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En PixAI los prompts son públicos por defecto, pero cada creador puede ocultarlos en las obras que publica. Quien creó esta obra decidió hacerlo, así que las palabras con las que se generó la imagen permanecen privadas: solo esa persona puede verlas. Ocultar el prompt no cambia nada más: la obra sigue siendo pública y puedes darle me gusta, comentarla y compartirla como siempre.
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Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
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AI artwork
吉
1girl, solo, female high school student, tall female, 200cm tall, slender, long legs, very long legs, beautiful legs, legs emphasized, black socks, black knee-high socks, long brown hair, brown eyes, sitting, knees slightly bent, legs stretched out, legs extended toward viewer, feet toward viewer, foreshortening, perspective, from above, from front, looking down at viewer, black hair ribbon, white short-sleeved button-up shirt, sailor collar, pleated navy blue skirt, loose sock, feet close to camera, her room, indoor, afternoon light, warm palette, light smile, looking at viewer, Shot from above and slightly in front, tilted down the length of the girl's outstretched legs, the perspective running from the soles of her black socks huge in the near foreground back to her hips and face small at the top of the frame. She sits on the floor of her room, hips settled on a low cushion, torso leaned back on one straight arm braced behind her, spine relaxed, one shoulder lower than the other. Her legs stretch straight toward the viewer, knees just barely bent so the lines of them break softly rather than fully locking, one foot tipped onto its heel and the other on the toe, black socks pulled high to mid-calf, the ribbed fabric clinging and creasing at the ankle, one sock slipping a little lower than the other with a fold at the top band. Her outstretched hand grips the cushion edge, fingers pressing into the seam; the other hand rests on one thigh, palm settling just below the skirt hem. Her long brown hair falls past her back and pools in loose strands on the floor at the side away from her braced arm, one lock sliding forward over her shoulder and hanging down toward her lap. She wears a white short-sleeved button-up shirt with the top button left open, the collar gone slightly askew with her lean, and a pleated navy blue skirt spread on the cushion around her hips. A black ribbon holds a half of her hair back from her face. Her head is tipped forward toward the viewer, chin lowered, lids half lowered under a faint, lopsided closed-mouth smile, eyes fixed on whoever stands above her. The camera is low in the foreground and high relative to her, so her socked feet fill the bottom third and the floorboards run away in converging lines toward her waist; perspective distortion stretches the near legs and shrinks the far shoulders, the classic long line of them exaggerated by the point of view. Behind her, her room: a low bed with a rumpled blanket at the back wall, a bookshelf with a few books slumped against each other, a single window on the left casting a slanted bar of afternoon sun across the floorboards, dust in it. The right side of the room drops into soft shadow. Warm honeyed daylight from the window, cool gray fill in the shadows, palette kept to white, navy, warm brown and the black of the socks and ribbon. A subtle detail: the sun bar ends exactly at her nearer sock, the sock's rib making a comb of tiny shadows along the light's edge. Calm, cozy, casually confident.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, long black hair, black hair, barefoot, bare feet, soles, foot focus, soles of feet, crossed legs, sitting, sitting on sofa, sofa, chin rest, hand on cheek, resting chin on hand, head rest, foreshortening, perspective, from below, extreme foreshortening, foot up, toe point, slender toes, high arch, large feet, beautiful feet, tall female, slim figure, long legs, looking at viewer, half-closed eyes, light smile, relaxed, indoor, living room, window light, day The camera sits low and close to the floor, tipped steeply upward, so the shot opens on the undersides of two bare feet pushed toward the lens and everything else recedes up and away behind them. The nearest sole fills the lower half of the frame, huge and sharply rendered: its long vertical span runs from the round pad of the heel at the bottom edge up past a deep, clearly scooped arch that hollows the inside edge, to the ball of the foot where five slender toes curl slightly and separate. The second foot crosses behind and above the first at the ankle, its own sole turned three-quarters toward the viewer, toes overlapping the first foot's toes, heel resting against the first foot's instep — the crossed-leg knot is read entirely from underneath. Skin of the soles is pale ivory with a faint warm blush at the heel and the ball, fine creases drawn across the arch and under the toes, and the toes tipped with a soft pink flush at the tips, no nail polish. The feet are pressed forward at the lens, so the toes nearest the camera are large and softly focused at their leading edges while the arch and heel behind them stay crisp. Above and behind the feet, shrinking with the foreshortening, she sits deep in a low-backed fabric sofa, spine settled into the right-hand cushion, one hip lower than the other, the crossed upper leg's knee lifted. Long black hair falls in a straight heavy sheet over one shoulder and pools along the sofa back, a few strands slipping forward across her collar. She wears a white short-sleeved button-down shirt, sleeves ending mid-upper-arm, collar open, and a pleated navy skirt whose hem rides up over the crossed thigh, folds fanning in the seat. Her right elbow is planted on the sofa's armrest, forearm rising, and her cheek rests heavily into the heel of that hand so the flesh of her cheek presses and lifts slightly; fingers curl loose against her jaw, one fingertip near her lip. Her left hand lies slack across the upper knee. Her eyes are half-lidded under a light, lazy smile, looking straight down the length of her own legs into the lens — a calm, unbothered, faintly teasing regard. The room is a quiet domestic interior: a plain plaster wall behind the sofa, a window off-frame to the left throwing cool daylight across the scene from the left side. That single light grazes the near sole's outer edge and the tops of the toes, leaves the arch and the space between the crossed feet in soft shadow, and lays a long soft shadow of the feet and the sofa leg across the floorboards in the foreground right, stretching away from the window. Palette is restrained: ivory skin, white shirt, navy skirt, black hair, warm grey sofa, pale wood floor, cool daylight — nothing else admitted. The single-variable physics: the near sole's leading toes blur very slightly with proximity while the arch behind them stays tack-sharp, selling the extreme close foreshortening. Intimate, quietly playful.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, long black hair, black hair, barefoot, bare feet, soles, foot focus, soles of feet, crossed legs, sitting, sitting on sofa, sofa, chin rest, hand on cheek, resting chin on hand, head rest, foreshortening, perspective, from below, extreme foreshortening, foot up, toe point, slender toes, high arch, large feet, beautiful feet, tall female, slim figure, long legs, looking at viewer, half-closed eyes, light smile, relaxed, indoor, living room, window light, day The camera sits low and close to the floor, tipped steeply upward, so the shot opens on the undersides of two bare feet pushed toward the lens and everything else recedes up and away behind them. The nearest sole fills the lower half of the frame, huge and sharply rendered: its long vertical span runs from the round pad of the heel at the bottom edge up past a deep, clearly scooped arch that hollows the inside edge, to the ball of the foot where five slender toes curl slightly and separate. The second foot crosses behind and above the first at the ankle, its own sole turned three-quarters toward the viewer, toes overlapping the first foot's toes, heel resting against the first foot's instep — the crossed-leg knot is read entirely from underneath. Skin of the soles is pale ivory with a faint warm blush at the heel and the ball, fine creases drawn across the arch and under the toes, and the toes tipped with a soft pink flush at the tips, no nail polish. The feet are pressed forward at the lens, so the toes nearest the camera are large and softly focused at their leading edges while the arch and heel behind them stay crisp. Above and behind the feet, shrinking with the foreshortening, she sits deep in a low-backed fabric sofa, spine settled into the right-hand cushion, one hip lower than the other, the crossed upper leg's knee lifted. Long black hair falls in a straight heavy sheet over one shoulder and pools along the sofa back, a few strands slipping forward across her collar. She wears a white short-sleeved button-down shirt, sleeves ending mid-upper-arm, collar open, and a pleated navy skirt whose hem rides up over the crossed thigh, folds fanning in the seat. Her right elbow is planted on the sofa's armrest, forearm rising, and her cheek rests heavily into the heel of that hand so the flesh of her cheek presses and lifts slightly; fingers curl loose against her jaw, one fingertip near her lip. Her left hand lies slack across the upper knee. Her eyes are half-lidded under a light, lazy smile, looking straight down the length of her own legs into the lens — a calm, unbothered, faintly teasing regard. The room is a quiet domestic interior: a plain plaster wall behind the sofa, a window off-frame to the left throwing cool daylight across the scene from the left side. That single light grazes the near sole's outer edge and the tops of the toes, leaves the arch and the space between the crossed feet in soft shadow, and lays a long soft shadow of the feet and the sofa leg across the floorboards in the foreground right, stretching away from the window. Palette is restrained: ivory skin, white shirt, navy skirt, black hair, warm grey sofa, pale wood floor, cool daylight — nothing else admitted. The single-variable physics: the near sole's leading toes blur very slightly with proximity while the arch behind them stays tack-sharp, selling the extreme close foreshortening. Intimate, quietly playful.
吉田晴樹

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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