Tsubaki example
En PixAI los prompts son públicos por defecto, pero cada creador puede ocultarlos en las obras que publica. Quien creó esta obra decidió hacerlo, así que las palabras con las que se generó la imagen permanecen privadas: solo esa persona puede verlas. Ocultar el prompt no cambia nada más: la obra sigue siendo pública y puedes darle me gusta, comentarla y compartirla como siempre.
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狂気に染まる赤い瞳の“彼”
酒月凜音
Cadáver sonríendo
Jose Seg
1boy, solo, medium shot, low angle, slight lens distortion. Messy long white hair flowing wildly and covering part of his face, intense glowing purple eyes with stark white highlights looking down at the viewer, sharp facial features, stubble, expression of cold rationality and ancient fatigue. Shirtless, exposing a muscular torso with scarred chest, necrotic texture, pale grey skin with visible dark veins under the surface like roots spreading across his body, gaunt cheeks, sunken eyes. He stands alone, upper body dominating the frame, his undead appearance emphasized by the gaunt cheeks and sunken eyes. Behind him, a simple abstract ink wash background directly behind his figure, floating debris scattered deep in the darkness, a dark void surrounding him, minimal background to focus entirely on his figure. The stark monochrome palette creates harsh contrast on his pale skin and white hair, with rapid falloff into deep black shadows under his pectorals and abdominal muscles, the only color accent being the glowing purple eyes that cut through the darkness; his shadow stretches upward and behind him, elongated and distorted by the low angle. pure black, pale grey, stark white, deep purple, ash grey. cold, ancient, fatigued, rational, undead. thick brush strokes, cross-hatching shading, screentones, splatter ink effects, rough paper texture, black and white with subtle purple glow, dramatic shadows, intricate line work on muscles and hair, kentaro miura style, inio asano style, visceral art, emotional weight.,painterly, surrealism, horror, paint, masterpiece, harsh lighting, muted colors
inertia
character: frankenstein's_monster, copyright: frankenstein
painterly-anime, colored lineart, soft pencil sketch, painterly rendering, soft blended shading, rim lighting, luminous skin, oil pastel texture, warm pastel tones, cobalt-periwinkle palette, chalky grain, dimensional facial rendering, sculpted facial features, defined facial planes, textured brushwork, layered shading, panterly, muted pastel, delicate linework, fine linework, faded colors, color accents, gentle cel shading, soft contrast, powdery colors, flat color blocks, smooth tonal transitions, low contrast, ethereal light, masterpiece, beautiful light, best shadow, color blink,
A terrifying yet tragic depiction of Frankenstein’s creature, faithfully based on Mary Shelley’s original novel, viewed from a dramatic high-angle overhead perspective similar to a camera looking down at a person from above. The creature is standing directly beneath the camera and looking upward straight into the viewer’s eyes, creating an unsettling sense that the viewer is looking down at him while he stares back.
He is an enormous human-like figure, nearly eight feet tall, with an unnaturally powerful and imposing physique. His body is humanoid but visibly wrong and unsettling, with yellowish, corpse-like skin stretched thinly over prominent muscles, veins and arteries, as described in the novel. His complexion is shriveled and unhealthy, with an almost lifeless, sickly appearance rather than the appearance of a normal human being.
His face is gaunt and deeply unsettling: watery pale eyes surrounded by dark, hollow-looking eye sockets, an unnaturally intense gaze directed straight at the viewer, a flat and severe expression, thin facial features, a large forehead, and straight black lips contrasting strongly against his yellow skin. His mouth is slightly open, revealing unnaturally white, perfectly visible teeth. His face should look tragic, exhausted and almost painfully human rather than like a conventional monster.
His hair is long, lustrous, straight and extremely dark black, falling messily around his face and shoulders. Individual strands hang loosely across his forehead and cheeks.
The creature is almost completely naked except for a crude, torn black cloth wrapped around his waist, resembling a primitive, ragged garment. The fabric is old, frayed, dirty and irregular, hanging loosely around his hips and leaving his enormous torso, arms and shoulders exposed.
No neck bolts, no square head, no mechanical parts, no obvious stitches, no modern Frankenstein movie design. He should look like the creature described in the original novel, created from human anatomy but assembled into something disturbingly unnatural.
He is standing inside a dark Gothic nineteenth-century laboratory, filled with antique scientific equipment, glass vessels, strange bottles containing dark liquids, test tubes, metal instruments, old wooden tables, copper pipes, hanging apparatus, candles and dim lamps. The laboratory has Gothic stone walls, enormous arched windows, dark wood, damp surfaces and deep shadows, creating an atmosphere of forbidden science and supernatural horror.
The composition should strongly emphasize the high-angle perspective: the camera is positioned significantly above the creature, looking almost vertically downward, similar to photographing a child from directly above. The creature’s body and shoulders appear distorted slightly by the perspective, while his face is tilted upward toward the camera. His eyes must be the visual focal point, staring directly at the viewer with an eerie, intelligent and almost sorrowful expression.
Dark Gothic horror, melancholic atmosphere, muted green-gray and brown tones, dramatic chiaroscuro lighting, subtle film grain, highly detailed traditional illustration, realistic anatomy, unsettling 19th-century scientific atmosphere, painterly textures, haunting composition, cinematic lighting, ominous shadows, sophisticated horror illustration.
Vertical composition, full body visible, dramatic overhead camera angle, viewer looking down at the creature, creature looking directly back at the viewer, no text, no watermark.
Adrian C.T
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