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Pan _ Dragon Ball GT
Arte de IA ยซPan _ Dragon Ball GTยป de AbominationCoven en PixAI. Creado con Realustrious.
Mostrar parรกmetros
- Tamaรฑo
- 768 x 1280
- Pasos de muestreo
- 12
- Mรฉtodo de muestreo
- Euler a
- Escala CFG
- 1.3
- Excluir de la imagen
- bad quality,worst detail,sketch,censored, artist name, signature, watermark, low quality, worst quality, blurry, (deformed:1.3), extra fingers, cartoon, 3d, anime, bad anatomy
Modelo y LoRA utilizados
Imรกgenes similares
Mostrar mรกsA medium shot from a high-angle perspective shows a young woman lying on her back on a bed in a room. She has black hair in a short bob with flipped-out ends and is looking away from the viewer with half-closed, hollow eyes and a deep blush on her cheeks. She is wearing a white camisole, a grey pleated skirt, and black thigh-high stockings. Her skin is lustrous, reflecting light with a subtle glisten of sweat on her body. Her hands are resting loosely by her sides on the bedding. The background consists of a dimly lit bedroom, with the soft textures of the bed linens visible. This high-quality anime illustration features vivid colors and a dynamic atmosphere that emphasizes a sense of urgency and heightened emotion, utilizing precise detailing and dramatic lighting.
mtmt
solo, 1girl, young girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, hair between eyes, black leggings, short leggings, tight leggings, oversized white t-shirt, barefoot, lying on stomach, prone, prone on stomach, on floor, from behind, ultra-low angle, from below, floor-level camera, foreshortening, soles visible, legs bent up, feet raised, looking ahead, looking to the side, head turned slightly, relaxed, soft afternoon light, shadow on floor, empty room, wooden floorboards, tatami-free bare floor
Seen from behind at floor level, the camera lies flat on the boards and looks straight along the floor at a slight upward tilt, so the whole frame is dominated by the underside of a girl lying prone: the forward sole of her bent-up foot is the nearest, largest thing in the picture, and her body shrinks away from it toward the far end of the room. She lies on her stomach on bare, pale wooden floorboards, chin propped on her folded left forearm, right hand resting loose on the floor beside her shoulder, fingers curled. Her legs are bent up at the knee so both feet lift off the boards, shins rising toward the camera, and the soles of her bare feet face back at the lens, the near one sharply foreshortened and the far one partly hidden behind it. She wears short-length black spandex leggings that end mid-calf, the fabric stretched taut over her raised thighs and creasing in a soft fold behind each knee, and an oversized white cotton t-shirt that bunches and rides up over her lower back, its hem twisted sideways. Her short black bob hangs forward over her turned-away face, and at the back of her head the inward-curving ends of the bob sit low against her nape, with straight-cut bangs visible only as a dark fringe at the far silhouette where her cheek is turned three-quarters away from the camera; one eye shows at the edge of that turn, looking off to the side across the floorboards, not at the lens. Late-afternoon light comes in low from the left through an unseen window, laying a warm rectangle across the boards and a long soft shadow of her raised legs stretching to the right; the soles of her feet catch the brightest light, and her hair holds a dull sheen along its curve. The palette is warm honeyed wood, white cotton, black hair and leggings, with the room's far wall falling into cool dim shadow. Quiet, suspended.
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