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Fateシリーズ（衛宮士郎＆藤村大河）
「ねぇ結婚しよっか」「そうだね」の会話3秒で終るタイガールート。わけのわからない頭のおかしい女どもには一切かかわらず普通の人生を送ってもいいじゃない。でも嫁の実家は反社だ、公権力の追及をのらリくらりと回避して生きる一般人からしたら結構なハードモードな人生だけどこいつらなら大丈夫そう。プレイ当時なんでタイガールート無いんだよって本気で思いました。結婚式の教会はタイガーの野生の感が働いて別の町に引っ越して違う町の教会での挙式だぞ。凄いぞ野生の感。
Mostrar parámetros
- Prompt original
- anime style 女性一人、男性一人 女性はシンプルで体のラインが協調されるノースリーブの白のウェディングドレス 白のヴェール、はにかむ笑顔、男性はダキシード、緊張した表情。背景は教会で男性は女性に結婚指輪をはめようとしている。男性と女性は向かい合っている。
- Tamaño
- 768 x 1280
- Pasos de muestreo
- 12
- Método de muestreo
- DPM++ SDE Karras
- Escala CFG
- 4.5
- Excluir de la imagen
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (extra fingers, extra digits, extra legs, bad hands, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.2)
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night, dark, medium angle, 1boy, enma kozato, red hair, red eyes, black tuxedo, satin lapels, white dress shirt, black bow tie, white rose boutonniere, 1girl, blue hairband, DITKokoro, light-brown hair, fluffy hair, wavy hair, long hair, blue eyes, long eyelashes, ahoge, beige skin, wedding dress, bridal veil, white dress, strapless dress, bare shoulders, hair up, cleavage, hair ornament, hair flower, hair bun, sidelocks, single hair bun, long dress, white bow, white veil, pink flower, white flower, together, standing, legs together, happy expression, hands holding bouquet, kissing
mikel diaz22
ul
上条当麻と食蜂操祈
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masterpiece, best quality, 1girl, 1boy, hetero, solo focus, <lora:mai_solw:1>, mai_solw, mai_chihirosl, long_hair, low_ponytail, brown_hair, green_eyes, <lora:wedding-ring-ponyxl-lora-nochekaiser:1>, wedding ring, marriage proposal, pov, pov hands, hand grab, blush, wedding dress, white dress, veil, one eye closed, tears, church, smile, bare shoulders, collarbone, cleavage, dutch angle, looking at viewer, cowboy shot
jos dias
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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