📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI art "Bianca (Pokemon) With Oshawott Part 3"
Generar nueva obra de arteGenerar gratisGenerar gratis

Bianca (Pokemon) With Oshawott Part 3

#Pechos#Gafas#Pokémon#sentado#Feliz#Sombrero#boob pocket#pelo corto#Al aire libre#Pelo rubio#Lengua#Sonrisa#Hierba#abrazo#ojos verdes#Boca abierta#ojos cerrados#Bel#Oshawott#mangas cortas#1 chica#Pokémon Edición Negra y Pokémon Edición Blanca#sosteniendo#gafas de media montura#Tres vistas#boca cerrada#PixAITsubaki2
Ver más

Comentarios

character: bianca_(pokemon), oshawott. Anime illustration of a single girl, Bianca from Pokémon, kneeling on lush green grass in a sunlit meadow, hugging one adorable oshawott tightly to her large breasts. Bianca has short blonde hair, green eyes, and wears a white short-sleeved shirt under an orange vest, skirt, hat, and glasses; her arms wrap around oshawott's body with hands gently cradling its back, her face buried affectionately in its head with a joyful smile and closed eyes. Oshawott, with blue fur, white accents, hairpods, cone hair buns, and black eyes, nuzzles back happily, its small paws resting on her chest. Detailed grass blades with dewdrops in the foreground, soft bokeh background of blurred greenery and wildflowers. Great quality, best quality rendering with vibrant colors, warm sunlight casting gentle shadows, high detail on fabrics, fur textures, and expressive faces, heartwarming and tender atmosphere.</p
Mostrar parámetros
Prompt original
1girl,large breasts,grass,bianca (pokemon),hugging to one oshawott
Modo
standard
Tamaño
768 x 1280

Modelo y LoRA utilizados

Imágenes similares

Mostrar más

Usuarios recomendados

Podría gustarte

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬