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- Prompt original
- ふうま災禍、masterpiece, best quality, ultra high resolution, ultra detailed, TSUBAKI style quality, 完璧な顔の描写、原作寄りの端正で凛とした美貌、やや面長でシャープな輪郭、細く通った鼻筋、上品で細めの眉、 完璧な目の描写、赤い切れ長の瞳(右目のみ見える構図)、左目は重めの横流し前髪で完全に隠す、 誘惑的な流し目、やや見下ろす視線、half-lidded eyes, 口角をほんの少し上げた妖艶な微笑み、 下唇左横に小さく丸くはっきりしたホクロを正確に固定、 頬にほんのり自然な赤み、透明感のある滑らかな肌、繊細な陰影表現、 ダークブラウンのロングストレートヘア、艶のある毛束、自然なハイライト、 アラビアン衣装(luxury arabian dancer outfit)、 黒×深紅を基調にした妖艶な配色、 シースルーヴェール(sheer veil, translucent fabric)、 金装飾(gold ornaments, jeweled accessories, intricate embroidery)、 身体に沿うトップスと柔らかな腰布、 透け感のあるシルク素材、揺れる装飾チェーン、 ウエストや脚のラインを美しく強調するデザイン、 ベリーダンサー風の優雅で色気のあるスタイル、 ゴールドのアームレット、イヤリング、アンクレット、 ハイヒールまたは裸足風アクセサリー、 誘惑的なポーズ、腰をひねったS字ライン、 片脚を軽く前に出した立ち姿、 しなやかなボディラインと女性らしい曲線美、 アラビアンナイト風の宮殿、ランタンの灯り、 暖色系の幻想的ライティング、 cinematic lighting, soft shadows, golden rim light, 煙や光粒子が漂う妖艶な空間演出、 神秘的で上品な大人の色気、mysterious seductive atmosphere
- Modo
- standard
- Tamaño
- 864 x 1536
Modelo y LoRA utilizados
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Alecs
イータ ベリーダンス
おっぱい大好き
character: yor_briar, Full body shot of Yor Briar as an Arabian dancer, captured in a dynamic dancing pose with her body gracefully arched and arms fluidly gesturing, positioned centrally in an ornate Arabian palace. Yor has long black hair tied with a gold hairband, her red eyes glancing sensually through a sheer, translucent veil that partially covers her face. She is dressed in a luxurious Arabian dancer outfit featuring a jeweled gold belt, silk sleeves, and sheer silk trousers with high side slits that reveal her athletic, toned legs. Gold armlets encircle her upper arms, and she wears a smile with a sensual expression. The background is a lavish Arabian interior with intricate geometric mosaics, carved pillars, and soft silk curtains. The lighting is warm and atmospheric, with amber tones, shimmering fabrics, and a golden color palette, creating a rich, exotic, and sensual mood.
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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