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AI art "衣装LoRA コロッケ蕎麦衣装 PixAI版LoRA" featuring #Moda, #kimono, #traje adaptado, #Soba, #Croqueta and #Taisho Roman
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衣装LoRA コロッケ蕎麦衣装 PixAI版LoRA

#Moda#kimono#traje adaptado#Soba#Croqueta#Taisho Roman
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Comentarios

full body, 1girl, solo, looking at viewer, smile, stylish pose, Elara_Sylvania, medium_hair, hair over one eye, eyes visible through hair, gray hair, pointy ears, Korokke Soba motif Kimono, kimono with wavy like soba, brown dashi-colored layered garment, breaded croquette like pouch on waist obi, green onions hair ornament, lace collar, white tabi, wooden zori sandals with a fried batter strap, holding a vintage-style parasol, Taisho Roman pattern background, camellia flowers, geometric Art Deco design, deep red and gold color palette, intricate vintage wallpaper style, symmetrical, elegant
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Prompt original
full body, 1girl, solo, looking at viewer, smile, stylish pose, Elara_Sylvania, medium_hair, hair over one eye, eyes visible through hair, gray hair, pointy ears, Korokke Soba motif Kimono,kimono with wavy like soba,brown dashi-colored layered garment,breaded croquette like pouch on waist obi,green onions hair ornament,lace collar,white tabi,wooden zori sandals with a fried batter strap,holding a vintage-style parasol, Taisho Roman pattern background, camellia flowers, geometric Art Deco design, deep red and gold color palette, intricate vintage wallpaper style, symmetrical, elegant,
Tamaño
1024 x 1024
Pasos de muestreo
8
Método de muestreo
Euler a
Escala CFG
1.5
Excluir de la imagen
bad quality,worst quality,worst detail,sketch,
Corrección de rostro

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n1
Artist: haimura kiyotaka, haimura kiyotaka (style), anime coloring, 1girl, medium chest, slim, big glossy eyes, stunningly feminine face, soft blush, absurdly long champagne blonde hair with sideswept bangs, bangs swept to the left side, A beautiful original New Year furisode kimono with a delicate, elegant anime aesthetic: she wears a soft ivory-cream furisode with wide, flowing sleeves, decorated with an original pattern of pale peach camellias, tiny white blossoms, muted sage leaves, and subtle champagne-gold ornamental vines instead of copying the reference’s floral arrangement. The lower half gradually becomes a gentle dusty rose and warm blush-pink, creating a soft layered effect, while the kimono collar has a small champagne-gold trim. Around her waist is a wide sage-green obi with a cream brocade pattern, tied into a large elegant bow at the back, finished with a decorative rose-gold-and-pearl obi ornament featuring a tiny floral motif. Add a slim blush-pink obiage and a cream obijime with delicate gold detailing. Her very long champagne-blonde hair is styled in a soft half-up arrangement with loose flowing strands, decorated with an original white-and-pale-peach floral kanzashi with tiny dangling pearl ornaments, complementing her rose-gold eyes. Give her elegant traditional sandals with cream straps and small floral accents. Art style: polished Japanese anime illustration with delicate clean linework, soft luminous coloring, gentle pastel gradients, expressive large eyes, subtle watercolor-like texture, beautifully detailed floral patterns, warm New Year atmosphere, natural flowing fabric and hair, soft highlights, and a refined hand-painted finish—lightly shaded rather than heavily rendered, colorful and bright, with a graceful festive feeling.
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Avatar image of NK
1girl, solo, fluffy dog ears, fluffy dog tail, light brown hair, medium hair, green eyes, large breasts, dark green kimono, sheer see-through fabric on shoulders, bougainvillea print, floral print, red flowers, pink flowers, white flowers, orange flowers, yellow flowers, gold paint detailing, gold foil, japanese embroidery, zentangle, spiral pattern, passionflower motif, obi, wave pattern, safflower motif, geta, vermilion lacquered geta, gold wave motif, holding wagasa, vermilion wagasa, gold decoration, white background, full body, from below, standing on one leg, looking up, light smile, wind, floating hair, dynamic angle, Seen from a low camera placed near the floor, the girl rises against a pure white seamless void with no horizon line, no floor plane and no cast environment beyond a soft contact shadow tucked under her geta; the low angle lengthens her from the soles of her red-lacquered geta to the tips of her fluffy dog ears. She balances on her right geta with the left foot lifted and tucked slightly behind the right ankle, toes pointed, the raised wooden tooth of the left sandal catching the light; her weight rides through the right hip so her torso tilts in a gentle counter-curve, chest pushed forward and the dark green silk of the kimono drawn taut across her large breasts. Her right hand grips the bamboo shaft of the vermilion wagasa at shoulder height, fingers wrapped around the ribbed handle, the umbrella canopy open and tilted back over her head so its underside of red lacquer and gold wave motifs arcs above her and its ribs radiate outward; her left arm hangs loose with the sleeve swinging free, fingertips barely brushing the air. Her head is tipped back, chin lifted, green eyes looking up along the shaft of the umbrella and past its paper rim toward the white nothing above; her mouth curves into a faint closed-lip smile, one eyebrow faintly raised, a fresh open curiosity rather than a pose for the lens. The fluffy light brown medium-length hair is stirred by a wind that also lifts the hem of her kimono: strands sweep sideways across her cheek and the blunt ends of the medium cut flick outward, while her two soft dog ears flop and bounce against that gust, and her fluffy tail swings up behind her hip, its plume splayed by the same gust. The dark green kimono is a full tapestry: sheer gauze panels at both shoulders let the white light pass through so the fabric floats translucent over her skin, and below them the whole garment is encrusted with bougainvillea in red, pink, white, orange and yellow, each papery bract stitched in Japanese silk thread and edged with gold foil and painted gold leaf that catches highlights; between the blossoms, zentangle line-art in red, orange and yellow coils into dynamic spirals and opens into passionflower motifs with their filaments drawn as fine radiating curls. The obi cinches her waist in light brown and white bands of continuous wave-pattern line art, small safflower rosettes scattered along the crests of the waves. The wagasa's red lacquer canopy shows gold-painted wave motifs running over each rib; light passes through the paper so the ribs read darker against it, and the gold leaf on the outside glints only along the upper curve, a single-variable truth of a translucent surface lit from behind and above. On her feet, the vermilion lacquered geta shine with the same gold wave decoration across their platforms and thongs, one sandal planted, the other lifted with its tooth clear of the ground. The palette is held to dark green, vermilion red, light brown, white and the warm gold of the foil, with the bougainvillea's five colours breaking through as accents. Bright, ornate, buoyant.
NK

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