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nattoukin

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nattoukin

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1girl, nahida\(genshin impact\), long hair, loose waves, left side braid, light yellow hair, green eyes, soft smile, 1girl, lesser lord kusanali\(genshin impact\), medium hair, side ponytail, white hair with green tips, closed eyes, serene smile, standing in shallow water, vast puddle, enormous beautiful irminsul\(genshin impact\) in background, nahida standing in front, hands clasped at chest, facing viewer, greater lord rukkhadevata standing behind, embracing nahida from behind, height difference (adult woman and young girl), sparkling water surface, green glowing effect on irminsul, tiny dendro particles floating around, masterpiece, fantasy, beautiful illustration, detailed background
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Prompt original
1人目は原神のスメールの先代草神のマハールッカ・デヴァータでマハールッカ・デヴァータのローラーのみ参照する、マハールッカ・デヴァータの髪型は超ロングのゆるふわで大きなウェーブで左側の一部分のみ三つ編みにしていて髪色は淡い黄色で美しい瞳は緑色で表情は柔らかく微笑む、2人目は原神のスメールの草神のナヒーダでナヒーダのローラーのみ参照する、ナヒーダの髪型はミディアムのサイドテールで髪色は白色で毛先は緑色で表情は瞳を閉じて穏やかに微笑む、背景は手前側に浅く広大な水溜りと奥側にとても大きく美しい世界樹を各々１つづつ見切れて配置する、ナヒーダのポーズは水溜りの上で手前側にナヒーダが立ち姿で正面を向いて胸の前で手を合わせる、マハールッカ・デヴァータのポーズはナヒーダの直ぐ奥側に立ち姿で配置しナヒーダを後ろから包容する、手前のナヒーダは少女で奥のマハールッカ・デヴァータは大人の女性の為身長差を付ける、エフェクトは手前の水面をキラキラと輝かせ奥の世界樹に緑色の光のエフェクトを入れ全体に小さな人形の要請を散りばめる、以上の内容を全て盛り込んだマハールッカ・デヴァータとナヒーダの幻想的な美麗イラストを作成する
Tamaño
784 x 1400
Pasos de muestreo
8
Método de muestreo
DDIM
Escala CFG
4
Excluir de la imagen
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Corrección de rostro

Modelo y LoRA utilizados

Kodo's Test models - AI Model cover image

SDXL

Kodo's Test models
16.44k
ナヒーダ（原神）Nahida(Genshin) - AI Model cover image

LoRA de usuario

ナヒーダ（原神）Nahida(Genshin)
7
マハールッカデヴァータ - AI Model cover image

LoRA de usuario

マハールッカデヴァータ
2

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Ataque a los titanes#Mikasa Ackerman
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