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1girl, kuroki tomoko\(watamote\), smiling, heavy eyeliner, full body, happy, dirty clothes, dirty feet, dirty soles, smelly, smegma on feet, dirty bedroom, muddy ground puddle, messy bedroom, dirty mattress, wet dirty, wet mess, Feet_burger
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Prompt original
watamote, kuroki tomoko, smiling, heavy eyeliner, watamote,kuroki tomoko, full body, happy, dirty clothes, dirty feet, dirty soles, smelly, smegma on feet, dirty bedroom, muddy ground puddle, messy bedroom, dirty mattress, smelly, wet dirty, wet mess,watamote,kuroki tomoko,Feet_burger
Tamaño
768 x 1024
Pasos de muestreo
28
Método de muestreo
Euler a
Escala CFG
5
Excluir de la imagen
(bad quality,worst quality,worst detail,bad, low quality,low details, poorly drawn, bad anatomy:1.2), (extra fingers, bad hands, bad fingers, split fingers, fused arms, fused hands, fused fingers:1.2),, nsfw

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AI artwork
Avatar image of ꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂
character: yamamura_sadako 1girl, solo, mature female, yamamura_sadako, very long black hair, hair over one eye, hair over face, black eyes, pale white skin, white dress, barefoot, looking at viewer, cute eyes, faint dark circles under eyes, light smile, closed mouth, standing split, standing on one leg, arms up, arms above head, arm around leg, heart hands, hands above head, sole close-up, foot focus, greek foot, long second toe, detailed sole, toes, plantar wrinkles, from above, extreme high angle, foreshortening, close-up, soft lighting, indoors Viewed from an extreme high angle looking almost straight down, the raised sole of one bare foot dominates the top of the frame in enormous, tack-sharp close-up: pale skin, the fine whorls and creases of the sole, the soft pad of the heel, the arch, and five clearly drawn toes in Greek-foot order — the second toe the longest, standing proud of the big toe — each toenail clean and softly lit, the sole's near edge blurring only in the outermost millimetre of the frame. Below and behind it the woman rises from the floor in a standing split: her right leg straight and flat on the floorboards, toes gripping, taking her full weight; her left leg lifted straight up alongside her body until the sole faces the lens. Her long black hair, parted so the curtain of it falls over the left side of her face, hangs downward against gravity toward the floor, its ends pooling in a soft dark spiral. Both arms are raised overhead and wrapped around the lifted leg, her hands meeting above her head in a heart shape made of two curled hands, fingers bent to close the curve, the heart sitting just below her ankle. Her torso is turned slightly toward the standing leg, the white dress pulled taut over a full, curvy mature figure, the hem falling open around her hips. A faint, barely-there smile curves her closed lips, one brow lifted a hair's breadth; a pale smudge of dark circles under both eyes gives her gaze a soft sleepy sweetness, and her dark eyes look up into the lens through the black hair, meeting the viewer. The room is an empty, pale, softly lit interior, floorboards receding below her with her standing foot's small shadow pooled at its contact, the walls a diffuse off-white; the only light is a soft even wash from above and a little behind the camera, gentling the undersides of her lifted foot and shoulder and letting the shadow under the arch of her raised sole gather into a soft grey gradient. Muted palette of black, white, pale skin tones and warm off-white floor, nothing else admitted. Quiet, faintly uncanny tenderness.
꧁✿ 𝑮𝒐𝒐𝒅 𝑳𝒊𝒇𝒆 ✿꧂

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