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- Prompt original
- キャラクターデザインシート、プロフェッショナルでクリーンな仕上がり、トルソーから上のみを描写(胸・肩・首・頭部まで)、背が高く整った体格の男性キャラクター、上半身でも分かる美しいプロポーションと落ち着いた存在感、磁器のように白い肌、短めのアルビノホワイトの髪で自然なゆるいウェーブがあり、顔周りに柔らかくボリュームを持たせた髪型、アルビノのまつ毛、淡いグレーがかった水色の瞳で知的かつ穏やかな眼差し、細くシンプルなモダンデザインの眼鏡を着用、表情は静かで自信があり上品、スノーレオパードの特徴として頭部にふわりとした淡色の耳があり自然に馴染んでいる(尾は画面外でも存在感を意識)、衣装は参考画像そのまま:落ち着いた色味のチェック柄長袖シャツ、ストレートな黒いネクタイ、その上に明るい色のノースリーブベストを重ねたモダンなコーディネート、上半身の布の質感とシルエットが分かる描写、1枚のシートに正面・横・背面・斜め(3/4)ビューと複数の顔アップを配置、角度ごとに首・肩・胸元の構造が分かるよう統一感を重視、ソフトなアニメ調の線画、繊細でクリーンな塗り、やわらかな陰影、白〜淡色背景、PIX AI向け高品質キャラクターデザイン用プロンプト。
- Tamaño
- 1280 x 768
- Pasos de muestreo
- 25
- Método de muestreo
- Euler a
- Escala CFG
- 6
- Excluir de la imagen
- worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands
Modelo y LoRA utilizados
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user-2041594578770292590
いち
星
anime, sharp lineart, high contrast, deep shadows, high-gloss texture, clean_art_painting_style, slightly_flat_color, detail illustration, -2::simple illustration, cool lighting, pale color, Male, highest quality, ultra-high resolution, handsome, plain gray background, medium distance, neither too close nor too far, gray hair, center-parted bangs, gray eyes, short hair tied into a low ponytail, standing pose, expressionless, gray shirt, black necktie, glasses, looking straight at the viewer.
星野七穂
mr
sketch, flat color, soft skin, sketch lines, (EyesHD:1.2), (masterpiece:1.2), (best quality:1.2), ultra-detailed, very aesthetic, sharp focus, depth of field, vibrant colors, best lighting, detailed illustration, cinematic, Character sprite, plain white background, (perfect anatomy:1.2), Male, 1guy, White hair, short hair, grey eyes, glasses, White button shirt, black pants
Mikko Renberg
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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