📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details
AI art "ヨル・フォージャー,秋の公園" featuring #Peto, #hombros caídos, #hojas cayendo, #SPY×FAMILY and #Yor Forger
Generar nueva obra de arteGenerar gratisGenerar gratis

ヨル・フォージャー,秋の公園

#Peto#hombros caídos#hojas cayendo#SPY×FAMILY#Yor Forger
Ver más

Comentarios

character: yor_briar. A medium shot from a slightly elevated angle shows yor_briar sitting on a wooden park bench, looking up at the viewer with a bashful, gentle smile. She has long black hair tied back, deep crimson eyes, and a soft blush on her cheeks. She is dressed in autumn fashion, wearing a cream-colored, loose-fitting off-shoulder knit sweater with long sleeves, paired with dark blue denim overalls. One shoulder strap of the overalls is undone, exposing her collarbone and shoulder while subtly emphasizing her cleavage. She sits with her legs together and tilted to the side; one hand rests on the bench for support, while the other rests gently on her knee. The background is a park filled with vibrant autumn leaves and fallen foliage, bathed in the warm, soft glow of the evening sun. The overall mood is serene and romantic, characterized by a warm color palette and delicate lighting effects.
Mostrar parámetros
Prompt original
ヨル・フォージャー、SPY×FAMILY、1人、豊かな胸、美麗なアニメイラスト、高画質、超高精細、長い黒髪を後ろでまとめたヘアスタイル、深紅の瞳、秋ファッション、濃いブルーのデニムオーバーオール、谷間見える、片方の肩紐を外す、クリーム色のゆったりしたオフショルダーニット、片方の肩と鎖骨が見える、ニットの長い袖、頬を赤らめる、少し恥ずかしい表情、公園のベンチに座る、脚を揃えて斜めに座る、片手をベンチにつく、もう片方の手を膝に置く、穏やかな笑顔、こちらを見る、顔を上げてこちらを見る、上目遣い、胸元を強調、肩と鎖骨を見せる、紅葉した公園、落ち葉、柔らかな秋の夕日、高品質、繊細な描写,
Modo
standard
Tamaño
768 x 1280

Modelo y LoRA utilizados

Imágenes similares

Mostrar más

Usuarios recomendados

Podría gustarte

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬