the ground in stubborn refusal: belly pressed to the asphalt, hind legs stretched back, front legs extended straight toward the girl, its whole weight pushed into the ground; tail on the left, head, body and all four limbs facing toward the girl on the right. The taut leash presses the fur and cheek around its collar so its face looks slightly squished, eyes narrowed and brows furrowed in a grumpy sulk, its skeleton and joints kept natural and un-twisted. The background is a peaceful Japanese countryside road — asphalt mixed with gravel, a white guardrail, green roadside grass, farm fields, distant houses, utility poles, lush green mountains, and a blue sky with white clouds under bright soft summer sunlight, rendered with full depth to the far distance. The girl and the dog share one unified anime art style with clean delicate linework, careful shading, soft natural light and rich detail, the dog drawn with a rounded endearing cartoon coat rather than realistically.
Oct 24, 2026 4:43 AM
AI artwork
Avatar image of ちょな子
copyright: onii-chan_wa_oshimai! Onimai art style, おもらし High-quality Japanese anime/manga style illustration. A character with a small and slender build. Light grayish-beige bob hair, rounded silhouette, with the ends naturally and unevenly flipping inward and outward. Thick, heavy straight-cut bangs deeply cover the eyes, a hairstyle where the eyes are almost invisible. A crying face with a strong expression of mixed frustration and sadness. Facing downward, shoulders shrugged, back rounded and leaning forward. Both arms hanging by the sides of the body, with both hands clenched tightly. A large amount of tears streaming from the eyes down the cheeks, clenching teeth, and mouth trembling. A comical and emotionally rich expression, as if crying out of frustration. Cheeks are flushed. White short-sleeved plain T-shirt, black short pants. The T-shirt has a loose silhouette, depicting natural fabric wrinkles. Character only, no background, for transparent background, simple composition where the full-body pose is easy to understand. Clearly define the character's outline, carefully drawing the clumps of hair, the expression of tears, and the wrinkles in the clothing. Anime cel-shaded style close to the reference image, soft shading, natural colors.
Oct 24, 2026 4:43 AM
AI artwork
Avatar image of ちょな子
Image generation prompt: A girl eating ramen while wearing a cheongsam (qipao) 1. Basic Art Style & Rendering Quality High-quality Japanese anime/manga style illustration. Staged like a panel from a full-color comic, combining impact and comicality. Delicate and stable linework, meticulously drawn character details, natural human anatomy, clear contours, and rich shading. Based on anime cel-shading, enhanced with soft gradients, natural skin tones, and three-dimensional depth in hair and clothing. Effectively incorporates manga-specific elements: bold black outlines, speed lines/focus lines, screentone dots, and jagged shock-effect lines. The character is drawn crisply and distinctly separated from the comic-style background effects. Overall, balances the tense, dramatic flair of gekiga with the gag-manga humor of the girl's stunned, goofy expression. Vertical aspect ratio, full-body composition, fitting the character from the crown of her head down to the soles of her shoes within the frame. 2. Basic Character Settings Anime/manga-style girl who appears to be a young adult woman. Petite, slender build. Maintains natural human proportions, balancing the head, torso, arms, and legs. Modest shoulder width. Slender torso with a clean waist silhouette. Small breasts, without excessive volume on the chest. Maintains a delicate, natural physique. Full-body front-view composition. The body faces almost directly forward, standing on both feet. Both arms are raised in front of her chest to eat ramen. The character's face, hairstyle, clothing, and pose connect together naturally as a cohesive whole. 3. Facial Features & Expression Face Shape: A small, rounded face. Understated chin, with natural softness in the cheeks. Features are simple and not overly flashy. Without overly glamorous "bishoujo" flashiness, conveying a slightly clumsy, approachable atmosphere. Eyes: Eyes elongated slightly horizontally. Heavy upper eyelids, giving a slightly sleepy impression. Small irises and subtle pupils. A wide area of sclera (white of the eyes) and small pupils, conveying a simultaneous expression of surprise and confusion. Gaze directed near the front. Eyes are wide open, yet have a dazed, unfocused stare. No excessive sparkling in the eyes. Not large shoujo-manga eyes. Small pupils and broad whites of the eyes express comical shock. Eyebrows: Thin eyebrows partially hidden beneath the bangs. Slightly tense from surprise and bewilderment. Mouth: Small, slightly open mouth. In the middle of slurping noodles, with noodles dangling from her mouth. The mouth is awkward, in a state of hyper-focus on eating. An unnaturally frozen expression with teeth barely visible. Cheeks & Sweat: Cheeks flushed with a faint pink blush. Small drops of sweat on the sides of her face. Subtle redness added to the eye area and cheeks. A comical blend of embarrassment, confusion, fluster, and shock. Not smiling. Not an expression of enjoying the food, but a stunned, blank face as if encountering an unexpected event. 4. Hairstyle & Hair Color Hair Color: Dark brown close to black. Slight gray or brown reflections where light hits. The hair as a whole is dark and subdued in tone. Maintains the impression of black hair while clearly rendering overlapping hair strands. Bangs: Thick, straight-cut blunt bangs falling over the eyebrows and eyes. Divided into several thin strands. Uneven hair tips with natural gaps. Forehead is not largely exposed. Eyes are visible through the gaps in the bangs. Twin Buns: Twin bun hairstyle with one round bun on each side of the head. The buns are positioned slightly lower than the crown, on the upper sides of the head. Natural, round buns gathered together, roughly equal in size on both sides. Rendered with wrapped strands and fine hair flow across the bun surfaces. Not perfect spheres, but soft shapes formed by gathered hair. A few short loose wisps of hair emerge from around the buns. Thin strands of hair hang near the ears and beside the cheeks. No hair accessories, flower ornaments, ribbons, kanzashi, or tassels whatsoever. Back Hair: Short hair naturally spreading from the back of the head down to the nape. Length reaches from around the jaw to the neck. Light flicks at the ends, retaining the natural, unkempt vibe of a bob cut. Hair as a whole has moderate volume without being excessively puffed up. 5. Cheongsam (Qipao) Basic Design: A simple, sleeveless cheongsam based in black. Clean silhouette that naturally traces the body. Modest chest area, naturally tailored to make the bust look small. Low gloss/sheen. The texture of the black fabric is expressed through restrained highlights and soft shading. Collar & Chest: High mandarin collar characteristic of a cheongsam around the neck. Black collar with thin piping/trim. Simple, minimally decorated design from the chest upward. Features small Chinese frog buttons and braided fasteners along the placket. Fasteners are subtle and not overly prominent. No large ribbons or flashy decorations. Torso: The upper body naturally follows the lines of the body. Does not accentuate the chest, maintaining a flat, modest silhouette. Natural line tapering toward the waist. Does not exaggerate waist curvature, expressing a realistic clothing fit. Skirt Section: Long, slender vertical silhouette characteristic of a cheongsam. Skirt length extends to around the knees. Large side slits on both sides, expressing the classic cheongsam shape. Edges of the slits blend into the black fabric. Natural wrinkles added to the hem and fabric. Color & Pattern: Solid plain black dress. No floral patterns, embroidery, patterns, prints, or logos whatsoever. Three-dimensionality of the fabric is expressed purely through shading and wrinkles. Decorations kept to an absolute minimum, unified as a solid black cheongsam. 6. Socks & Shoes Socks: Black high socks / knee-high socks. Length reaches below the knees, fitting the legs naturally. Subtle sheen. Smooth silhouette following the shape of the legs. Shoes: Black loafer-style shoes. Rounded toes. Simple strap-like accent across the instep. Understated sheen typical of black leather shoes. Natural connection from ankles to shoes, with matched shoe shapes on both feet. 7. Pose & Eating Action Character stands centered in the frame. Body faces forward. Both feet are planted on the ground, knees naturally and slightly bent. Right Hand: Holding chopsticks in the right hand. Chopsticks positioned horizontally in front of the face, near the mouth. Tips of the chopsticks lift a clump of long noodles. Fingers naturally grip the chopsticks, with joints and fingertips carefully rendered. Left Hand: Supporting the ramen bowl with the left hand. The bowl is positioned between below the chest and the upper abdomen. Palm and fingers firmly support the bottom and side of the bowl. Natural angle of wrist and arm, ensuring the bowl does not appear to float in mid-air. Slurping Action: The girl is currently slurping noodles into her mouth. Long, thin noodles dangle from the chopsticks to her mouth. Multiple noodle strands grouped together, extending downward along gravity. The lower end of the noodles rests inside the ramen bowl. Part of the noodles sinks into the bowl, resting naturally atop the broth and toppings. Noodles are thin, yellow to pale golden. Drawn with multiple lines to convey the flow of individual strands. Clear continuity of the noodles from mouth to bowl, ensuring they are not broken halfway or floating unnaturally. Ramen Bowl: White ceramic ramen bowl. Red geometric pattern along the rim. In the center front of the bowl, a single, large red kanji character 「華」 is drawn. Inside the bowl, ramen broth, noodles, and toppings are depicted. Broth is a light brownish color. Noodles and toppings appear natural. Bowl shape is near-symmetrical, a standard ramen bowl with a wide rim and narrow base. Proper proportion between the bowl and hands, conveying the weight of being held. 8. Background & Comic Effects Basic Background: Predominantly white space evoking a dramatic shock scene in manga. Numerous speed lines radiate outward from behind the central character toward the edges of the frame. Color palette centered on black, white, and pale blue. Speed lines expand outward from the character, generating powerful momentum in the image. Speed Lines: Thin and thick black lines radiating from the four corners and side edges of the frame. Varied in length, thickness, and density. Does not completely obscure the character's outline, keeping the figure's silhouette clearly visible. Pale blue added to some lines as an accent fitting a color comic. Shock Expression: Large jagged effect shapes bordered with bold black outlines placed around the character. Inside the effect shapes, dense black screentone dot patterns are filled. Strong contrast of black and white expressing shock and amazement. Effect shapes spread across the left and right sides of the screen. Does not cover the girl's face or the ramen bowl. Ground: A small portion of the ground on which the character stands is drawn at the bottom of the frame. Light
Oct 24, 2026 4:43 AM
AI artwork
Avatar image of ちょな子
copyright: onii-chan_wa_oshimai! High quality Japanese anime/manga style illustration. Delicate and refined line art, meticulous coloring, soft natural light, smooth skin gradations, sharp contours, rich shadow rendering. A highly polished character illustration focusing on the character's facial expression and pose. Dynamic perspective expression emphasizing the strong sense of foreshortening between the hand thrust far forward into the foreground and the face and body receding into the background. Basic Character Settings: A black-haired female student. Wearing a Japanese sailor uniform. A vertically oriented character illustration framing from the head down to the thighs, just above the knees. The character is placed prominently in the center of the frame, showing the upper body down through the mid-legs. Camera angle looking straight at her from slightly below, as if looking up while she looks down at the viewer. Her body is tilted slightly at an angle, while her face is turned directly forward. Face and Expression: A youthful anime-style face. Rounded cheeks, small nose, smooth jawline. A deep pink blush spreads across both cheeks, showing a natural blushing expression. Soft facial contours, healthy skin tone. Narrowed, half-closed eyes with a sleepy yet confident and composed look. Upper eyelids are lowered significantly, with the eyes barely open. Small black pupils, with visible sclera. The outer corners of the eyes droop slightly, giving a teasing, provocative, smug glare that mocks the viewer. The shapes of the left and right eyes differ slightly, providing natural facial asymmetry. Eyebrows are partially hidden by the bangs. The nose is small and understated, without an emphasized bridge. Mouth is wide open in a teasing, laughing smile. The corners of the mouth are upturned, the inside of the mouth is dark red, and the tongue is bright pink. Upper teeth are barely visible, with the tongue visible inside the mouth toward the front. A mischievous expression around the mouth, as if mocking while pointing at the viewer. The combination of the flushed cheeks and half-lidded eyes creates a smug, saucy aura. Not an overly realistic face, but a concise and charming anime-style facial depiction. Hairstyle and Hair Texture: Very dark, near-black hair color, containing subtle reflections of bluish and grayish light. Medium bob hairstyle reaching approximately to the shoulders, slightly disheveled. Voluminous hair with roundness and volume at the crown. Thick bangs swept diagonally across the forehead, reaching just above the eyes. Bangs consist of various-sized clumps, naturally parted locks partially concealing the eyebrows and forehead. Several thin ahoge strands spring up from the crown of the head, giving the overall hair a slight messiness. Hair on both sides falls along the cheeks and ears, with ends flipping irregularly outward. Thin stray flyaway hairs surround the silhouette of the hair, with a few strands straying past the contour. Clear hair strands, with hair flow depicted using fine lines. Inside the dark hair, dark gray and subtle whitish-gray highlights are added to provide sheen and three-dimensionality. The hair looks dense yet retains lightness and movement at the ends. Pose and Body Orientation: Standing in an imposing, confident stance with legs set apart. Hips slightly tilted, one shoulder slightly dropped, in a relaxed and provocative pose. The body faces forward with a slight twist in the upper torso. Right arm is extended wide toward the camera, the right index finger pointing directly at the viewer in the foreground. The fingertip is located slightly to the left of the center of the frame. The arm and hand are drawn extra large through strong forced perspective, appearing thrust out much further forward than the face and torso. The palm side faces diagonally toward the viewer, with the index finger stretching straight in the camera's direction. The tip of the index finger is rounded, with natural knuckles and fingernail. Thumb bent sideways, the remaining three fingers naturally curled in. The palm and fist shapes are three-dimensional, with accurate finger count and joint structure. Placing the fingertip right in the foreground creates a dynamic, imposing presence advancing toward the viewer. Left arm bent at the elbow, left hand resting on the hip. Left hand rests just above the hip bone, near the waist of the skirt. Fingers naturally spread, lightly touching the waist. Natural curves running from shoulder to elbow down to the wrist. The poses of both arms are distinctly different, with the right pointing hand being the focal point of the composition. Uniform and Outfit: Traditional Japanese female school sailor uniform. Top is a dark, near-black navy color. Matte fabric texture, showing soft cloth thickness and natural wrinkles. Collar is a relatively large sailor collar. The outer edge of the collar features two thin light-gray stripes. The collar spreads naturally from shoulders to chest in a near-symmetrical shape. A vivid red sailor tie is knotted at the chest. The red cloth has a slight luster, and the knot has thickness. Two long cloth ends extend down from the knot to hang over the center of the chest, one slightly longer, with natural cloth folds and shading. The red tie creates a strong color contrast against the dark uniform. Sleeves are long with a relaxed silhouette. Fabric drapes naturally from shoulders to elbows and wrists. Cuffs feature two thin light-gray stripes matching the collar. The right sleeve is pulled naturally to match the forward reach toward the camera, producing fabric wrinkles around the elbow and wrist. Left sleeve folds softly along the bent elbow. Skirt is a pleated skirt in the same dark navy color as the top. Well-defined vertical pleats radiate from the waist, flaring slightly at the hem. Fabric shaded with varied tones, clearly rendering the three-dimensionality of each pleat. Skirt length is short, falling around the upper to mid-thigh. Hemline is not rigidly uniform, tilting naturally with the stance and hip angle. Wearing black over-knee socks (thigh-highs) on her legs. Length covers up to mid-thigh, with the tops visible near the bottom of the frame. Socks have a smooth texture ranging from black to dark charcoal gray. Skin on the legs is bright, with natural shading and subtle highlights. Composition, Camera, and Perspective: Vertical portrait composition, aspect ratio approximately 3:5. The character is placed prominently in the center. Framing includes from the ahoge at the top of the head down to the skirt, thighs, and near the tops of the knee-high socks. Feet are cropped out of frame. Camera directly in front of the character, at a slightly low angle. Wide-angle perspective boldly exaggerating only the right hand closest to the camera while maintaining normal proportions for the face and torso. The foreground index finger is exceptionally large, with the face and body in the background appearing relatively smaller. A strong sense of depth as if the fingertip is right in front of the viewer's eyes. Arranged so the hand does not obscure the entire face, allowing both the fingertip and the facial expression to be visually recognized. Face is centered near the upper part of the frame. Extended hand is slightly left of center. The red sailor tie stands out in the center of the chest. Left hand positioned near the right side of the waist. The skirt flares out at the bottom of the frame. The overall image has dynamic movement, capturing a sense of immediacy as if in mid-motion toward the viewer despite being a static figure. Lighting, Shadow, and Color: Soft front lighting, with subtle rim lighting along the contours of hair and clothing. Smooth gradients on the skin, with natural highlights on cheeks, tip of the nose, knuckles, and thighs. Cheeks flushed with vibrant pink, center of the face bright, with warm-toned shadows cast under the chin and along the neck. The black hair and uniform avoid solid black fills, instead utilizing distinct shades of black, deep gray, and bluish charcoal gray. Proper contrast is maintained so hair locks and fabric folds remain legible within dark areas. The red sailor tie serves as the most vivid color accent in the frame. Clear contrast between skin tones, blush, black uniform, and red tie. Background and Effects Prompt: Background changed to a soft gradient based on pale pink, pastel pink, and white. A bright, soft pink circular glow is placed behind the character, allowing her silhouette to naturally pop out from the background. Translucent hearts of various sizes scattered across the background in a balanced arrangement. Hearts mainly in pale pink, rose pink, and white, with a soft, transparent texture. Small star sparkles, delicate light particles, and soft bokeh placed in the corners of the frame and around the character. Larger decorations pushed toward the edges of the frame, keeping the area around the face and fingertip clean. Subtle white and pale pink rim light added to the contours of the character's hair, shoulders, and arms. Soft reflected light on the hair outline and edges of the uniform to enhance separation from the background. An extremely faint pink aura surrounds the character. The light is soft and translucent, avoiding overblown exposure or clipped highlights. Overall atmosphere is cute and glamorous shoujo manga style. A sweet pastel background highlighting the charm of a slightly devilish, mischievous character. The background is delicate and bright, maintaining color contrast against the character's black hair, black sailor uniform, and vivid red ribbon. Final Polish: Overall, clearly render the black hair, black sailor uniform, red tie, half-closed eyes, blush, wide-open mischievous mouth, right hand pointing at the viewer, left hand resting on the hip, and strong forced perspective. High definition, refined anime cell shading, carefully drawn fingers and hands, natural human anatomy, crisp outlines, rich fabric textures., anime style, soft colors, (soft details), (round details:1.5), (youthful appearance), (high resolution), (masterpiece), (high detail), looking at viewer, cute expression, high-quality cute, (anime:1
Oct 24, 2026 4:42 AM
AI artwork
Avatar image of ちょな子
copyright: onii-chan_wa_oshimai! Onimai art style, high-quality Japanese anime/manga style illustration. A character with a small and slender build. Light grayish-beige bob hair with a rounded silhouette, with the ends naturally and unevenly flipping inward and outward. Thick, heavy blunt bangs deeply cover the eyes, a hairstyle where the eyes are almost invisible. A crying face with strongly expressed emotions, mixing frustration and sadness. Facing downward, shoulders hunched, back curved and leaning forward. Both arms hanging by the sides of the body, with both hands clenched tightly. Large amounts of tears stream from the eyes down the cheeks, teeth clenched, and the mouth trembling. A comical and emotionally rich expression, as if crying out of frustration. A plain white short-sleeved T-shirt and black short pants. The T-shirt has a loose silhouette, depicting natural fabric wrinkles. Character only, no background, for transparent background, a simple composition where the full-body pose is easy to understand. Clear character outlines, carefully depicting the clumps of hair, expression of tears, and clothing wrinkles. Anime cel-shaded style close to the reference image, soft shading, and natural colors.
Oct 24, 2026 4:42 AM
#Onimai: ¡Ahora soy tu hermana!
AI artwork
Avatar image of ちょな子
copyright: onii-chan_wa_oshimai! Onimai art style, high quality Japanese anime/manga-style character illustration 1. Basic Art Style & Drawing Quality High-quality Japanese anime and manga style character illustration. Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color design. Line art is thin and smooth, without unnecessarily thick outlines. Hair is drawn strand by strand with fine detail, and facial features are depicted clearly and delicately. Skin is bright with a natural complexion. Smooth, matte texture achieved through a combination of pale pink gradation and soft shading. Overall, use pale colors and delicate depiction, avoiding excessive chibi deformation or flashy visual effects. Express the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils/irises, eyebrow angle, and subtle tension around the mouth. 2. Basic Character Appearance A Japanese anime-style girl characterized by black bob hair. Petite, slender build. Narrow shoulders, slim torso, slender arms and legs. Overall clean, delicate silhouette. Head is slightly large relative to the body, but avoid extreme chibi proportions. Facial features are plain and modest. Do not emphasize glamorous pretty-girl charm; instead, give her a somewhat unassuming, clumsy, and approachable atmosphere. 3. Face Contour Slightly small, egg-shaped face. A natural curve connects from the forehead to cheeks and chin, with a soft chin that is not overly pointed. Moderate roundness remains in the cheeks. Face width is not too wide, outline is natural and smooth. Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unflashy, simple look. Do not make the chin extremely pointed. Do not make the facial outline overly sharp. 4. Hairstyle & Hair Color Hair color is an extremely dark black close to pure black. In areas hit by light, add modest highlights containing dark gray or slight brown. Hairstyle is a bob cut reaching around the chin to neck. Forms a naturally rounded silhouette from the back to the sides of the head. Hair has moderate volume, puffing out gently along the head shape. Ends are not completely blunt, slightly flipping outward in places. Hair locks on left and right are not completely symmetrical, leaving natural disarray. Fine hair strands are carefully drawn onto the hair surface, expressing smooth flow and soft three-dimensional volume. Hair contour has moderate fine irregularities, resulting in a natural, not-too-tidy hairstyle. 5. Bangs Thick, heavy straight-cut bangs (blunt bangs). Broadly covering the forehead, hanging from near the eyebrows to just above the eyes. The center of the bangs is relatively heavy, concealing the forehead with dense black hair. The bottom edge of the bangs is not a straight line, but features irregular textures made of fine hair strands. A few thin strands naturally separate, hanging slightly over the eyes. Forehead is barely visible through gaps in the bangs; do not expose the forehead widely. Crucially, the bangs hang down just above the eyes. However, both eye contours and the small pupils/irises must remain clearly visible. Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a style that shows a lot of forehead. 6. Most Important: Eye Shape & Structure The eyes are the most critical element defining this character's individuality. Do not make them large, round eyes, widely expanded irises, or sparkling pupils typical of standard anime characters. Horizontally elongated, narrow, with small vertical opening—sleepy, half-opened eyes. Pupils/irises are extremely small, leaving a large area of sclera (white of the eye). Clearly depict sanpaku eyes. 6-1. Eye Contour Eye shape is long horizontally and narrow vertically. The gap between upper and lower eyelids is narrow; eyes are not wide open. While horizontal width is maintained to a degree, vertical height is kept minimal. Eye contour is a smooth, elongated shape, not a round almond shape, but somewhat flat, as if pressed from above and below. Upper eyelid is relatively straight, giving a slightly heavy impression. Forms a natural line slanting slightly downward from the center of the upper eyelid toward the outer corner. Outer corners droop slightly, creating overall subtle droopy eyes (tareme). Inner corners are not overly sharp, remaining natural. Do not open the eyes too wide vertically. Do not make them startled, round eyes. 6-2. Iris/Pupil Size: Top Priority Irises and pupils are clearly smaller than standard Japanese anime characters. Irises are extremely small in diameter, minimizing the area they occupy relative to the white of the eyeball. Dark centers are not large circles, but small, vertically elongated or oval-like shapes. Iris color is very dark gray to black. Outer border outline is also understated. Pupils are placed small inside the irises, keeping the entire dark center from looking large. Do not spread the dark eye centers to fill the eye. Do not expand the irises to match the eye's vertical height. Leave ample sclera around the pupils/irises. Make the sclera area look overwhelmingly wider than the dark centers. Keep dark eye centers just large enough to be recognized, ensuring the pupils themselves do not dominate the face's impression. Express individuality not through eye size, but through the contrast between wide sclera and tiny irises. 6-3. Sanpaku Eye Depiction Clearly depict sanpaku eyes. Sclera area is extremely wide relative to the tiny irises, structured so white is distinctly visible especially below the irises. Sclera is also moderately visible above, with whites surrounding the small dark centers above and below. Arrange gaze position and small irises so sclera stands out on top, bottom, left, and right. However, avoid a creepy look like bulging eyeballs. Keep eyeball shape natural, emphasizing sanpaku solely by making the irises small. Maintain wide whites while keeping the vertical height of the eyes narrow. Important: Do not increase whites by making the eyes large; increase the ratio of whites by making the irises small within narrow eyes. 6-4. Iris/Pupil Placement Irises are placed near the center of the eyes, but not in a completely mechanical center. Include a very slight, natural difference in the positions of left and right irises. Gaze is basically forward, but in a direction that conveys slight confusion or unease. Do not pull irises extremely to the corners. No strong cross-eyed or strabismus look. Ensure wide sclera is not lost when adjusting iris positions. Left and right eyes have slight differences within a natural range, avoiding mechanical symmetry. 6-5. Eyelids and Eye Outlines Upper eyelid line is drawn slightly darker and subtly thicker than the lower eyelid. Upper eyelids have a sense of weight, forming a sleepy, languid impression. Lower eyelid line is thin and delicate, not over-emphasized. Eye contour is a dark color close to black, smoothly rendered. Eyelashes are modest, not long, dense, or glamorous. Do not excessively extend eyelashes at the outer corners. Do not make eyeliner too thick; avoid flashy makeup. 6-6. Pupil Highlights Pupil highlights are minimal. No large white light reflections, no star-shaped highlights, no multiple glistening dots. No intense gradient on the irises; keep them in understated tones of dark gray to black. Do not make pupils shine like gemstones. The eyes' charm comes not from sparkling pupils, but from the contrast of wide sclera and tiny irises, heavy upper eyelids, and narrow eye shapes. 6-7. Emotion Conveyed by Eyes Gaze is sleepy, languid, and slightly awkward. Heavy eyelids give the impression of someone not used to opening their eyes wide. Not an aggressive glare or sharp scowl, but a nervous, slightly bewildered gaze. A hint of anxiety and hesitation in the gaze. Eyes not opened wide, eyebrows not sharply raised, expressing emotion through understated facial shifts. Express a tense psychological state while maintaining tiny irises and wide sclera. 7. Eyebrows Eyebrows are a dark color close to black hair. Partially hidden by bangs, not overly visible in full. Eyebrow thickness is thin to standard, natural shape. A slight instability in eyebrow angle, expressing confusion or tension. Slight strain near the inner ends of the brows, with the entire eyebrows subtly tensed. Do not arch them extremely or emphasize anger. Combine the weight of the eyes and subtle angle of the brows to create an awkward expression. 8. Nose Nose is small and modest. Simple anime-style depiction that does not stand out when viewed from the front. Without emphasizing the nasal bridge, expressed naturally with small lines or faint shading. Nose shading is not too dark, so the nose alone does not draw attention on the face. 9. Mouth Mouth is small, not standing out on the face. Corners of the mouth are slightly distorted from tension. Mouth is slightly open, upper and lower teeth subtly visible. A stiff, strained mouth as if lightly gritting teeth. Upper and lower teeth appear modestly as thin white shapes. Do not over-detail the row of teeth. Corners of the mouth are pulled naturally sideways into a tense shape distinct from a smile. Lips are not emphasized, expressed with simple lines. Do not open the mouth wide. Do not make a shouting expression. Do
Oct 24, 2026 4:42 AM
AI artwork
Avatar image of ちょな子
character: moegi_emo emo_cute_chibi_style_mung_dit3, thich lines, chibi only, high-quality Japanese anime/manga style character illustration 1. Basic Art Style and Drawing Quality High-quality Japanese anime/manga style character illustration. Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color scheme. Linework is fine and smooth, without unnecessarily thick contour lines. Hair is drawn strand by strand in detailed clumps, and facial features are depicted clearly and delicately. Skin is fair with a natural complexion. Combining faint pink gradients with soft shading to create a smooth, matte texture. Overall using pale colors and delicate depiction, avoiding excessive chibi deformation or flashy effects. Expressing the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils, eyebrow angle, and a subtle twitch at the mouth. 2. Basic Character Appearance A Japanese anime-style girl featuring black bob-cut hair. Petite and slender build. Narrow shoulders, slim torso, slender arms and legs. Overall a clean, delicate silhouette. The head is slightly large relative to the body, but avoiding extreme head-to-body proportion deformation. Facial features are plain and reserved. Not emphasizing bishoujo glamour, projecting a somewhat drab, clumsy, and approachable atmosphere. 3. Face Contour Face is a slightly small oval shape. Connecting naturally in a curve from forehead to cheeks and chin, with a soft chin tip that is not overly sharp. Cheeks retain moderate roundness. Face width is not too wide, contour is natural and smooth. Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unpretentious, plain countenance. The chin is not extremely pointed. The contour is not excessively sharp. 4. Hairstyle and Hair Color Hair color is an extremely dark black close to pure black. Subtle highlights containing dark gray or slight brown are added where light hits. Hairstyle is a bob cut ranging in length from chin to near the neck. Forms a naturally rounded silhouette from the back of the head to the sides. Hair has moderate volume, spreading softly along the shape of the head. Hair ends are not completely neat, flipping outwards here and there. Left and right hair clumps are not completely symmetrical, retaining a natural dishevelment. Fine hair strands are meticulously drawn onto the hair surface to express smooth hair flow and soft three-dimensionality. The hair contour has moderately fine irregularities, creating a natural hairstyle that is not overly manicured. 5. Bangs Bangs are thick, heavy blunt straight bangs. Covering the forehead broadly, hanging from near the eyebrows to right above the eyes. The center section of the bangs is relatively heavy, concealing the forehead with dense black hair. The bottom edge of the bangs is not a completely straight line, but has irregular notches from fine hair clumps. A few fine hair clumps naturally separate and hang down slightly over the eyes. The forehead is barely visible through gaps in the bangs, avoiding exposing a large portion of the forehead. Crucially, bangs hang down to just above the eyes. However, the outlines of both eyes and the small pupils must be clearly visible. Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a hairstyle that reveals much of the forehead. 6. Most Important: Eye Shape and Structure The eyes are the most crucial element defining this character's individuality. Do not make them large, round eyes with wide-open irises and sparkling pupils like typical anime characters. Horizontally elongated, narrow, with small vertical opening, sleepy half-open eyes. Pupils are extremely small, with a large sclera (white of the eye) area. Clearly depicting sanpaku eyes. 6-1. Outer Eye Shape Eye shape is long horizontally and narrow vertically. The gap between upper and lower eyelids is narrow; eyes are not opened wide. Horizontal width of the eyes is maintained to an extent, while vertical height is kept modest. Eye outline is a smooth horizontally long shape, rather than a round almond shape, appearing somewhat flat, as if pressed from top and bottom. Upper eyelid is relatively straight, giving a slightly heavy impression. Forms a natural line slanting slightly downward from the center of the upper eyelid to the outer corner of the eye. Outer corners of the eyes droop slightly, resulting in a subtle tareme (droopy eyes) look overall. Inner corners of the eyes are not overly sharp, remaining natural in shape. Do not open the eyes wide vertically. Do not make surprised round eyes. 6-2. Pupil Size: Highest Priority Iris and pupil are distinctly smaller than those of standard Japanese anime characters. The iris diameter is made extremely small, minimizing the area it occupies relative to the sclera. The dark center of the eye is not a large circle, but rather a small vertically long to near-oval shape. Iris is very dark gray to black. The outer rim contour is also understated. Pupil is placed small within the iris, preventing the entire dark eye center from appearing large. Do not spread the pupil to fill the center of the eye. Do not enlarge the iris to match the eye's vertical height. Leave ample sclera around the pupil. Make the sclera area overwhelmingly broader than the dark center of the eye. Keep the dark center of the eye only large enough to confirm its presence, preventing the pupil itself from dominating the facial impression. Express individuality not through eye size, but through the contrast between the broad sclera and tiny pupils. 6-3. Depiction of Sanpaku Eyes Clearly depict sanpaku eyes. The sclera area is very broad relative to the small pupil, specifically structured so the white of the eye is clearly visible beneath the pupil. Sclera is also moderately visible above, with the white of the eye surrounding the pupil above and below. Gaze direction and small pupil placement make the sclera prominent above, below, left, and right. However, do not create a grotesque appearance with bulging eyeballs. Keep eyeball shape natural, emphasizing sanpaku eyes purely by shrinking the iris. Keep vertical eye height narrow while securing a large sclera. Important: Increase sclera proportion not by enlarging the eyes, but by making the pupils small within narrow eyes. 6-4. Pupil Placement Pupils are positioned near the center of the eyes, but not in a completely mechanical center position. There is a very slight, natural asymmetry in the positioning between left and right pupils. Gaze is fundamentally facing forward, but directed in a way that suggests a bit of confusion and restlessness. Do not push pupils extremely to the sides. Do not make them severely cross-eyed or strabismic. Ensure that adjusting pupil position does not lose the breadth of the sclera. Left and right eyes have subtle differences within a natural range, avoiding mechanical symmetry. 6-5. Eyelids and Eye Contours The upper eyelid line is drawn slightly darker and marginally thicker than the lower eyelid line. Upper eyelid conveys heaviness, giving a sleepy, languid impression. Lower eyelid line is thin and delicate, not overemphasized. Eye contours are in dark colors close to black, rendered smoothly. Eyelashes are understated, not long, dense, or glamorous. Do not excessively extend eyelashes at the outer corners. Do not make eyeliner too thick; no flashy makeup. 6-6. Eye Highlights Highlights in the eyes are kept to an absolute minimum. No large white light reflections, star-shaped highlights, or multiple sparkling dots. No intense gradients in the iris, keeping a subdued tone from dark gray to black. Do not make eyes sparkle like gems. The charm of the eyes is expressed not through pupil sparkle, but through the contrast of wide sclera and tiny pupils, heavy upper eyelids, and narrow eye shape. 6-7. Emotion Conveyed by the Eyes The gaze is sleepy, languid, and looks somewhat awkward. Eyelids appear heavy, giving the impression of someone unaccustomed to opening their eyes wide. Not an assertive glare or sharp scowl, but a nervous, slightly bewildered gaze. There is slight anxiety and hesitation in the look. Expressing emotion through subdued facial changes without opening eyes wide or raising eyebrows high. Expressing a nervous psychological state while maintaining tiny pupils and wide sclera. 7. Eyebrows Eyebrows are a dark color close to the black hair. Partially hidden by bangs, avoiding the entirety being too clearly visible. Eyebrow thickness is thin to standard, with a natural shape. Eyebrow angle has a subtle instability, expressing confusion and tension. Slight tension near the inner ends of the brows, with the entire eyebrows subtly strained. Do not sharply arch or emphasize anger. Combining the heaviness of the eyes with the subtle eyebrow angle to create an awkward expression. 8. Nose Nose is small and modest. Concise anime-style depiction that is not overly conspicuous when viewed from the front. Without emphasizing the nasal bridge, expressed naturally with small lines or pale shading. Nose shading is not too dark, preventing the nose alone from standing out on the face. 9. Mouth Mouth is small, not standing out too much on the face. Mouth is slightly distorted from tension. Mouth is opened just a crack, with upper and lower teeth slightly visible. A stiff, strained mouth as if gritting teeth. Upper and lower teeth are subtly visible as narrow white shapes. Do not draw the
Oct 24, 2026 4:42 AM
AI artwork
Avatar image of ちょな子
High-quality Japanese anime/manga style character illustration 1. Basic Art Style & Drawing Quality High-quality Japanese anime/manga style character illustration. Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color palette. Line art is thin and smooth, avoiding overly thick contours. Hair is drawn separated into fine strands, and facial features are depicted clearly and delicately. Skin is fair with a natural healthy flush. Finished with a smooth, matte texture combining faint pink gradients and soft shading. Overall utilizes muted colors and delicate rendering, avoiding excessive deformation or flashy effects. Expresses the character's simplicity, clumsiness, awkwardness, and nervousness through the shape of the eyes, small pupils/irises, angle of the eyebrows, and a subtle twitching/distortion of the mouth. 2. Basic Appearance of the Character A Japanese anime-style girl characterized by black bob hair. Petite, slender, and delicate build. Narrow shoulders, slim torso, slender arms and legs. Overall a clean, delicate silhouette. The head is slightly large relative to the body, but avoiding extreme chibi proportions. Facial features are plain and understated. Does not emphasize glamorous "bishoujo" appeal, instead possessing a somewhat plain, clumsy, and approachable aura. 3. Face Shape The face is a slightly small oval shape. Connects with natural curves from forehead to cheeks to chin; the tip of the chin is softly shaped, not overly pointed. Maintains a moderate roundness in the cheeks. The width of the face is not too wide, with a natural, smooth contour. Features such as eyes, nose, and mouth are clustered near the center of the face, resulting in a simple, unflashy countenance. The chin is not extremely pointed. The jawline is not overly sharp. 4. Hairstyle & Hair Color Hair color is an extremely dark black, close to true black. Under light, subtle highlights containing dark gray or slight hints of brown are applied. Hairstyle is a chin- to neck-length bob. Forms a naturally rounded silhouette from the back of the head to the sides. Hair has moderate volume, puffing out softly along the shape of the head. The ends are not completely uniform, with some flicking outwards here and there. The hair sections on the left and right are not completely symmetrical, leaving a natural dishevelment. Fine strands are carefully drawn across the surface of the hair, conveying a smooth hair flow and soft three-dimensionality. The hair outline has moderate small irregularities, creating a natural, not-overly-manicured hairstyle. 5. Bangs Bangs are thick, heavy blunt straight-across bangs (patsun bangs). Widely covers the forehead, hanging from near the eyebrows to just above the eyes. The center of the bangs is relatively heavy, concealing the forehead with dense black hair. The bottom edge of the bangs is not a strictly straight line, featuring irregular micro-steps formed by fine strands. A few thin strands naturally separate and hang down slightly over the eyes. Only allowing tiny glimpses of the forehead through the gaps; the forehead is not exposed largely. Crucially, the bangs hang down to just above the eyes, but both eye outlines and the small dark pupils/irises must remain clearly visible. Do not make the bangs too light. No thin see-through bangs. Do not change to a hairstyle that reveals much of the forehead. 6. Most Important: Eye Shape and Structure The eyes are the single most important element defining this character's identity. Do not make them large, round eyes typical of mainstream anime characters, nor with widely expanded irises or sparkling eyes. Horizontally long, narrow, with small vertical opening, sleepy half-open eyes (sanpaku eyes). Irises/pupils are extremely small, with a large expanse of sclera (eye whites). Clearly expresses sanpaku eyes. 6-1. Eye Contour Shape is horizontally elongated and vertically narrow. Narrow gap between upper and lower eyelids; eyes are not opened wide. Horizontal width is preserved, while vertical height is kept minimal. The eye contour is a smooth, horizontally long shape—flatter, as if compressed from above and below, rather than a round almond shape. The upper eyelid is relatively straight, giving a slightly heavy, drowsy impression. Forms a natural line slanting subtly downward from the center of the upper eyelid toward the outer corner. The outer corners of the eyes droop slightly, resulting overall in subtle tareme (droopy) eyes. The inner corners are not overly sharp, remaining natural in shape. Eyes are not opened wide vertically. No wide-eyed, surprised round eyes. 6-2. Iris/Pupil Size: Top Priority Irises and pupils are clearly smaller than standard Japanese anime characters. The diameter of the iris is extremely small, minimizing the area it occupies relative to the white of the eyeball. The dark center is not a large circle, but a small vertical or slightly oval shape. The iris is very dark gray to black. The outer rim contour is also restrained. The pupil is placed small within the iris, ensuring the dark part as a whole does not look large. Do not spread the dark eye area across the center of the eye. Do not enlarge the iris to fit the vertical height of the eye. Leave plenty of sclera surrounding the iris. Make the area of the sclera (white) overwhelmingly larger than the iris. Keep the dark eye area to a size where it is merely discernible, so that the pupils/irises themselves do not dominate the impression of the face. Express character individuality not through eye size, but through the contrast between the expansive sclera and tiny irises. 6-3. Expression of Sanpaku Eyes Clearly depict sanpaku eyes. The area of sclera is extremely vast relative to the tiny irises, structured such that the sclera is distinctly visible especially beneath the irises. Sclera is also moderately visible above, effectively surrounding the irises on both top and bottom. Position the gaze and tiny irises so that sclera stands out on the top, bottom, left, and right. However, avoid an eerie, bulging-eyeball look. Keep the eyeball shape natural, emphasizing sanpaku eyes purely by shrinking the iris size. Maintain a narrow vertical eye aperture while securing large white space. Important: Do not increase sclera by making the eyes bigger; increase the proportion of sclera by making the irises smaller inside narrow, slender eyes. 6-4. Iris Position Irises are placed near the center of the eyes, but not in a mechanically perfect center. A very subtle, natural variance exists between the left and right iris positions. The gaze is fundamentally directed forward, but angled slightly to convey confusion or restlessness. Do not push the irises extremely to the corners. No extreme cross-eyed or walleyed squint. Adjusting the iris position should never diminish the wide area of sclera. The left and right eyes have subtle natural variations, avoiding mechanical symmetry. 6-5. Eyelids and Eye Contours The upper eyelid line is drawn slightly darker and subtly thicker than the lower eyelid. Upper eyelid carries visual weight, creating a sleepy, languid impression. The lower eyelid line is thin and delicate, not overly emphasized. Eye contours are smooth, drawn in dark tones close to black. Eyelashes are modest; no long, dense, glamorous lashes. Do not excessively extend eyelashes at the outer corners. Eyeliner is not too thick; no flashy makeup applied. 6-6. Eye Highlights Highlights in the eyes are kept to an absolute minimum. No large white light reflections, star-shaped highlights, or multiple twinkling points. No strong gradients on the iris; subtle shades from dark gray to black. Do not make the eyes sparkle like jewels. The appeal of the eyes comes not from sparkle, but from the contrast of wide sclera and tiny irises, heavy upper eyelids, and narrow eye shape. 6-7. Emotion Conveyed by the Eyes The gaze is sleepy, languid, and slightly awkward. Heavy eyelids, giving the impression of someone unaccustomed to opening their eyes wide. Not an aggressive glare or sharp scowl, but a gaze filled with tension and a bit of bewilderment. A slight anxiety and hesitation in the gaze. Eyes are not opened wide, eyebrows are not sharply arched; emotions are expressed through subtle nuances. Expresses a tense psychological state while maintaining tiny irises and wide sclera. 7. Eyebrows Eyebrows are a dark color matching the black hair. Partially concealed by the bangs, not overly visible in their entirety. Eyebrow thickness is thin to standard, with a natural shape. The angle of the brows carries slight instability, expressing perplexity and nervousness. Slight tension near the inner ends of the brows, with the brows subtly strained overall. Not extremely arched or emphasizing anger. Combining the heaviness of the eyes with the subtle angle of the eyebrows creates an awkward facial expression. 8. Nose The nose is small and modest. Simple anime-style depiction, not standing out when viewed from the front. Does not emphasize the bridge of the nose, represented naturally with small lines or faint shadows. Shadows on the nose are not too dark, preventing only the nose from standing out on the face. 9. Mouth The mouth is small and does not overly dominate the face. The mouth is slightly distorted/strained from tension. The mouth is slightly open
Oct 24, 2026 4:42 AM
AI artwork
Avatar image of ちょな子
【Style/Art Style】 A high-quality monochrome manga illustration in the style of Japanese shonen and seinen manga. Authentic manga expression using black and white pen drawing, delicate yet powerful manga line art, precise screentones, hand-drawn hatching, detailed stippling, and effective use of solid black (kuro-beta). A fusion of the momentum and impactful "Gekiga" style reminiscent of Showa to Heisei era shonen manga, combined with modern Japanese manga-style beautiful girl character design. The overall screen is based on black and white two-tone; white areas are bright and clear paper expressions, and black areas are deep, saturated ink expressions. Grey areas are not expressed as uniform grey fills, but through fine halftone screentones, cross-hatching, and stippling of varying densities. Clear variation in line weight: character outlines are distinct, while hair, clothing patterns, and facial shadows are depicted in detail. Texture of a printed manga manuscript. High resolution, meticulous detail, clear outlines, natural human anatomy, and the quality of a finished commercial manga panel. 【Composition/Aspect Ratio】 A vertical manga panel. Aspect ratio is approximately 4:5. A young woman eating ramen is placed prominently from the center to the left side of the screen. The woman occupies most of the screen, with her head, waist, and upper thighs visible. Her head is positioned at the upper center, and her torso is from the center to the bottom. In the bottom right, a man's face is placed prominently, looking shocked at the woman's way of eating. The man's face enters from the right edge of the screen, a bold close-up with part of his face extending beyond the frame. The woman's and man's faces are contrasted left and right, with the ramen and chopsticks placed near the center. The woman slurps a massive amount of noodles with a nearly expressionless face, while the man stares wide-eyed in shock. Emphasis on the contrast between the woman's calm eating scene and the man's exaggerated reaction. The camera angle is a slight high-angle view from the front of the woman. A composition where the woman's face, chopsticks, lifted noodles, and ramen bowl are all recognizable at a glance. 【Female Character Appearance】 A young adult woman. Small face with a slightly rounded contour. Fair skin, with the delicate features of a manga-style beautiful girl. Small facial features, with the relative positions of the eyes and mouth carefully depicted. Black bob hair. Length is from the jaw to just above the shoulders. The ends flare outward naturally, forming a fluffy silhouette. The hair is voluminous, creating a sense of three-dimensionality by combining blocks of black hair with white highlights. Many thin strands of hair are drawn to clearly express the flow of the hair. Heavy, straight-cut bangs (pattun). Bangs descend to hide the eyebrows and forehead, with the ends divided into fine strands. The eyes are visible through the gaps in the bangs. On both sides of her head, she wears decorative Chinese-style hair ornaments. The ornaments are based on rounded black decorations combined with white flower motifs. The flower ornaments feature thin outlines and small decorative patterns. Long white tassels hang from the hair ornaments. Many thin vertical lines are drawn on the tassels to express the delicate texture of thread. Small beads and teardrop-shaped ornaments are strung together for a traditional Chinese-style look. The hairstyle spreads to the sides, with the ends lightly flipping out. The outline of the head and the silhouette of the hair are clearly drawn. 【Female Expression】 The woman is absorbed in slurping ramen. However, her expression does not break significantly; she looks somewhat listless and nearly expressionless. The eyes are large, but the pupils are very small. The area of the whites is large, and the pupils are close to small dots. The left and right pupils look in slightly different directions, creating a unique expression as if she is out of focus. Relatively thick lines are used for the upper eyelids, lowering the lids slightly. The eyebrows are mostly hidden by the bangs. Fine lines are added around the eyes to express tension and concentration. Light screentones are used on the cheeks to make her look slightly blushed. Small drops of sweat are drawn on both cheeks. The facial contour and bridge of the nose are expressed simply. The mouth is in the shape of someone in the middle of slurping ramen. The lips are slightly open, with a large amount of thin noodles hanging from the mouth. Depict the moment the noodles are being sucked into the mouth. The woman's expression is not one of pain or distortion, but rather an atmosphere of silently continuing to slurp a huge amount of ramen. Eyes wide open, but pupils small, making her emotions hard to read. A manga-like expression where seriousness and surrealism coexist. 【Female Clothing】 A sleeveless Chinese dress (cheongsam) based in black. The neckline is a Chinese-style stand-up collar. The shape of the collar along the neck is clearly drawn. The silhouette fits the body from the chest to the torso. The fabric of the dress is black, with white floral patterns scattered throughout. The floral patterns include petals, leaves, thin stems, and detailed patterns in the center. The size of the flowers varies, and they are placed naturally depending on the part of the clothing. Floral patterns continue across the chest, torso, and waist. The black parts of the fabric are based on solid black (kuro-beta), with thin white lines and highlights where light hits. Fine shading is added according to the three-dimensionality of the body. Traditional Chinese decorative buttons and braided cord fasteners are placed on the chest. Multiple small circular ornaments and intersecting braided cords are drawn in detail. The decorations line one side of the chest, emphasizing the traditional cheongsam impression. The waist is tightly cinched to the body, creating a natural feminine silhouette. Floral patterns and decorative Chinese-style fasteners are also drawn near the waist. The hem and slits of the clothing are positioned to overlap with the bottom edge of the screen, with details of the clothing drawn in. The patterns of the clothing connect naturally even where they are hidden by the hair, hands, or ramen bowl. 【Female Arm and Hand Pose】 The woman holds the ramen bowl with her left hand and handles chopsticks with her right hand. The arm extending to the left side of the screen extends naturally from the shoulder, with the elbow lightly bent. From the wrist forward, it extends forward to hold the chopsticks. The hand holding the chopsticks is positioned to the left of the screen, slightly below the woman's mouth. The fingers grip the chopsticks naturally, showing the relative positions of the thumb, index finger, and middle finger. The chopsticks are long and thin, extending toward the mouth at an angle close to parallel. The chopsticks are placed diagonally from the left toward the center of the screen. The outlines of the two chopsticks are clearly drawn, with thickness varying slightly according to perspective. The other hand supports the bottom and side of the ramen bowl. The fingertips naturally follow the side of the bowl, with the thumb placed near the rim. The palm and finger joints are carefully depicted. The arms are thin and natural female arms. The connection between shoulder, elbow, and wrist is accurate, creating a natural posture. 【Ramen Slurping Action】 The woman is boldly slurping a huge amount of ramen. The noodles lifted by the chopsticks hang long from the mouth down toward the center of the bowl. The bundles of noodles are expressed by layering dozens of thin, wavy lines. Each noodle has subtle bends, twists, and overlaps. The noodles extend vertically and long from the mouth, reaching the surface of the bowl. Some noodles enter the mouth, some hang in the air, and some are about to sink into the soup. The bundles of noodles function as a vertical visual guide in the center of the screen. The noodle lines are a combination of black and white thin curves, expressing a dense thread-like texture. The lines are not perfectly uniform, with variations in thickness and curvature. Moderate black gaps are created in the center of the noodle bundles so that individual noodles can be identified despite the density. The noodles lifted by the chopsticks split into multiple bundles or entwine again along the way. A natural hang that conveys the weight of the noodles. The noodles follow curves according to gravity so they do not appear unnaturally rigid in the air. The relative positions of the mouth, noodles, chopsticks, and ramen bowl are drawn accurately to intuitively convey that she is actually slurping noodles. 【Ramen Bowl】 The woman holds the ramen bowl in front of her chest as if supporting it with both hands. The bowl is placed at the bottom center of the screen. The bowl is a slightly large, circular ceramic bowl. Drawn from a slight high-angle view so that the ramen and soup inside are visible. The rim of the bowl has thickness and is expressed with an elliptical perspective. The sides taper slightly toward the bottom. Large areas of the ceramic white are left, with the outlines and patterns clearly drawn. A band of Chinese-style geometric patterns is placed on the upper part of the bowl. A traditional "Raimon" (thunder pattern) consisting of continuous squares. The patterns are drawn in black lines and curve naturally along the surface of the bowl. A large kanji character 【華】 is placed in black in the
Oct 24, 2026 4:42 AM
AI artwork
Avatar image of ちょな子
黒に近いダークブラウンのボブヘア、毛先は自然に外ハネ、不揃いな前髪。小柄で細身、素朴で幼さの残る顔立ち。横長の半開きの目、小さな黒目と広い白目。頬はほんのり赤く、汗を浮かべ、歯を少し見せて緊張した困り顔。濃紺の長袖セーラー服、白い二本線の襟と袖口、大きな暗赤色の胸リボン、濃紺のプリーツスカート、黒いハイソックス、光沢のある黒いローファー。繊細な線画、柔らかな陰影、,
Oct 24, 2026 4:41 AM
AI artwork
Avatar image of ちょな子
A digital anime illustration of the character from image1 in a softly lit modern room, captured in a close portrait shot from a slightly high angle. She is leaning forward naturally, her arms extending downwards out of frame, tilting her head slightly up to gaze quietly at the viewer. She has dark brown, almost black, chin-length bob hair with thick, slightly uneven bangs, grey-blue eyes with half-closed eyelids giving her a sleepy, bored expression, and prominent freckles scattered across her cheeks and nose. She wears a charcoal-grey newsboy cap made of thick, woven fabric with a visible herringbone texture, which casts a shadow over her upper face. Her outfit consists of a light blue button-down shirt with the collar open and sleeves rolled up below the elbows, layered with wide, dark brown textured suspenders featuring small brass adjusters, and dark grey pants. Soft, diffused daylight enters from a tall dark grey window frame on the left, creating gentle highlights on her nose, cheek, and shoulder while leaving deep, natural shadows under her hat brim and collar. The background on the right features a portion of a dark grey desk and a small potted plant with green leaves, rendered with a softer focus to keep the emphasis on the subject. The artwork features refined, delicate line art, realistic fabric folds and material textures, and a muted, low-saturation color palette. The style of the image remains faithful to image1.
Oct 24, 2026 4:40 AM
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