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tree jack
Arte de IA de tree jack en PixAI. Creado con Tsubaki.2.
Mostrar parámetros
- Prompt original
- (masterpiece, best quality, ultra-detailed:1.2), 2.5D anime realistic style, accurate human anatomy, clean lines, high-resolution textures. extreme close-up shot, single female foot aiming directly at viewer, foreshortening, detailed toes, foot arch, leg extending diagonally upwards left. A single hand in top right corner pinching and pulling the tights fabric. (opaque black tights:1.4), thick black pantyhose, zero transparency, matte black fabric texture, visible toe seam structure, snug fit. blurred background, soft white furry blanket texture behind the heel. macro lens, low angle shot, bottom-up perspective, center composition on foot, shallow depth of field, sharp focus on toes, extreme bokeh. soft diffused lighting, neutral white rim light, realistic soft shadows, (no purple ambient light:1.5), monochromatic contrast between deep black tights and soft background, high overall clarity.
- Modo
- standard
- Estilo
- Anime glamuroso moderno
- Tamaño
- 768 x 1280
Estilo: Anime glamuroso moderno
Modelo y LoRA utilizados
Imágenes similares
Mostrar máscharacter: kazusa_(blue_archive), copyright: blue_archive
(anime coloring:2.0), detailed body, smooth skin, sharp focus, sd digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone, (masterpiece, best quality:1.2), looking from below her feet, low camera angle, looking up at her lower body, no face, headless, extreme close-up shot, 1girl, solo,
(exactly two legs, only two legs, anatomically correct legs and knees, natural ankle angles, realistic joint connection:1.7),
(crossed legs, right leg crossed deeply over left leg at the thighs, overlapping legs, overlapped thighs:1.5),
(wide angle lens fish-eye effect, dynamic extreme foreshortening, giant feet, close-up bottom of the feet in socks, feet are right in front of the lens, feet occupy most of the foreground:1.6),
(legs extended straight away from the camera into the background on the white bedsheets:1.5),
(fully covered in black pantyhose, feet wrapped in black pantyhose tights, consistent thickness fabric tights, closed toe tights, no visible toe separation, single smooth outline for each foot:1.6),
(clear dark ambient shadow where the legs overlap, sharp outline separating the top leg and bottom leg:1.5),
(kazusa (blue archive), school uniform, white skirt, pleated skirt:1.3),
detailed fabric wrinkles on bedsheets, white bedsheets, soft lighting, depth of field, (beautifully bright legs, perfectly illuminated sock-covered soles, radiant light, warm ambient light, soft key light:1.5)
かいるう
five pairs of feet, 5 girls, feet only, soles facing forward, converging at center, black tights, fine knit texture, tights seams, reinforced heel, visible toes, toes slightly curled, skirt hems at frame edges, tabletop, close-up, high-angle perspective, from above, foreshortening, no humans visible above the ankles, soft natural lighting, realistic textures, high detail, photorealistic rendering
A tight high-angle close-up looking straight down and slightly inward at a tabletop where five pairs of feet — female students, only their feet and lower calves in frame — converge in a ring, all ten soles tipped up toward the lens so their black-tights arches, heels and toes face the camera and meet near the frame center. The ankles lie close together but not overlapping: each foot leans against its neighbors, heel balls resting on the tabletop, soles angled inward and up, so the ring closes at the middle with the five sets of toes almost touching and the elastic fabric pulled tautest at the instep. Every detail of the tights reads: the fine ribbed knit grain across each sole, the darker seam line running up the back of each heel, the denser double layer of fabric at each heel pad, the slight sheen shifting over the balls of the feet, the toes rounded and slightly curled under the nylon so each toe shape is individually legible, the faint compression where soles press the tabletop. At the very corners of the frame — top edge and the two upper sides — the soft hems of pleated skirts and a shadowed bit of thigh are just barely cropped into the picture, kept out of the way by the crop. Soft natural daylight from an unseen window off frame left cascades across the tabletop, laying a gentle gradient over the fabric, bright on the up-facing soles nearest the window and gently dimmer toward the lower right, with faint soft-edged contact shadows pooling where each heel and heel-arch touches the surface; no hard cast shadows, no specular flare. Palette is nearly monochrome — the black of the tights deepening and lifting through charcoal to a warm grey where light skims the knit, the tabletop and skirt hems in a quiet muted off-white and pale grey. Foreshortened perspective compresses the ankles into the background while the soles dominate the foreground plane. Calm, intimate, quietly voyeuristic.
むぎちゃ
高菜
高菜
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