Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #zetaCollab
Generar nueva obra de arteGenerar gratisGenerar gratis

息耐者カール

Entrada al concurso
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Avatar image of 息耐者カール

息耐者カール

Ver más

Comentarios

3girls, 1boy, male focus, group, heart-shaped pupils, heart-shaped lights, glowing frame, bride, wedding dress, white satin dress, white lace dress, deep plunging neckline, large breasts, cleavage, kissing cheek, kissing both cheeks, cheek kiss, simultaneous kiss, closed eyes, blush, head tilt, leaning in, from below, cowboy shot, centered composition, symmetrical, symmetrical framing, arms at sides, standing, surprised, open mouth, happy, joyful, heart, love, confetti, falling petals, blue background, blue gradient, gray-green, cream, warm skin, dark hair, black hair, white dress, blue light The camera looks up from just below chest height in a centered, symmetrical cowboy shot: a man stands square in the middle of the frame with a bride pressed close on each side of him. He is a broad-shouldered adult man with short black hair and a dark formal suit, his shoulders pulled up slightly, arms hanging loose and forgotten at his sides, hands slack and open at his hips — caught completely off guard, chin lifted, mouth open in a delighted gasp, a flush across the tops of his cheeks. His eyes are wide open and inside each eye the pupils have bloomed into full rounded hearts, pink-red and glossy, glowing with a small pinpoint highlight. From the left, a bride in a white satin gown leans in toward him, her lips pressed against his left cheek; from the right, a bride in a white lace gown leans in and kisses his right cheek, so the two kisses land on his skin at exactly the same instant. Both brides have closed their eyes and tilted their heads into the kiss, and each presses one hand flat against his opposite shoulder for balance, fingertips dimpling the fabric of his jacket; their deep plunging necklines fall forward with the lean, showing soft shadowed cleavage on both sides. Their hair falls forward off their shoulders, satin sheen on the left, lace texture on the right, and a few loose strands brush his jaw. Around all three of them hangs a wreath of heart-shaped lights: a dozen and more little glowing hearts strung at different depths, some sharp in the foreground, some softly out of focus behind their shoulders, looping overhead and down the sides so the glow frames the group like a halo of hearts. Behind them the whole background is a clean blue gradient, deep at the top and lighter toward the bottom, with a band of muted gray-green at the edges and pale ivory highlights where the hearts flare. The heart lights are the scene's key light: warm cream-white points that strike the three faces from in front and above, leaving soft shadow under the chins and inside the necklines, catching a wet shine on the hearts in his eyes, and glinting along the satin and on the pearls of the lace. Confetti and a scatter of tiny heart motes drift down through the glow, and each petal and paper scrap catches the light only on its upward-facing side, the undersides staying in shade. The palette stays in cool blue, charcoal, cream and desaturated gray-green, skin tones the warmest cream in the frame, everything cut into flat high-contrast shapes with clean outlines and simple shadows. Effortlessly joyful.
Mostrar parámetros
Modo
flash
Estilo
Anime retro de los 90
Tamaño
1632 x 1232
Estilo: Anime retro de los 90

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.33k

Imágenes similares

Mostrar más
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, group, heart-shaped pupils, heart-shaped lights, glowing frame, bride, wedding dress, white satin dress, white lace dress, deep plunging neckline, large breasts, cleavage, kissing cheek, kissing both cheeks, cheek kiss, simultaneous kiss, closed eyes, blush, head tilt, leaning in, from below, cowboy shot, centered composition, symmetrical, symmetrical framing, arms at sides, standing, surprised, open mouth, happy, joyful, heart, love, confetti, falling petals, blue background, blue gradient, gray-green, cream, warm skin, dark hair, black hair, white dress, blue light The camera looks up from just below chest height in a centered, symmetrical cowboy shot: a man stands square in the middle of the frame with a bride pressed close on each side of him. He is a broad-shouldered adult man with short black hair and a dark formal suit, his shoulders pulled up slightly, arms hanging loose and forgotten at his sides, hands slack and open at his hips — caught completely off guard, chin lifted, mouth open in a delighted gasp, a flush across the tops of his cheeks. His eyes are wide open and inside each eye the pupils have bloomed into full rounded hearts, pink-red and glossy, glowing with a small pinpoint highlight. From the left, a bride in a white satin gown leans in toward him, her lips pressed against his left cheek; from the right, a bride in a white lace gown leans in and kisses his right cheek, so the two kisses land on his skin at exactly the same instant. Both brides have closed their eyes and tilted their heads into the kiss, and each presses one hand flat against his opposite shoulder for balance, fingertips dimpling the fabric of his jacket; their deep plunging necklines fall forward with the lean, showing soft shadowed cleavage on both sides. Their hair falls forward off their shoulders, satin sheen on the left, lace texture on the right, and a few loose strands brush his jaw. Around all three of them hangs a wreath of heart-shaped lights: a dozen and more little glowing hearts strung at different depths, some sharp in the foreground, some softly out of focus behind their shoulders, looping overhead and down the sides so the glow frames the group like a halo of hearts. Behind them the whole background is a clean blue gradient, deep at the top and lighter toward the bottom, with a band of muted gray-green at the edges and pale ivory highlights where the hearts flare. The heart lights are the scene's key light: warm cream-white points that strike the three faces from in front and above, leaving soft shadow under the chins and inside the necklines, catching a wet shine on the hearts in his eyes, and glinting along the satin and on the pearls of the lace. Confetti and a scatter of tiny heart motes drift down through the glow, and each petal and paper scrap catches the light only on its upward-facing side, the undersides staying in shade. The palette stays in cool blue, charcoal, cream and desaturated gray-green, skin tones the warmest cream in the frame, everything cut into flat high-contrast shapes with clean outlines and simple shadows. Effortlessly joyful.
息耐者カール
#zetaCollab
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, group, heart-shaped pupils, heart-shaped lights, glowing frame, bride, wedding dress, white satin dress, white lace dress, deep plunging neckline, large breasts, cleavage, kissing cheek, kissing both cheeks, cheek kiss, simultaneous kiss, closed eyes, blush, head tilt, leaning in, from below, cowboy shot, centered composition, symmetrical, symmetrical framing, arms at sides, standing, surprised, open mouth, happy, joyful, heart, love, confetti, falling petals, blue background, blue gradient, gray-green, cream, warm skin, dark hair, black hair, white dress, blue light The camera looks up from just below chest height in a centered, symmetrical cowboy shot: a man stands square in the middle of the frame with a bride pressed close on each side of him. He is a broad-shouldered adult man with short black hair and a dark formal suit, his shoulders pulled up slightly, arms hanging loose and forgotten at his sides, hands slack and open at his hips — caught completely off guard, chin lifted, mouth open in a delighted gasp, a flush across the tops of his cheeks. His eyes are wide open and inside each eye the pupils have bloomed into full rounded hearts, pink-red and glossy, glowing with a small pinpoint highlight. From the left, a bride in a white satin gown leans in toward him, her lips pressed against his left cheek; from the right, a bride in a white lace gown leans in and kisses his right cheek, so the two kisses land on his skin at exactly the same instant. Both brides have closed their eyes and tilted their heads into the kiss, and each presses one hand flat against his opposite shoulder for balance, fingertips dimpling the fabric of his jacket; their deep plunging necklines fall forward with the lean, showing soft shadowed cleavage on both sides. Their hair falls forward off their shoulders, satin sheen on the left, lace texture on the right, and a few loose strands brush his jaw. Around all three of them hangs a wreath of heart-shaped lights: a dozen and more little glowing hearts strung at different depths, some sharp in the foreground, some softly out of focus behind their shoulders, looping overhead and down the sides so the glow frames the group like a halo of hearts. Behind them the whole background is a clean blue gradient, deep at the top and lighter toward the bottom, with a band of muted gray-green at the edges and pale ivory highlights where the hearts flare. The heart lights are the scene's key light: warm cream-white points that strike the three faces from in front and above, leaving soft shadow under the chins and inside the necklines, catching a wet shine on the hearts in his eyes, and glinting along the satin and on the pearls of the lace. Confetti and a scatter of tiny heart motes drift down through the glow, and each petal and paper scrap catches the light only on its upward-facing side, the undersides staying in shade. The palette stays in cool blue, charcoal, cream and desaturated gray-green, skin tones the warmest cream in the frame, everything cut into flat high-contrast shapes with clean outlines and simple shadows. Effortlessly joyful.
息耐者カール
#zetaCollab
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, group, heart-shaped pupils, heart-shaped lights, glowing frame, bride, wedding dress, white satin dress, white lace dress, deep plunging neckline, large breasts, cleavage, kissing cheek, kissing both cheeks, cheek kiss, simultaneous kiss, closed eyes, blush, head tilt, leaning in, from below, cowboy shot, centered composition, symmetrical, symmetrical framing, arms at sides, standing, surprised, open mouth, happy, joyful, heart, love, confetti, falling petals, blue background, blue gradient, gray-green, cream, warm skin, dark hair, black hair, white dress, blue light The camera looks up from just below chest height in a centered, symmetrical cowboy shot: a man stands square in the middle of the frame with a bride pressed close on each side of him. He is a broad-shouldered adult man with short black hair and a dark formal suit, his shoulders pulled up slightly, arms hanging loose and forgotten at his sides, hands slack and open at his hips — caught completely off guard, chin lifted, mouth open in a delighted gasp, a flush across the tops of his cheeks. His eyes are wide open and inside each eye the pupils have bloomed into full rounded hearts, pink-red and glossy, glowing with a small pinpoint highlight. From the left, a bride in a white satin gown leans in toward him, her lips pressed against his left cheek; from the right, a bride in a white lace gown leans in and kisses his right cheek, so the two kisses land on his skin at exactly the same instant. Both brides have closed their eyes and tilted their heads into the kiss, and each presses one hand flat against his opposite shoulder for balance, fingertips dimpling the fabric of his jacket; their deep plunging necklines fall forward with the lean, showing soft shadowed cleavage on both sides. Their hair falls forward off their shoulders, satin sheen on the left, lace texture on the right, and a few loose strands brush his jaw. Around all three of them hangs a wreath of heart-shaped lights: a dozen and more little glowing hearts strung at different depths, some sharp in the foreground, some softly out of focus behind their shoulders, looping overhead and down the sides so the glow frames the group like a halo of hearts. Behind them the whole background is a clean blue gradient, deep at the top and lighter toward the bottom, with a band of muted gray-green at the edges and pale ivory highlights where the hearts flare. The heart lights are the scene's key light: warm cream-white points that strike the three faces from in front and above, leaving soft shadow under the chins and inside the necklines, catching a wet shine on the hearts in his eyes, and glinting along the satin and on the pearls of the lace. Confetti and a scatter of tiny heart motes drift down through the glow, and each petal and paper scrap catches the light only on its upward-facing side, the undersides staying in shade. The palette stays in cool blue, charcoal, cream and desaturated gray-green, skin tones the warmest cream in the frame, everything cut into flat high-contrast shapes with clean outlines and simple shadows. Effortlessly joyful.
息耐者カール
#zetaCollab
AI artwork
息
3girls, 1boy, male focus, from below, dutch angle, close-up, symmetrical composition, heart-shaped pupils, heart eyes, looking at viewer, open mouth, blush, heavy blush, kissing, kiss on cheek, cheek kiss, both cheeks, sandwiched, brides, wedding dress, white satin dress, plunging neckline, deep neckline, cleavage, large breasts, bouquet, heart-shaped frame, glowing frame, luminous outline, sparkles, pastel palette, cool blue palette, cel shading, clean outlines, flat colors A low-angle, slightly tilted close-up crams three faces into the upper half of the frame, seen from just under chin height so the sky-blue darkness behind them swallows the edges. A man fills the exact center, dark navy hair falling in short loose strands over his forehead, both eyes wide open and transformed -- each pupil a perfectly symmetrical glowing pink heart with a bright pinpoint highlight, iris ringed in warm peach, brows lifted high, mouth open in a frozen delighted gasp. Both his cheeks are pressed and slightly squashed: on the left a bride's lips meet his cheek, on the right the other bride's lips meet the other cheek, their mouths pushing the skin into shallow dimples and compressing the soft line of his jaw. Both brides lean in from either side, shoulders rolling forward, deep-blue gowns of satin with the straps slipping down their upper arms; each has one hand flat on his far shoulder for balance, the other hand rising near his collar. Their long wavy hair, one pale peach and one silver-pale, sways forward across his shoulders, and their eyes are shut in the exact crescent of the kiss. Below the three faces the composition drops away into two deep plunging necklines of white satin that open in a soft V from collarbone to sternum, the fabric pulled taut at the edges and pooling into shadow at the center, cleavage clearly visible in warm peach skin against the cool white. Directly behind and around them, a heart-shaped ring of light traces a single continuous outline that encircles all three heads -- the luminous band thickest at the top lobe, passing behind the brides' hair, dipping down beside their shoulders, glowing in soft pink-white with a faint blue halo bleeding into the dark. The glow is the only light in the scene: it rims the brides' cheekbones and the man's chin in warm pale pink while the outer edges of the frame fall into deep navy darkness, the light fading into a cool haze at the bottom. The heart's glow catches on the satin and creates small specular highlights that slide along the folds of each dress. Small drifting heart motes and paper confetti fleck the dark background, and a pair of thin ringlet strands of the brides' hair lift slightly as they lean. Every color stays within a cool blue-and-peach range: navy and slate blue in the shadow, pale peach and cream on skin, cool silver-blue on the satin, and the glowing pink of the heart frame. Effortlessly giddy, tender, and bright.
息耐者カール

Explorar más

Usuarios recomendados

Podría gustarte

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Ataque a los titanes#Mikasa Ackerman
InicioModelosGenerarPerfil