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- Prompt original
- A hyper-realistic, medium close-up photograph of the massive, ancient stone Gate of Truth from "Fullmetal Alchemist", precisely matching image_3.png's design. The two stone doors are slightly ajar, set against a stark, pure white background. The ancient stone texture is incredibly detailed, showing deep etching and wear. Both door panels are covered in precise, intricate engravings of the Sephirotic Tree of Life, featuring specific, legible Latin and Hebrew text within the spheres (Sephirot) and along the paths (e.g., "Keter," "Wisdom," "Elohim," "Eloah," "Kingdom," etc.). The text within "Kingdom" is particularly detailed, with the layered Hebrew and English. The vertical text "RIGHT HAND PATH" is on the left, and "LEFT HAND PATH" is on the right, also clearly etched. The bottom radiating patterns with their feather-like extensions and circular hubs with texts ("The Four Elements," "Nature," "Matter," "Energy," "Path," "Mental Path," "Action Path") are perfectly replicated. Through the narrow gap between the doors, a large, intensely bright, purple-irised eye with a sharp, vertically-slit pupil stares directly out, its texture glossy and detailed, with a prominent catchlight. Deep shadows fill the void behind the eye. The lighting is cinematic, highlighting the relief of the stone carvings and the brilliance of the eyeb,Tentacles emerging from the door ,black tentacles,white backgroundtentacles, Stone door, door opening, door extending black tentacles, dark background of the door, in nothingness, solo, what, black and white, traditional media (artwork), group, disembodied hand, pen (artwork ,female, lopunny, pokemon (species), penetration, breasts, vaginal, anthro, tentacles, vaginal penetration, tentacle penetration, sex, genitals, nipples, pussy, oral penetration, bodily fluids, fur, brown body, vaginal fluids, Vaivén Door, Double-action door,Stone gates on the sides, tentacle sex, oral, genital fluids, brown fur, areola, duo, big breasts, tentacle in mouth, thick thighs, tentacle in pussy, blush, nude, black sclera, mammal, fingers, spreading, female penetrated, navel, lagomorph, sweat, spread legs, tentacle around leg, feet, toes, digital media (artwork), 5 fingers, long ears, tentacle creature, tan body, curvy figure, wide hips, tan fur, anthro penetrated, ambiguous gender, female/ambiguous, pink nipples, looking pleasured, red eyes, pink areola, male penetrating, 4 toes, eyebrows, penile, restrained, glistening body, smile, big ears, wrist tuft, hand on breast, eyelashes, consentacles, leg grab, breast grab, clitoris, male penetrating female, pink pussy, tail, glistening, leg tuft,White background. ((masterpiece)), ((best quality)), (ultra-detailed), ((extremely detailed)), (high resolution), 4k, (8k), best quality, (beautiful), (dynamic lighting), (super detailed), sharp focus,Extra detailed fur ((Extremely detailed)), ((masterpiece)), (ultra-HD), impressionism, ((high detail)), dynamic lighting, best quality, ((very aesthetic 8k)), (best quality), anthro, detailed fluffy fur, detailed fur
- Tamaño
- 1065 x 1240
- Pasos de muestreo
- 32
- Método de muestreo
- DPM++ 2M SDE Karras
- Escala CFG
- 3
- Excluir de la imagen
- lowres, worst quality, low quality, large head, extra digits, bad eyes, monochrome, bad hands, bad feet, fewer digits, extra digits, deformed, mutant, signature, artist name, ugly face, mutated hands, blurry face, blurry, jpeg_artifacts, gif_artifacts, grainy, wip, uncolored, censored, scan
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1girl, solo, evil woman, red glowing eyes, no pupils, no nose, no mouth, rotund, demonic horns, (demonic horns:1.5), eldritch abomination, hole on body, tentacles, monster, size difference, giant, glowing fingernails, reaching, bubble, holding, planets, many planets, constellation, black hole, asteroid, dead planets, space environment, galaxy, dark space, red and black background, celestial, mysterious expression, animated, 1other, artist name
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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