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チンポが超臭い短小包茎チンカス塗れ大和武
Arte de IA de チンポが超臭い短小包茎チンカス塗れ大和武 en PixAI. Creado con Haruka v2.
Mostrar parámetros
- Prompt original
- lowson_convenience_store, convenience store exterior, blue signage, bright white walls, glass doors, night lighting, street view, parking lot,public phone booth, outdoor trash bins,yamato takeshi,nopan,penis,bottomless,
- Tamaño
- 768 x 1280
- Pasos de muestreo
- 28
- Método de muestreo
- Euler a
- Escala CFG
- 5
- Excluir de la imagen
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Modelo y LoRA utilizados
Imágenes similares
Mostrar másl3
no humans, late at night, convenience store, exterior, store lights, shining in darkness, watching from a distance, dark atmosphere, eerie feeling, unsettling, eerie, scenery, only background, ((4k, 8k, ultra hd)), ((masterpiece:1.2)), ((best quality:1.2)), ((detailed:1.5)), ((detailed background:1.5)), beautiful light, best shadow, color blink
liyuanshijiu_33472#0
l3
no humans, scenery, convenience store, late at night, store lights shining in darkness, large parking lot, watching from a distance, dark atmosphere, eerie feeling, unsettling, eerie, only background, (4k, 8k, Ultra HD), (Masterpiece:1.2), (Best quality:1.2), (Detailed:1.5), (Detailed background:1.5), beautiful light, best shadow, color blink
liyuanshijiu_33472#0
A highly detailed, cinematic exterior view of the Sexporium, a small independent convenience store and adult shop occupying the ground floor of an older multistory building in a modern Red Light District. The camera stands across the sidewalk at a slight angle, close enough to read the shopfront and see through its large front windows, while retaining enough of the surrounding street to establish the neighborhood.
The store was once a family bodega before being converted into its current business. Its architecture remains modest and practical: a narrow rectangular storefront, slightly weathered exterior walls, an aging sign frame, a compact entrance, and a shallow awning sheltering customers from the rain. The renovation is functional rather than luxurious. A clean, brightly illuminated sign reads SEXPorium, with a bold, memorable design that combines the recognizable look of a convenience store with a more provocative adult-retail identity. The sign is distinctive without being enormous or garish.
Through the front windows, the shop looks densely stocked but organized. Refrigerated drink cases glow along one wall, displaying rows of bottled water, sodas, energy drinks, and other convenience-store beverages. Shelves near the entrance hold snacks, cigarettes, toiletries, and small everyday necessities. Further inside, clearly adult-oriented merchandise occupies dedicated sections: packaged condoms in a variety of sizes and flavors, lubricants, adult magazines, sex-education books, and practical sexual-health products. The merchandise is arranged like inventory in a real business, with varied packaging, price labels, shelf dividers, and occasional handwritten promotions. The interior feels commercially functional rather than like a luxury boutique or a sterile medical supply shop.
The checkout counter is visible toward the rear of the main retail area. It has a register, small impulse-buy displays, a receipt printer, bags, and the miscellaneous clutter of a shop that sees constant use. Behind the counter, a narrow doorway leads to a back room that customers know for its informal gatherings and private encounters. The doorway itself is unremarkable; its significance comes from the life of the neighborhood rather than any supernatural decoration. A small sign or half-drawn curtain offers a subtle hint of privacy without making the room seem like a secret occult chamber.
The store's light is warmer and more neutral than the surrounding neon. It spills through the glass onto the pavement, illuminating raindrops, a rubber doormat, a few crates awaiting restocking, and the metal frame of the entrance. Outside, the street continues its late-night rhythm: a fashionable woman pauses near the window to check her phone, two patrons walk past in conversation, and the reflections of a nearby club sign ripple across the glass. A vending machine stands beside the building, while the alley next door recedes between narrow walls toward a fire escape and a cluttered service entrance.
Small details make the shop feel established and personal: fading adhesive marks where old signs were removed, a security camera mounted above the entrance, fingerprints and reflected neon on the glass, slightly worn floor tiles visible inside, carefully restocked shelves, and a little handwritten notice taped near the register. The business is neither pristine nor filthy. It is maintained by someone who cares about keeping it running, even when the district outside becomes chaotic.
The Sexporium should feel like a familiar neighborhood fixture: practical, recognizable, welcoming to regulars, and unusual only because of what it sells and the people who frequent it. The contrast between its mundane retail interior and the district's provocative nightlife is central to its identity. Keep the composition focused on the shop as a place where stories begin, with the surrounding street serving as context rather than competing for attention. Cinematic urban realism, carefully layered reflections, rich nighttime lighting, readable storefront architecture, detailed retail props, natural proportions, and an inviting street-level perspective.
Weyland
A highly detailed, cinematic exterior view of the Sexporium, a small independent convenience store and adult shop occupying the ground floor of an older multistory building in a modern Red Light District. The camera stands across the sidewalk at a slight angle, close enough to read the shopfront and see through its large front windows, while retaining enough of the surrounding street to establish the neighborhood.
The store was once a family bodega before being converted into its current business. Its architecture remains modest and practical: a narrow rectangular storefront, slightly weathered exterior walls, an aging sign frame, a compact entrance, and a shallow awning sheltering customers from the rain. The renovation is functional rather than luxurious. A clean, brightly illuminated sign reads SEXPorium, with a bold, memorable design that combines the recognizable look of a convenience store with a more provocative adult-retail identity. The sign is distinctive without being enormous or garish.
Through the front windows, the shop looks densely stocked but organized. Refrigerated drink cases glow along one wall, displaying rows of bottled water, sodas, energy drinks, and other convenience-store beverages. Shelves near the entrance hold snacks, cigarettes, toiletries, and small everyday necessities. Further inside, clearly adult-oriented merchandise occupies dedicated sections: packaged condoms in a variety of sizes and flavors, lubricants, adult magazines, sex-education books, and practical sexual-health products. The merchandise is arranged like inventory in a real business, with varied packaging, price labels, shelf dividers, and occasional handwritten promotions. The interior feels commercially functional rather than like a luxury boutique or a sterile medical supply shop.
The checkout counter is visible toward the rear of the main retail area. It has a register, small impulse-buy displays, a receipt printer, bags, and the miscellaneous clutter of a shop that sees constant use. Behind the counter, a narrow doorway leads to a back room that customers know for its informal gatherings and private encounters. The doorway itself is unremarkable; its significance comes from the life of the neighborhood rather than any supernatural decoration. A small sign or half-drawn curtain offers a subtle hint of privacy without making the room seem like a secret occult chamber.
The store's light is warmer and more neutral than the surrounding neon. It spills through the glass onto the pavement, illuminating raindrops, a rubber doormat, a few crates awaiting restocking, and the metal frame of the entrance. Outside, the street continues its late-night rhythm: a fashionable woman pauses near the window to check her phone, two patrons walk past in conversation, and the reflections of a nearby club sign ripple across the glass. A vending machine stands beside the building, while the alley next door recedes between narrow walls toward a fire escape and a cluttered service entrance.
Small details make the shop feel established and personal: fading adhesive marks where old signs were removed, a security camera mounted above the entrance, fingerprints and reflected neon on the glass, slightly worn floor tiles visible inside, carefully restocked shelves, and a little handwritten notice taped near the register. The business is neither pristine nor filthy. It is maintained by someone who cares about keeping it running, even when the district outside becomes chaotic.
The Sexporium should feel like a familiar neighborhood fixture: practical, recognizable, welcoming to regulars, and unusual only because of what it sells and the people who frequent it. The contrast between its mundane retail interior and the district's provocative nightlife is central to its identity. Keep the composition focused on the shop as a place where stories begin, with the surrounding street serving as context rather than competing for attention. Cinematic urban realism, carefully layered reflections, rich nighttime lighting, readable storefront architecture, detailed retail props, natural proportions, and an inviting street-level perspective.
Weyland
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