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Original Character :風間 渚
Arte de IA «Original Character :風間 渚» de リノ-Pose en PixAI. Creado con bespoke.
Mostrar parámetros
- Prompt original
- white background only, pure white backdrop, clean studio background, no patterns, no textures, no scenery, ,Nagisa_Kazama, masterpiece, best quality, ultra detailed, 1girl, solo, beautiful detailed face, perfect face, beautiful detailed eyes, long eyelashes, pink eyes, smooth skin, fair skin, dark brown short bob hair with long,(hair over eyes), revealing her striking purple eyes, small nose, pink lips, glossy lips, medium chest, slender, ,Rino_clothes_035, pink tank top, sleeveless top, fitted tank top, white shorts, black drawstring, mid-rise shorts, loose-fit shorts, black leggings, full-length leggings, layered bottoms, black athletic shoes, running shoes, ,rino_pose_058, dominant standing pose, both arms crossed firmly over her chest, one leg raised high in a trampling/stepping gesture with bare foot lifted toward the viewer showing the detailed sole clearly facing forward, low angle perspective from below, (Sole of the foot1:2), bare foot
- Tamaño
- 768 x 1280
- Pasos de muestreo
- 20
- Método de muestreo
- DDIM
- Escala CFG
- 3
- Excluir de la imagen
- bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
Corrección de rostro
Alta resolución
Modelo y LoRA utilizados
1 modelos privados usados
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solo, 1girl, young girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, hair between eyes, black leggings, short leggings, tight leggings, oversized white t-shirt, barefoot, lying on stomach, prone, prone on stomach, on floor, from behind, ultra-low angle, from below, floor-level camera, foreshortening, soles visible, legs bent up, feet raised, looking ahead, looking to the side, head turned slightly, relaxed, soft afternoon light, shadow on floor, empty room, wooden floorboards, tatami-free bare floor
Seen from behind at floor level, the camera lies flat on the boards and looks straight along the floor at a slight upward tilt, so the whole frame is dominated by the underside of a girl lying prone: the forward sole of her bent-up foot is the nearest, largest thing in the picture, and her body shrinks away from it toward the far end of the room. She lies on her stomach on bare, pale wooden floorboards, chin propped on her folded left forearm, right hand resting loose on the floor beside her shoulder, fingers curled. Her legs are bent up at the knee so both feet lift off the boards, shins rising toward the camera, and the soles of her bare feet face back at the lens, the near one sharply foreshortened and the far one partly hidden behind it. She wears short-length black spandex leggings that end mid-calf, the fabric stretched taut over her raised thighs and creasing in a soft fold behind each knee, and an oversized white cotton t-shirt that bunches and rides up over her lower back, its hem twisted sideways. Her short black bob hangs forward over her turned-away face, and at the back of her head the inward-curving ends of the bob sit low against her nape, with straight-cut bangs visible only as a dark fringe at the far silhouette where her cheek is turned three-quarters away from the camera; one eye shows at the edge of that turn, looking off to the side across the floorboards, not at the lens. Late-afternoon light comes in low from the left through an unseen window, laying a warm rectangle across the boards and a long soft shadow of her raised legs stretching to the right; the soles of her feet catch the brightest light, and her hair holds a dull sheen along its curve. The palette is warm honeyed wood, white cotton, black hair and leggings, with the room's far wall falling into cool dim shadow. Quiet, suspended.
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