AI art "バンシーの哭く家" featuring #Black Dress, #Girl and #Hood
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バンシーの哭く家

#Black Dress#Girl#Hood
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Van Gogh-style thick impasto oil painting that looks as if paint has been smeared on. dark fantasy, abstract impasto oil painting, heavy palette-knife oil texture, broad powerful strokes, thick slabs of paint laid down in a few expressive gestures, no fine brushwork, no tiny strokes, no delicate rendering, no clean silhouette, Van Gogh-inspired night colors and swirling emotional energy. A banshee beside an old Irish manor at night, not as a monster, but as a sorrowful and mystical mourning presence. She is a woman-like figure wearing a heavy mourning robe like funeral attire, with a deep hood pulled low over the face. The eyes must not be visible at all. The hood hides the entire eye area in shadow. Only the lower half of the pale face is visible. She is grieving and lamenting, but not in a horror or aggressive way. Her mouth may be open in mourning, but the expression must feel sorrowful and solemn rather than terrifying or monstrous. The banshee is not a flaming spirit and not a blue ghostly fire mass. Her body is fundamentally a robed human-like figure. The robe is dark blue-black or charcoal-black rather than pure black, so it remains visible within the dark scene. The robe is heavy, simple, and funereal, with broad folds and drapery. The edges of the robe are softly rim-lit by moonlight and faint mist, so the silhouette can be read clearly. Parts of the hem and veil may dissolve slightly into mist, but she must not look like a fire elemental. She stands or floats quietly near the manor, as if mourning a death connected to that house. She should not face the viewer directly in a threatening way. She is instead oriented toward the manor, as if lamenting for the people inside. Her scale should not dominate the whole scene like a giant monster. She should feel like a solemn supernatural presence tied to the house. The old Irish manor should be visible in the background, with a few warm lit windows. The contrast between the warm windows and the cold night atmosphere should emphasize mourning and mystery rather than horror. Pale mist around the banshee helps separate the dark robe from the dark surroundings. The scene should feel sorrowful, solemn, and mystical, not frightening, not grotesque, not monstrous, not aggressive. Maintain the bold impasto paint handling, palette-knife texture, thick expressive oil paint, and Van Gogh-inspired nocturnal atmosphere, but use that painterly power to express grief, mourning, and supernatural mystery rather than terror.
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Prompt original
ゴッホ風の厚塗りで絵の具を塗りたくったような油絵。 dark fantasy, abstract impasto oil painting, heavy palette-knife oil texture, broad powerful strokes, thick slabs of paint laid down in a few expressive gestures, no fine brushwork, no tiny strokes, no delicate rendering, no clean silhouette, Van Gogh-inspired night colors and swirling emotional energy. A banshee beside an old Irish manor at night, not as a monster, but as a sorrowful and mystical mourning presence. She is a woman-like figure wearing a heavy mourning robe like funeral attire, with a deep hood pulled low over the face. The eyes must not be visible at all. The hood hides the entire eye area in shadow. Only the lower half of the pale face is visible. She is grieving and lamenting, but not in a horror or aggressive way. Her mouth may be open in mourning, but the expression must feel sorrowful and solemn rather than terrifying or monstrous. The banshee is not a flaming spirit and not a blue ghostly fire mass. Her body is fundamentally a robed human-like figure. The robe is dark blue-black or charcoal-black rather than pure black, so it remains visible within the dark scene. The robe is heavy, simple, and funereal, with broad folds and drapery. The edges of the robe are softly rim-lit by moonlight and faint mist, so the silhouette can be read clearly. Parts of the hem and veil may dissolve slightly into mist, but she must not look like a fire elemental. She stands or floats quietly near the manor, as if mourning a death connected to that house. She should not face the viewer directly in a threatening way. She is instead oriented toward the manor, as if lamenting for the people inside. Her scale should not dominate the whole scene like a giant monster. She should feel like a solemn supernatural presence tied to the house. The old Irish manor should be visible in the background, with a few warm lit windows. The contrast between the warm windows and the cold night atmosphere should emphasize mourning and mystery rather than horror. Pale mist around the banshee helps separate the dark robe from the dark surroundings. The scene should feel sorrowful, solemn, and mystical, not frightening, not grotesque, not monstrous, not aggressive. Maintain the bold impasto paint handling, palette-knife texture, thick expressive oil paint, and Van Gogh-inspired nocturnal atmosphere, but use that painterly power to express grief, mourning, and supernatural mystery rather than terror.
Modo
pro
Etiqueta de calidad
masterpiece, ﹝Prompts﹞
Tamaño
1632 x 1232
Excluir de la imagen
(((((eyeshadow))))), censored, lowres, worst quality, low quality, bad anatomy,

Modelo y LoRA utilizados