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En PixAI los prompts son públicos por defecto, pero cada creador puede ocultarlos en las obras que publica. Quien creó esta obra decidió hacerlo, así que las palabras con las que se generó la imagen permanecen privadas: solo esa persona puede verlas. Ocultar el prompt no cambia nada más: la obra sigue siendo pública y puedes darle me gusta, comentarla y compartirla como siempre.
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Avatar image of 茶葉茶
semi-realistic anime illustration,painterly digital rendering,loose textured brushwork,soft blended shading,ethereal glow,sketchy linework,dramatic colored lighting,subtle cross-hatching,selective saturated accents,Handsome,man,young,The clothes have a rough touch,and the details around the face are delicate and smooth,high image quality,thick painting, A young man with black hair tied at the back of his head is depicted, centered on his upper body. Although his body is slightly turned sideways, only his face is turned toward the viewer, creating a composition where he seems to be gazing quietly at the viewer. His hair is a glossy, deep black, very long, flowing smoothly from the top to the back of his head. The hair at the back is gathered in a low, round bun, with a long, thin rod-like hair ornament inserted horizontally. The bangs are long, with several thin strands falling from the forehead to the cheeks, partially covering his face. Because it is not too neatly groomed and is naturally messy in places, it gives a soft atmosphere. His skin is very white, his features are slender and handsome, and he possesses a very androgynous beauty. The eyebrows are thin and natural, and the eyes are narrow and long. The pupils are a dark gray to nearly black color, and he casts a quiet gaze toward the viewer with eyelids that seem slightly lowered. The bridge of the nose is thin and straight, and the outline from the cheeks to the chin is clean. The lips are thin, and there is almost no smile in his expression, which is close to a calm, expressionless look. Overall, rather than being flashy, a strong sense of serene and cool beauty is felt. The clothing is a Joseon Dynasty Hanbok, with calm colors based on black. The upper garment is made of loose black fabric, with wide fabric falling naturally from the shoulders to the arms and torso. White fabric is used at the collar, and the white collar is visible running vertically through the center of the black garment. Due to this clear contrast of black and white, the unique collar joining and layering of the Hanbok are emphasized. The chest area is not wide open, but rather structured so that the white collar fabric overlaps from the neck down to the chest. The sleeves are very loose, and instead of showing the shape of the arms clearly, they hang largely from the shoulders as soft surfaces of fabric. Fine wrinkles and shading are present in the black fabric, showing that the thick clothing envelops the body. There is almost no decoration or embroidery, and combined with the simple color scheme of black and white, it looks like a very plain and calm Hanbok. The background is also based on gray and black, with things like indoor walls or fittings dimly visible. On the right side, something like the shadow of a plant is faintly reflected. Because the colors are quite subdued, including the background, the white skin and white collar, and the black hair and black Hanbok create a strong contrast. Overall, he is depicted as an extremely handsome and beautiful androgynous young man with long black hair tied at the back of his head, wearing a plain black Hanbok with a white collar. It is characteristic that the beauty of the person is established only through the hairstyle, white skin, narrow eyes, and the contrast of the black Hanbok and white collar without using flashy decorations, resulting in a piece that exudes a quiet and old-fashioned atmosphere.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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