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Sha walten files
Arte de IA ยซSha walten filesยป de MrakOBrisI ะัะฐะบะะัััะฌ en PixAI. Creado con Azure Starfire.
En PixAI los prompts son pรบblicos por defecto, pero cada creador puede ocultarlos en las obras que publica. Quien creรณ esta obra decidiรณ hacerlo, asรญ que las palabras con las que se generรณ la imagen permanecen privadas: solo esa persona puede verlas. Ocultar el prompt no cambia nada mรกs: la obra sigue siendo pรบblica y puedes darle me gusta, comentarla y compartirla como siempre.
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็พฝ
1girl, solo, adult woman, furry female, kemono, goat girl, white fur, white hair, chignon, bangs, goat ears, animal ears, female goat's horns, curved goat horns, goat eyes, yellow eyes, horizontal rectangular pupils, goat mouth, goat tail, red negligee, alluring expression, half-closed eyes, light smile, sitting, holding wine glass, red wine, looking at viewer, from below, cowboy shot, mid-20th century europe, bedroom, indoors, evening, warm lamp light,
Shot from a low angle, the camera sits near the foot of the bed and looks up across the room: she sits on the edge of a low mid-century bed, weight settled on her left hip, torso turned three-quarters toward the lens, left knee drawn up on the mattress while her right leg drops over the edge with the bare foot planted flat on the rug, calf slanted. Her right hand lifts a wide-bowled stemmed glass to breastbone height, fingers wrapped around the stem just under the bowl, the bowl filled nearly to the rim with deep red wine that catches the lamp in a thin bright crescent along its surface. Her left arm trails behind her, palm pressed flat into the mattress for balance, and the mattress dimples under the heel of that hand. Her chin tips down a fraction so she looks at the viewer from under her lashes, one brow arched a touch higher than the other, the corners of her mouth pulled into a slow lopsided smile that parts just enough to show a hint of teeth; her yellow goat eyes with their horizontal pupils hold the lens steadily. White fur covers her shoulders, arms and the long line of her throat, fine and close, gleaming where the lamplight grazes the collarbone; the chignon sits low and heavy at the nape, white hair swept back smooth with the bangs falling in a soft fringe over her brow, one loose strand escaping to graze her cheek. From her temples rise the female goat's horns, ridged and swept back in a gentle backward curve; the goat ears stand out to either side, angled slightly down and forward, tufted inside. Her goat tail curls out from beneath the red negligee where it pools across the bedspread, the tip flicking up against the fabric. The negligee is bias-cut crimson satin, thin straps over the shoulders, the hem sliding off one thigh so the fabric gathers in the crease of her lap; where she leans, the satin stretches tight and glossy across her hip and goes matte in the folds. Behind her a 1950s European bedroom: a walnut headboard, a pleated fabric lampshade on the nightstand throwing the room's only warm amber light from the left, casting her shadow angled long across the quilted bedspread and up the floral wallpaper; a half-drawn curtain at the tall window, the dark outside showing the room's faint reflection rather than the room itself, and a small vanity with a mirrored tray of glass bottles sitting in shadow beyond the lamp's reach. Palette held to warm amber lamp glow, deep crimson, cream bedspread and walnut brown, with the cold blue-black of the window as the one cool note. Her shadow is soft-edged where the shade softens the bulb, and the wine glass throws a small caustic glint onto the white fur of her wrist. Intimate, quietly self-assured.
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