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AI artwork
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cheerchan, brown hair, scrunchie, ponytail, brown eyes, large breasts, black_ribbon, cheerchan wearing a one-piece blue swimsuit, black belt with buckle, black pantyhose, black strap on her left thigh, short black boots,cheerchan, brown hair, scrunchie, ponytail, brown eyes, large breasts, school uniform, black_ribbon, blue plaid dress, blue blazer, blue pleated skirt, blue sleeveless shirt, cheerleader, yellow pom pom,bearhug, carrying, carrying person, pain, arched back, bear hug, 1girl, 1boy, cheerchan embarassed, embarrassed, angry, cheerchan angry eyes, angry, bearhug, constriction, chest squeeze, pectoral squeeze, constriction,
Mostrar parámetros
Tamaño
768 x 1280
Pasos de muestreo
28
Método de muestreo
Euler a
Escala CFG
5
Excluir de la imagen
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Modelo y LoRA utilizados

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
25.06k
[PonyXL] Bearhug concept - AI Model cover image

LoRA de usuario

[PonyXL] Bearhug concept
183
Cheer-chan - Getsuyoubi no Tawawa - AI Model cover image

LoRA de usuario

Cheer-chan - Getsuyoubi no Tawawa
21
bear hug (Illustrious) - AI Model cover image

LoRA de usuario

bear hug (Illustrious)
470

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A cinematic close-up shot from a low angle, focusing exclusively on the lower bodies of a tall male student and a petite female student from below the knees. The boy, positioned centrally, is lifting the girl high off the ground in a strong embrace; his legs are planted firmly, clad in crisp black school trousers that break cleanly over polished black leather shoes. The girl's legs dangle helplessly in the air, her feet floating with toes pointed downward, showing subtle motion blur to indicate trembling. She wears a pleated navy school skirt with detailed fabric folds, white knee socks that are slightly slipping down her calves, and brown loafers that dangle precariously from her toes. The dramatic height difference is emphasized by the spatial gap between the boy's shoes and the girl's floating feet. Soft natural lighting illuminates the scene, highlighting the realistic textures of the cloth and the gentle curve of the socks. The atmosphere is tender and dynamic, with a sharp focus on the legs and feet against a softly blurred school hallway floor.
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character: celica_a._mercury 2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle. The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh. The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
Gfcg
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character: celica_a._mercury 2girls, 1boy, male focus, from front, front view, eye-level, medium shot, celica_a._mercury, brown hair, long hair, ponytail, hair ribbon, red ribbon, ahoge, brown eyes, red eyes, school uniform, pleated skirt, cape, skirt, both arms up, arms raised, raised hands, open hands, surprised, wide-eyed, blush, embarrassed, flustered, sweatdrop, parted lips, looking at viewer, startled, man, short brown hair, white button-down shirt, rolled-up sleeves to the elbows, navy blue trousers, both hands gripping her skirt, leaning slightly forward, room interior, wooden floorboards, plaster wall, window with pale daylight, positive state: her ears bare and unadorned, her hair held only by its ribbon, positive state: her hands hold nothing, no speech bubbles, no lettering anywhere in the frame The camera sits at eye level, straight on, framing both figures from mid-thigh up in a vertical medium shot: the girl faces the viewer squarely, dead center, while the man stands just off her right shoulder, his body angled toward her hip so that his shoulder partly overlaps her arm and one of his shoes is hidden behind her skirt hem. Her line of action is a small backward recoil -- weight rocked onto her back foot, hips drawn an inch away from him, chest lifted, shoulders pulled up around her ears -- and both her arms are flung straight up above her shoulders, elbows slightly bent, palms open and empty, fingers splayed, nothing gripped in either hand. Her ponytail swings out and up behind her right shoulder from the recoil, its red ribbon trailing, the long tail of hair lifting clear of the cape that hangs from her shoulders; the short ahoge at her crown flicks forward. Her face is fully toward the lens: eyes wide and round, both irises catching the window light, brows lifted high, mouth open on a caught breath, a hot blush spread across both cheeks and the bridge of her nose, one sweatdrop at her temple. Her gaze is fixed straight on the viewer, caught mid-startle. The man's head is turned in profile toward her, chin down, eyes on the fabric in his fists, so his look lands on the point of contact rather than the lens; his eyebrows are drawn level in plain concentration. He leans in from behind and to her right, knees slightly bent, and both of his hands close on the side panel of her pleated skirt at hip height -- thumbs over the cloth, knuckles raised, the fabric bunched and creased between his fingers and pulled subtly toward him, so that the pleats fan open on that side and the hem lifts an inch off her thigh. The room is a plain interior: bare plaster wall in cool grey-beige, a strip of varnished wooden floorboards with visible seams running toward the viewer, a tall window at frame left. Daylight from that window is the only light source, cool and soft, striking the left side of her face and the left side of his shirt; the right side of both figures falls into gentle shade, and two soft cast shadows stretch across the floorboards to the right, hers bulky with the skirt's spread, his narrow and cut off by the frame edge. Palette: the warm browns of her hair and his, the pure red of her ribbon as the single saturated accent, her navy-and-white uniform against the cream of his shirt, all grounded on grey plaster and honey-toned wood. The detail budget sits on her face, her splayed open hands, and the compressed fabric in his fists, including the fine creases radiating from his knuckles where the pleats bunch. Bright, flustered, comedic.
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