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黒

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黒

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1girl, solo, young girl, extreme low-angle shot, from ground level, worm's-eye view, looking up, long pleated skirt, forest green high-waisted pleated wool skirt, retro-style outfit, cream vintage knit cardigan, cardigan buttoned to the neck, black tights, opaque black tights, brown hair, shoulder-length hair, small velvet hair bow, brown leather t-strap shoes, quiet townscape, narrow old-town street, low stone curb, wooden shopfronts, tiled eaves, skylight strip of sky, mid-step, standing on one leg, arms slightly out for balance, skirt caught mid-swing, pleats flaring outward, looking down at viewer, head tilt, faint closed-lip smile, dappled afternoon light, long cast shadow, warm muted palette. The camera lies flat on the cobblestones of the courtyard, tilted up so the ground plane slices across the very bottom of the frame: a strip of worn grey-blue stone in near foreground, one snail-shell spiral of a paving joint and a scatter of pale dust caught in the grooves, then the girl towering above the lens. She is caught mid-step, one brown t-strap shoe planted flat on the curb's edge with its strap crossing the instep and its polished toe scuffed dull at the tip, the other leg lifted and bent behind, so her weight rides entirely on that single forward hip. The black opaque tights run unbroken from the shoe strap up both legs, the wool catching a faint matte sheen along the shins and darkening into soft shadow behind the calves. Above, the long forest-green pleated skirt hangs from a high waist and swings with the stride, its knife pleats opening like a fan toward the lens so each fold shows a lit green face and a shadowed valley, the hem lifting just clear of the knee of the raised leg. The cream knit cardigan is buttoned to the throat, its ribbed cuffs pushed slightly back from her wrists, its hem riding at the skirt's waistband; her arms are half-lifted away from her body in a balance gesture, fingers loosely spread. Her chin dips toward the camera, shoulder-length brown hair falling forward past her cheeks on both sides, the small velvet bow pinned above one temple silhouetted against the pale sky strip. Her eyes look straight down into the lens and one brow lifts a fraction higher than the other, mouth closed in a faint smile that is more curious than polite. Behind her the quiet townscape rises in layered depth: on the left a wooden shopfront with a tiled eave and a dark doorway, its signboard illegible and weathered; on the right a plastered wall with a shuttered window at the first floor; farther back the street narrows and bends, roofs overlapping until they close to a thin brilliant ribbon of sky directly overhead, which backlights the top of her hair into a warm rim. The sun is low and comes from her left rear, so her face stays softly open, the front of her skirt is lit and the crease behind each pleat is dense shadow, and her elongated shadow is thrown forward across the stones toward the lens, its edges blurred by the softened light. The palette is warm and desaturated -- moss green, cream, black, the grey-blue of stone, a faded ochre on the walls -- nothing saturated anywhere. Nostalgic, unhurried.
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Prompt original
A long pleated skirt, a retro-style outfit, a young girl, a quiet townscape, and black tights; an extreme low-angle shot from the ground.
Modo
flash
Tamaño
1104 x 1824
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.60k

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AI artwork
Avatar image of 黒
1girl, solo, young girl, extreme low-angle shot, from ground level, worm's-eye view, looking up, long pleated skirt, forest green high-waisted pleated wool skirt, retro-style outfit, cream vintage knit cardigan, cardigan buttoned to the neck, black tights, opaque black tights, brown hair, shoulder-length hair, small velvet hair bow, brown leather t-strap shoes, quiet townscape, narrow old-town street, low stone curb, wooden shopfronts, tiled eaves, skylight strip of sky, mid-step, standing on one leg, arms slightly out for balance, skirt caught mid-swing, pleats flaring outward, looking down at viewer, head tilt, faint closed-lip smile, dappled afternoon light, long cast shadow, warm muted palette. The camera lies flat on the cobblestones of the courtyard, tilted up so the ground plane slices across the very bottom of the frame: a strip of worn grey-blue stone in near foreground, one snail-shell spiral of a paving joint and a scatter of pale dust caught in the grooves, then the girl towering above the lens. She is caught mid-step, one brown t-strap shoe planted flat on the curb's edge with its strap crossing the instep and its polished toe scuffed dull at the tip, the other leg lifted and bent behind, so her weight rides entirely on that single forward hip. The black opaque tights run unbroken from the shoe strap up both legs, the wool catching a faint matte sheen along the shins and darkening into soft shadow behind the calves. Above, the long forest-green pleated skirt hangs from a high waist and swings with the stride, its knife pleats opening like a fan toward the lens so each fold shows a lit green face and a shadowed valley, the hem lifting just clear of the knee of the raised leg. The cream knit cardigan is buttoned to the throat, its ribbed cuffs pushed slightly back from her wrists, its hem riding at the skirt's waistband; her arms are half-lifted away from her body in a balance gesture, fingers loosely spread. Her chin dips toward the camera, shoulder-length brown hair falling forward past her cheeks on both sides, the small velvet bow pinned above one temple silhouetted against the pale sky strip. Her eyes look straight down into the lens and one brow lifts a fraction higher than the other, mouth closed in a faint smile that is more curious than polite. Behind her the quiet townscape rises in layered depth: on the left a wooden shopfront with a tiled eave and a dark doorway, its signboard illegible and weathered; on the right a plastered wall with a shuttered window at the first floor; farther back the street narrows and bends, roofs overlapping until they close to a thin brilliant ribbon of sky directly overhead, which backlights the top of her hair into a warm rim. The sun is low and comes from her left rear, so her face stays softly open, the front of her skirt is lit and the crease behind each pleat is dense shadow, and her elongated shadow is thrown forward across the stones toward the lens, its edges blurred by the softened light. The palette is warm and desaturated -- moss green, cream, black, the grey-blue of stone, a faded ochre on the walls -- nothing saturated anywhere. Nostalgic, unhurried.
黒
AI artwork
Avatar image of 黒
1girl, solo, young girl, extreme low-angle shot, from ground level, worm's-eye view, looking up, long pleated skirt, forest green high-waisted pleated wool skirt, retro-style outfit, cream vintage knit cardigan, cardigan buttoned to the neck, black tights, opaque black tights, brown hair, shoulder-length hair, small velvet hair bow, brown leather t-strap shoes, quiet townscape, narrow old-town street, low stone curb, wooden shopfronts, tiled eaves, skylight strip of sky, mid-step, standing on one leg, arms slightly out for balance, skirt caught mid-swing, pleats flaring outward, looking down at viewer, head tilt, faint closed-lip smile, dappled afternoon light, long cast shadow, warm muted palette. The camera lies flat on the cobblestones of the courtyard, tilted up so the ground plane slices across the very bottom of the frame: a strip of worn grey-blue stone in near foreground, one snail-shell spiral of a paving joint and a scatter of pale dust caught in the grooves, then the girl towering above the lens. She is caught mid-step, one brown t-strap shoe planted flat on the curb's edge with its strap crossing the instep and its polished toe scuffed dull at the tip, the other leg lifted and bent behind, so her weight rides entirely on that single forward hip. The black opaque tights run unbroken from the shoe strap up both legs, the wool catching a faint matte sheen along the shins and darkening into soft shadow behind the calves. Above, the long forest-green pleated skirt hangs from a high waist and swings with the stride, its knife pleats opening like a fan toward the lens so each fold shows a lit green face and a shadowed valley, the hem lifting just clear of the knee of the raised leg. The cream knit cardigan is buttoned to the throat, its ribbed cuffs pushed slightly back from her wrists, its hem riding at the skirt's waistband; her arms are half-lifted away from her body in a balance gesture, fingers loosely spread. Her chin dips toward the camera, shoulder-length brown hair falling forward past her cheeks on both sides, the small velvet bow pinned above one temple silhouetted against the pale sky strip. Her eyes look straight down into the lens and one brow lifts a fraction higher than the other, mouth closed in a faint smile that is more curious than polite. Behind her the quiet townscape rises in layered depth: on the left a wooden shopfront with a tiled eave and a dark doorway, its signboard illegible and weathered; on the right a plastered wall with a shuttered window at the first floor; farther back the street narrows and bends, roofs overlapping until they close to a thin brilliant ribbon of sky directly overhead, which backlights the top of her hair into a warm rim. The sun is low and comes from her left rear, so her face stays softly open, the front of her skirt is lit and the crease behind each pleat is dense shadow, and her elongated shadow is thrown forward across the stones toward the lens, its edges blurred by the softened light. The palette is warm and desaturated -- moss green, cream, black, the grey-blue of stone, a faded ochre on the walls -- nothing saturated anywhere. Nostalgic, unhurried.
黒
AI artwork
Avatar image of 黒
1girl, solo, young girl, extreme low-angle shot, from ground level, worm's-eye view, looking up, long pleated skirt, forest green high-waisted pleated wool skirt, retro-style outfit, cream vintage knit cardigan, cardigan buttoned to the neck, black tights, opaque black tights, brown hair, shoulder-length hair, small velvet hair bow, brown leather t-strap shoes, quiet townscape, narrow old-town street, low stone curb, wooden shopfronts, tiled eaves, skylight strip of sky, mid-step, standing on one leg, arms slightly out for balance, skirt caught mid-swing, pleats flaring outward, looking down at viewer, head tilt, faint closed-lip smile, dappled afternoon light, long cast shadow, warm muted palette. The camera lies flat on the cobblestones of the courtyard, tilted up so the ground plane slices across the very bottom of the frame: a strip of worn grey-blue stone in near foreground, one snail-shell spiral of a paving joint and a scatter of pale dust caught in the grooves, then the girl towering above the lens. She is caught mid-step, one brown t-strap shoe planted flat on the curb's edge with its strap crossing the instep and its polished toe scuffed dull at the tip, the other leg lifted and bent behind, so her weight rides entirely on that single forward hip. The black opaque tights run unbroken from the shoe strap up both legs, the wool catching a faint matte sheen along the shins and darkening into soft shadow behind the calves. Above, the long forest-green pleated skirt hangs from a high waist and swings with the stride, its knife pleats opening like a fan toward the lens so each fold shows a lit green face and a shadowed valley, the hem lifting just clear of the knee of the raised leg. The cream knit cardigan is buttoned to the throat, its ribbed cuffs pushed slightly back from her wrists, its hem riding at the skirt's waistband; her arms are half-lifted away from her body in a balance gesture, fingers loosely spread. Her chin dips toward the camera, shoulder-length brown hair falling forward past her cheeks on both sides, the small velvet bow pinned above one temple silhouetted against the pale sky strip. Her eyes look straight down into the lens and one brow lifts a fraction higher than the other, mouth closed in a faint smile that is more curious than polite. Behind her the quiet townscape rises in layered depth: on the left a wooden shopfront with a tiled eave and a dark doorway, its signboard illegible and weathered; on the right a plastered wall with a shuttered window at the first floor; farther back the street narrows and bends, roofs overlapping until they close to a thin brilliant ribbon of sky directly overhead, which backlights the top of her hair into a warm rim. The sun is low and comes from her left rear, so her face stays softly open, the front of her skirt is lit and the crease behind each pleat is dense shadow, and her elongated shadow is thrown forward across the stones toward the lens, its edges blurred by the softened light. The palette is warm and desaturated -- moss green, cream, black, the grey-blue of stone, a faded ochre on the walls -- nothing saturated anywhere. Nostalgic, unhurried.
黒
AI artwork
Avatar image of 黒
1girl, solo, Louise Brooks bob, heavy straight blunt bangs, sharp short bob haircut, chin-length hair, flat sleek hair, symmetrical hair, straight hair, black hair, gentle smile, closed mouth, peaceful expression, soft eyes, long pleated skirt, retro outfit, cream vintage blouse, Peter Pan collar, long sleeves, black tights, opaque pantyhose, black shoes, extreme low angle, from below, looking down at viewer, standing on one leg, tiptoes, arms up, outstretched arm, leaning forward, hand reaching toward viewer, head tilt, cowboy shot, townscape, quiet town, cobblestone street, low stone wall, old shopfronts, overcast daylight, muted palette, film grain An extreme low-angle shot taken from ground level: the camera lies almost flat on the cobblestones, so the girl towers over the lens and the pale overcast sky opens wide behind her small head. She is one young girl with a black chin-length Louise Brooks bob, cut sharp and blunt, the heavy fringe a flat straight curtain across her brow, the two sides falling in symmetrical sleek wings that touch the corners of her jaw with no wave or lift anywhere in the hair. Seen from beneath, her face is foreshortened: rounded chin tipped down toward the viewer, one brow slightly arched, lips closed in a gentle smile, the peace of her expression held in lowered lids and a soft unforced curve. She balances tipped up on her toes, right heel lifted off the stones, left foot taking her weight, both arms flung high overhead so the sleeves slide back and her hands reach out of the top of the frame; the pleated skirt swings forward around her knees with the movement, its long forest-green folds fanning open so a sliver of the black tights shows at the back of one shin above her dark shoes. Skirt hems, blouse cuffs and the ends of her bob lift toward the camera together, pushed by the same air. The environment is a quiet townscape behind and around her: a low stone wall running along the left of the street, small old shopfronts with shutters, a single distant figureless lane narrowing away, all roofs and upper walls looming and leaning in because of the steep upward perspective, the stones of the ground sharp in the near foreground and the buildings compressing toward the sky. Even, cool overcast light falls from above, catching the flat sheen of her hair, the pleats' ridges and the tops of her shoulders while the undersides of her chin and skirt stay softly shadowed; no hard cast shadows on the ground. The palette is restrained and vintage — deep forest green, cream, flat black, wet grey stone and pale sky. Her upturned face and reaching hands carry the detail budget, with the distant town simplified to clean massed shapes. Serene, gently buoyant.
黒

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