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Ballerina Dark Bloom Symbiote Corruption
Arte de IA «Ballerina Dark Bloom Symbiote Corruption» de iojesiofdcqwn3on4oi3 en PixAI. Etiquetas: Winx Club, tentáculos, Vestido, ojos rojos, pelo rojo. Creado con Amanatsu (Illustrious).
#tentáculos#Vestido#ojos rojos#pelo rojo#pelo largo#pelo naranja#Maquillaje#Versión oscura#Chica mágica#ojos naranjas#de pie sobre una pierna#piernas desnudas#hombros descubiertos#mirando al espectador#látex#Vestido negro#Corrupción#Tutú#simbionte#bailarina de ballet#Ropa viva#guantes negros#Ballet#Winx Club#Dark Bloom
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- Prompt original
- dark bloom (winx club), bloom (winx club), caressing, 2girls, runny makeup, {{ballerina 1.5, ballet slippers, flexible, leg up, from behind, tendrils over face}}, dancing, evil smile, impossible clothes, translucent, red head, black liquid, fairy wings, translucent clothes, {{tentacle bodystocking}}, glitter, loose glitter, glitter lipstick, glitter eyeshadow, long eyelashes, detached sleeves, goo transformation, latex transformation, living clothes transformation, transformation, corruption, absorption, tentacles, transforming clothes, purity to corruption, Lovecraft horror background, eyes on background, character focus, depth of field, glowing particles, glowing, soft_light, loose_glitter, crumbly_shine, witchblade,dark bloom (winx club), solo, 1girl, orange hair, yellow eyes, dark blue skirt, dark blue elbow gloves, fairy wings, hair between eyes, dark blue crop top, long hair, red hair, dark persona, purple lips, y2k fashion, makeup, tiara,Living Clothes, Tentacle Clothes, Parasite
- Tamaño
- 1280 x 768
- Pasos de muestreo
- 11
- Método de muestreo
- Euler a
- Escala CFG
- 4.5
- Excluir de la imagen
- sharp teeth in mouth, sharp teeth on face, teeth on face, multiple arms, multiple legs, multiple heads, broken body, pink skin, blue skin, bow, collar, sailor collar, senshi, tail,
Corrección de rostro
Alta resolución
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s
character: remilia_scarlet, copyright: touhou
2girls, remilia_scarlet, nami (one piece), vampire, bat wings, short blue hair, red eyes, bat-wing hair accessory, crimson dress, frills, short sleeves, sitting, throne, raised chair, legs crossed, calm expression, sadistic smile, pleased, looking at another, orange hair, long hair, hair flowing, glowing red eyes, brainwashed, empty eyes, heavy blush, seductive smile, parted lips, open mouth, arched back, arms up, raised arms, one leg up, standing on one leg, mid-dance, black dress, red dress, open-front dress, sheer fabric, lace, extremely short skirt, flared skirt, skirt flare, plunging neckline, cleavage, garter straps, red collar, bat charm, obedient, private hall, mansion interior, red carpet, chandelier, dramatic lighting, soft lighting, full body, wide shot, from side, dutch angle,
The camera looks slightly up and across the hall from a low three-quarter angle tilted a few degrees off level, the whole private hall opening up in a wide shot: at frame center, small and bright against the deep red of the room, the orange-haired thrall is caught in the middle of her dance on the red carpet, while to the right of frame, further back and higher, the short blue-haired mistress sits on her raised throne and watches her. The dancer's weight rides on her straight right leg, the left leg lifted slightly with the knee bent and the toe pointed and hovering a hand's width above the carpet; her spine arches backward so her chest and throat open toward the ceiling, both arms raised gracefully overhead, wrists loose, fingers trailing. Her orange hair lifts and streams sideways with the turn of her body, strands crossing her cheek and floating clear of her shoulder. Her face is tilted up and toward the throne, lids heavy over eyes that glow soft red with nothing behind them, a deep flush burning across both cheeks and the bridge of her nose, lips parted in a slack mind-broken seductive smile. The tiny black-and-crimson open-front dance dress clings and floats at once: sheer fabric and lace panels part down the front from a deep plunging neckline, the extremely short flared skirt lifted and fanned outward by her motion so its hem rides high, black garter straps drawing taut along her thigh, and an ornate red collar set high at her throat with a small bat charm swinging against her collarbone. On the right, the mistress sits with her legs crossed at the knee, one booted foot hanging free, her back resting against the tall chair back, one elbow on the armrest and her chin tipped into her fingers; her crimson dress with its frilled short sleeves spills over the seat, and the bat-wing hair accessory rides above her short blue hair. Her red eyes are fixed on the dancer and never leave her, lids half lowered, one corner of her mouth pulled up in a calm, sadistic, thoroughly pleased curve; she is utterly still while the other body moves. Light comes from the chandeliers overhead and from the tall windows behind the columns — warm low chandelier light pooling on the dancer's shoulders, lifted arms and arched throat, cool dimmer light rimming the throne, long soft shadows falling away from both figures across the red carpet, whose pile shows the drag of the dancer's pivoting foot. The palette is crimson and black against warm candle-gold, with the dancer's orange hair and the two pairs of glowing red eyes as the only hot accents. Deep hall receding into shadow behind them, columns and drapery simplified into large dark shapes, the empty carpet between throne and dancer carrying the tension of the gap. Rich, dominant, quietly thrilling.
Sneedhou
むい
Momo Yaoyorozu & Kyoka Jiro
Jacob Márquez
mm
adwawdaw
Mariluz Mora
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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the ballerina
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