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- Prompt original
- 終わりの始まり 背を向けている人物 一番手前に強風で曲がり千切れていく花びら 崩れていく家々 割れていくアスファルトの道路 老いも若いも全てが終わる
- Modo
- lite
- Talla
- 1280 x 768
Modelo y LoRA utilizados
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A cinematic medium shot from a low-angle perspective depicts a solitary figure seen from behind, standing centrally in a desolate wasteland during the onset of an apocalypse. The figure, a person of indeterminate age and gender wearing tattered, wind-swept clothing, stands motionless, their hands hanging limp at their sides as they gaze toward a horizon of destruction. In the extreme foreground, delicate pink flower petals are violently whipped by a powerful gale, tearing and scattering across the frame. Surrounding the figure, traditional houses are crumbling into rubble, their wooden beams snapping and roofs collapsing in real-time. The asphalt road beneath the figure's feet is violently fracturing, with deep, jagged cracks spider-webbing outward. The background is a chaotic scene of urban decay and ruin. The atmosphere is one of profound despair and finality, utilizing a muted, desaturated color palette of grey and sepia, punctuated by the vivid red of the dying petals. Harsh, dramatic lighting casts long shadows, with dust particles and debris swirling in the air, creating a heavy, oppressive mood.
大尉
A cinematic medium shot from a low-angle perspective depicts a solitary figure seen from behind, standing centrally in a desolate wasteland during the onset of an apocalypse. The figure, a person of indeterminate age and gender wearing tattered, wind-swept clothing, stands motionless, their hands hanging limp at their sides as they gaze toward a horizon of destruction. In the extreme foreground, delicate pink flower petals are violently whipped by a powerful gale, tearing and scattering across the frame. Surrounding the figure, traditional houses are crumbling into rubble, their wooden beams snapping and roofs collapsing in real-time. The asphalt road beneath the figure's feet is violently fracturing, with deep, jagged cracks spider-webbing outward. The background is a chaotic scene of urban decay and ruin. The atmosphere is one of profound despair and finality, utilizing a muted, desaturated color palette of grey and sepia, punctuated by the vivid red of the dying petals. Harsh, dramatic lighting casts long shadows, with dust particles and debris swirling in the air, creating a heavy, oppressive mood.
大尉
A cinematic medium shot from a low-angle perspective depicts a solitary figure seen from behind, standing centrally in a desolate wasteland during the onset of an apocalypse. The figure, a person of indeterminate age and gender wearing tattered, wind-swept clothing, stands motionless, their hands hanging limp at their sides as they gaze toward a horizon of destruction. In the extreme foreground, delicate pink flower petals are violently whipped by a powerful gale, tearing and scattering across the frame. Surrounding the figure, traditional houses are crumbling into rubble, their wooden beams snapping and roofs collapsing in real-time. The asphalt road beneath the figure's feet is violently fracturing, with deep, jagged cracks spider-webbing outward. The background is a chaotic scene of urban decay and ruin. The atmosphere is one of profound despair and finality, utilizing a muted, desaturated color palette of grey and sepia, punctuated by the vivid red of the dying petals. Harsh, dramatic lighting casts long shadows, with dust particles and debris swirling in the air, creating a heavy, oppressive mood.
大尉
tg
Ruined (2)
Tiggy Gux
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