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- Tamaño
- 1280 x 768
- Pasos de muestreo
- 28
- Método de muestreo
- Euler a
- Escala CFG
- 6
- Excluir de la imagen
- worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, 2boys, 3boys, 2girls, 3girls, multiple people, twins, triplets, 1other, 2other, 3other, headwear, headgear, cleavage, belt, window, windows,
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s1
Spider-girl, wearing a full red and blue Spider-Man bodysuit with a web pattern and mask, lies supine on a wet, dark concrete surface in heavy rain. The costume is torn at the lens of the mask, revealing one eye, and is also torn on the chest, revealing skin, and on the thighs, waist, and arms. Her hair is not visible as the mask completely covers her head. The scene is viewed from a top-down perspective, emphasizing her prone form. The lighting is low, with dramatic cinematic color grading that enhances the contrast between the dark environment and the reflective wet concrete. The atmosphere is tense and melancholic, focusing on vulnerability and exhaustion after a conflict. The style is realistic and cinematic, with high detail on the texture of the wet fabric and skin.
swagar1us
s1
Spider-girl, wearing a full red and blue Spider-Man bodysuit with a web pattern and mask, lies supine on a wet, dark concrete surface in heavy rain. The costume is torn at the lens of the mask, revealing one eye, and is also torn on the chest, revealing skin, and on the thighs, waist, and arms. Her hair is not visible as the mask completely covers her head. The scene is viewed from a top-down perspective, emphasizing her prone form. The lighting is low, with dramatic cinematic color grading that enhances the contrast between the dark environment and the reflective wet concrete. The atmosphere is tense and melancholic, focusing on vulnerability and exhaustion after a conflict. The style is realistic and cinematic, with high detail on the texture of the wet fabric and skin.
swagar1us
sc
Petra Parker simbiosis
Sebastián Carvajal
sc
Petra Parker simbiosis
Sebastián Carvajal
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