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a girl
Arte de IA ยซa girlยป de hkouyama en PixAI. Creado con Realistic PhotoXL Turbo.
En PixAI los prompts son pรบblicos por defecto, pero cada creador puede ocultarlos en las obras que publica. Quien creรณ esta obra decidiรณ hacerlo, asรญ que las palabras con las que se generรณ la imagen permanecen privadas: solo esa persona puede verlas. Ocultar el prompt no cambia nada mรกs: la obra sigue siendo pรบblica y puedes darle me gusta, comentarla y compartirla como siempre.
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a
1girl, solo, photorealistic, realistic photo, lifelike real person, long black hair, straight black hair, hair past waist, small face, big eyes, large dark eyes, flat chest, short stature, petite, childlike youthful appearance, blue ballet leotard, sleeveless leotard, blue leotard, white pantyhose, white tights, standing split, vertical split, one leg raised straight up beside her head, balancing on one leg, ballet, dance studio, wooden floor, from side, full body, arms up, outstretched leg, looking up, serious expression, soft window light
A photorealistic photograph, a single real girl photographed full body from the side in a dance studio. She is short and small-boned, a childlike youthful build, her small face framed by long straight black hair that falls past her waist, big dark eyes lifted upward along the line of her raised leg. She wears a blue ballet leotard with a flat chest and unbelted clean lines, and white pantyhose with no runs, no seams at the toe beyond the natural seam, the fabric stretched taut and slightly luminous over the working leg.
The standing split is her whole action: she balances on her left foot flat against the pale wooden studio floor, the left knee locked and the left hip stacked over the ankle, while her right leg is lifted straight up beside her head, the right ankle above her shoulder, the right knee dead straight, the white stocking drawn glassy-tight along the shin. Her left arm reaches up to grip the raised right ankle, fingers wrapped round the heel, the arm taking some of the leg's weight, and her right arm is out to the side for balance, palm open, fingers spread. Her weight, her whole narrow body, is balanced on that one left foot, the standing leg's calf flexed hard, the toes gripping inside the stocking. Her chin is lifted, her eyes following the raised foot, the black hair sliding off her shoulder and hanging down.
The environment is a real dance studio, quiet and almost empty: pale wooden floorboards running in long parallel lines from foreground to back, a far wall of grey-white panel with a barre catching the light, the background simply and softly falling away. A tall window stands at frame left, off-camera in effect, and its soft daylight comes from the left side. It strikes the left edge of her face, the top of her raised leg and the outside of her standing leg, and throws a long low shadow across the floorboards to the right, the shadow smeared and softened at the foot where she stands. The rest of the room sits in cool, dim, flat shadow.
The palette is stripped and cool: the blue of the leotard, the white of the stockings, the pale blond wood of the floor, the grey of the wall, the black of her hair. Photographic realism above all, natural skin texture, fine strands of hair visible at her hairline and flyaway ends against the light, the lens a normal 50mm, shallow but honest depth of field, the background just softly out of focus, no stylization, no art filter. Quiet, focused, still.
ailice
้ปๆฝฎ
ๅฅๅบท็ใช็พใใใปในใฟใคใชใใทใฅใช็ซใกๅงฟ
้ปๆฝฎ
a
1girl, solo, photorealistic, realistic photo, lifelike real person, long black hair, straight black hair, hair past waist, small face, big eyes, large dark eyes, flat chest, short stature, petite, childlike youthful appearance, blue ballet leotard, sleeveless leotard, blue leotard, white pantyhose, white tights, standing split, vertical split, one leg raised straight up beside her head, balancing on one leg, ballet, dance studio, wooden floor, from side, full body, arms up, outstretched leg, looking up, serious expression, soft window light
A photorealistic photograph, a single real girl photographed full body from the side in a dance studio. She is short and small-boned, a childlike youthful build, her small face framed by long straight black hair that falls past her waist, big dark eyes lifted upward along the line of her raised leg. She wears a blue ballet leotard with a flat chest and unbelted clean lines, and white pantyhose with no runs, no seams at the toe beyond the natural seam, the fabric stretched taut and slightly luminous over the working leg.
The standing split is her whole action: she balances on her left foot flat against the pale wooden studio floor, the left knee locked and the left hip stacked over the ankle, while her right leg is lifted straight up beside her head, the right ankle above her shoulder, the right knee dead straight, the white stocking drawn glassy-tight along the shin. Her left arm reaches up to grip the raised right ankle, fingers wrapped round the heel, the arm taking some of the leg's weight, and her right arm is out to the side for balance, palm open, fingers spread. Her weight, her whole narrow body, is balanced on that one left foot, the standing leg's calf flexed hard, the toes gripping inside the stocking. Her chin is lifted, her eyes following the raised foot, the black hair sliding off her shoulder and hanging down.
The environment is a real dance studio, quiet and almost empty: pale wooden floorboards running in long parallel lines from foreground to back, a far wall of grey-white panel with a barre catching the light, the background simply and softly falling away. A tall window stands at frame left, off-camera in effect, and its soft daylight comes from the left side. It strikes the left edge of her face, the top of her raised leg and the outside of her standing leg, and throws a long low shadow across the floorboards to the right, the shadow smeared and softened at the foot where she stands. The rest of the room sits in cool, dim, flat shadow.
The palette is stripped and cool: the blue of the leotard, the white of the stockings, the pale blond wood of the floor, the grey of the wall, the black of her hair. Photographic realism above all, natural skin texture, fine strands of hair visible at her hairline and flyaway ends against the light, the lens a normal 50mm, shallow but honest depth of field, the background just softly out of focus, no stylization, no art filter. Quiet, focused, still.
ailice
a
1girl, solo, photorealistic, realistic photo, lifelike real person, long black hair, straight black hair, hair past waist, small face, big eyes, large dark eyes, flat chest, short stature, petite, childlike youthful appearance, blue ballet leotard, sleeveless leotard, blue leotard, white pantyhose, white tights, standing split, vertical split, one leg raised straight up beside her head, balancing on one leg, ballet, dance studio, wooden floor, from side, full body, arms up, outstretched leg, looking up, serious expression, soft window light
A photorealistic photograph, a single real girl photographed full body from the side in a dance studio. She is short and small-boned, a childlike youthful build, her small face framed by long straight black hair that falls past her waist, big dark eyes lifted upward along the line of her raised leg. She wears a blue ballet leotard with a flat chest and unbelted clean lines, and white pantyhose with no runs, no seams at the toe beyond the natural seam, the fabric stretched taut and slightly luminous over the working leg.
The standing split is her whole action: she balances on her left foot flat against the pale wooden studio floor, the left knee locked and the left hip stacked over the ankle, while her right leg is lifted straight up beside her head, the right ankle above her shoulder, the right knee dead straight, the white stocking drawn glassy-tight along the shin. Her left arm reaches up to grip the raised right ankle, fingers wrapped round the heel, the arm taking some of the leg's weight, and her right arm is out to the side for balance, palm open, fingers spread. Her weight, her whole narrow body, is balanced on that one left foot, the standing leg's calf flexed hard, the toes gripping inside the stocking. Her chin is lifted, her eyes following the raised foot, the black hair sliding off her shoulder and hanging down.
The environment is a real dance studio, quiet and almost empty: pale wooden floorboards running in long parallel lines from foreground to back, a far wall of grey-white panel with a barre catching the light, the background simply and softly falling away. A tall window stands at frame left, off-camera in effect, and its soft daylight comes from the left side. It strikes the left edge of her face, the top of her raised leg and the outside of her standing leg, and throws a long low shadow across the floorboards to the right, the shadow smeared and softened at the foot where she stands. The rest of the room sits in cool, dim, flat shadow.
The palette is stripped and cool: the blue of the leotard, the white of the stockings, the pale blond wood of the floor, the grey of the wall, the black of her hair. Photographic realism above all, natural skin texture, fine strands of hair visible at her hairline and flyaway ends against the light, the lens a normal 50mm, shallow but honest depth of field, the background just softly out of focus, no stylization, no art filter. Quiet, focused, still.
ailice
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