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AI artwork
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igmg

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igmg

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Comentarios

masterpiece, highres, absurdres, newest, best quality, score_7, masterpiece, best quality, ultra-detailed, photorealistic, 1girl, solo, looking at viewer, smile, (@kajin \(kajinman\):1.6), (@diforland:0.3), (@luminyu:1.1), (@cutesexyrobutts:0.7), (@nyantcha:0.5), ,Drow ranger, high ponytail, red eyes, pale skin, long hair, white hair, medium breasts, hair between eyes, black cape, dark blue crop top, dark blue tight pants, multiple_belts, high collar,black knee boots, ass, young girl
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Tamaño
768 x 1280
Pasos de muestreo
32
Método de muestreo
Euler a
Escala CFG
4
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worst quality, low quality, lowres, score_1, score_2, score_3, blurry, jpeg artifacts, long fingers, sepia, bad anatomy, missing fingers, watermark, artist name, choker, multiple views, neon lights, tanned, tan, tan lines, tanlines, dark skin

Modelo y LoRA utilizados

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
24.85k
Drow Ranger | Dota 2 - AI Model cover image

LoRA de usuario

Drow Ranger | Dota 2
6

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Avatar image of Jorge Matias Araujo
year_2025 1girl, solo, medium shot, ((three-quarter view)), from front, straight-on, cel shading, high contrast, vibrant colors, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), long hair, black hair, streaked hair, silver hair, shiny hair, high ponytail, braided base, long side braids, parted bangs, double-parted bangs, grey eyes, glowing eyes, catchlights, curvy, huge breasts, black leotard, detailed armor, golden and black armor, fingerless gloves, combat stance, holding sword, dual wielding, glowing sword, rain, forest, moonlight, looking at viewer, night, wet hair, water droplets, glowing weapon, dark background, rim light A medium shot from the front, camera squared straight-on to the girl's body while her head and torso are turned a decisive three-quarter toward the viewer's left, so her right shoulder and the near sword sit closer to the lens than her left side. She stands in a wide, dropped combative stance: weight sunk into her rear leg, front knee bent outward, hips angled with the turn of the three-quarter view, back heel lifted so only the toe and ball of that foot press into the wet forest floor, the black material of her leotard drawn taut across the curve of her hips and the fullness of her chest as she twists. Her hair rises into a high ponytail whose base is wrapped in a tight braid encircling the gather, and from behind her ears two long side braids hang forward over the gold plates of her armor, silver streaks gleaming along the black strands; the ponytail swings out to her left, weighted by the rain. Both gloved hands are occupied: the right drives a glowing blade forward at chest height, the wrist rolled so the long edge reads along the top of the arc, the arm locked almost straight; the left hand holds the second glowing sword back and low beside her hip, blade angled down and slightly across her body, forearm braced. Her fingerless gloves leave the topmost knuckles and fingertips bare, knuckles pale where the light catches them. Thumbs wrap the grips, index fingers hooked beneath the guards. Her grey eyes are wide open and burning with an inner glow, bright catchlights seated in both pupils, and her gaze comes straight down the lens to the viewer; lids faintly narrowed at the outer corners, lips parted a hair's breadth, jaw set. Both blades are the only strong light in the picture: their cool light spills the silver in her hair and the gold of her armor into sharp-edged highlights while the recessed channels of the black plates stay dark, and it throws a cold rim along her cheek, throat, collarbone and the leading edge of her breastplate. Her body shadows the forest behind her and the wet armor throws back sparkles of that glow. Behind her and past her shoulders the forest recedes into near-blackness: tall trunks in silhouette, a lattice of leaves, and a shaft of moonlight that cuts down through the canopy to silver the mist and the falling rain into thousands of streaking threads. It falls across her upturned face, the braid-wrapped base of her ponytail, the broad gold curve of her shoulder plate, which catches a wet specular sheen; rain beads stand on the metal, and the drops on the flat shoulder plane stay, the drops on the sloped ones run. Her hair is soaked at the tips and glistens. Black, gold and silver predominate, punctuated by the brilliant cyan-white of the two swords and the cold blue-silver of rain and moon. Everything rendered in crisp cel shading with clean, sharp lines and high-contrast lighting; vibrant, saturated light against deep shadow; a sharp, focused image. Cold, electric tension, determined.
Jorge Matias Araujo
#zetaCollab

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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