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桜の下の制服少女ミライ・ヤシマ
春の陽気と満開の桜の中で微笑む彼女の姿がとても愛らしいです。彼女の優しさと明るさが伝わってきて、一緒にこの景色を楽しみたくなります！この作品が気に入ったら、いいねやフォローをよろしくね♪次回作もお楽しみに！コメントもお待ちしています！
Mostrar parámetros
- Prompt original
- Mirai Yashima,brown hair,short hair,black eyes,retro artstyle,1980s (style)、アニメに近い表情、高画質､にこやかな表情、school uniform,white dress shirt,green plaid skirt,green ribbon,ミニスカート 清楚 navy blue blazer,long sleeves,gold buttons,、黒いローファー、カウボーイショット、正面から見る、爽やかな女子高生、笑顔、桜並木の背景、桜を見上げる、（最高品質、超高精細、アニメ風、繊細な描写 知的で上品な雰囲気、自然体の美しさ、親しみやすさと気品の両立、 [髪型]、[髪色]、 整った顔立ち、やや真剣さを含んだ優しい目元、落ち着いた視線、 ナチュラルメイク、 自然な体型、女性らしい柔らかな曲線、健康的な色気、 控えめで上品だが体のラインを程よく感じる服装、 やや開いた襟元、柔らかい生地感、自然なシルエット、 場所：[桜の名所]、 背景：満開の桜並木 ポーズ：自然体で落ち着いた姿勢、軽く体を傾ける、さりげなく髪に触れる 感情：穏やか、 肌に自然なハイライト、陰影のコントラスト、被写界深度、 上品で控えめな色気、洗練された雰囲気、 露骨ではない自然な肌見せ、 構図安定、破綻なし、手足の崩れなし
- Tamaño
- 768 x 1280
- Pasos de muestreo
- 28
- Método de muestreo
- Euler a
- Escala CFG
- 5
- Excluir de la imagen
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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xo
masterpiece, best quality,1980s anime style, blue sky, cloud, 1girl, ryoko takayanagi majinden, black hair, short hair, messy hair,brown eyes, school uniform, blue blazer, white collared shirt, neck ribbon, pleated skirt, looking at viewer, nervous, blush, smile, open mouth, cowboy shot, running, one knee, from side
xx ox
森井夏穂その1129。
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森井夏穂その1127。
成瀬一真
森井夏穂その1052。
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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