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Kylee Violette (Kiy Chan)

Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

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1girl, solo, very long silver ponytail, silver hair, red eyes, adult woman, mature female, curvy, large breasts, wide hips, narrow waist, beautiful woman, innocent makeup, soft natural makeup, subtle blush, glossy soft lips, halloween gown, black and orange gown, satin gown, off-shoulder gown, dark sunglasses, holding sunglasses, pulling up sunglasses, hand on sunglasses, from below, cowboy shot, dutch angle, looking at viewer, faint closed-lip smile, raised eyebrow, head tilt, night, dark background, orange rim light, jack-o'-lantern glow The camera sits low and tilted a few degrees off level, looking up at her from about hip height in a cowboy shot, so her silver ponytail and the flared skirt both run out past the top and bottom of the frame. She stands with her weight sunk into her left hip, right knee bent and turned slightly inward, torso twisted a quarter-turn toward her left shoulder while her chin tips down at the lens — the low angle lengthens her legs and lets the gown's satin catch a long highlight down one side of her waist and hip. Her right hand is up at her brow, thumb and middle finger pinching the outer edge of the dark sunglasses; the frame is lifted clear of her eyes and resting against her forehead, one lens still shadowing the tail of her right eyebrow, and the temple arm presses a small dent into her hair above her ear. Her left hand hangs loosely at her side, fingers curled against the satin seam of the skirt. Her very long silver ponytail is gathered high at the crown into a thick elastic-free tail that sweeps back and drops in one heavy unbroken fall past her shoulder blades and out of frame behind her right arm; a few loose silver strands have escaped and cross her cheek and the bridge of her nose, stirred by the small motion of lifting the glasses. Her eyes are a clear saturated red, fully visible under the lifted frame, lashes long and lowered a fraction; her makeup stays deliberately innocent — a soft warm blush high on both cheeks, a barely-there rosy lip, no heavy liner, no smoky shadow — and her mouth holds a faint closed-lip smile with one brow arched higher than the other, her gaze aimed straight down the lens. The gown is a voluminous black satin floor-length Halloween gown with a fitted boned bodice that follows the curve of her large chest and narrow waist before the skirt flares wide; burnt-orange satin panels and orange piping run the bodice seams and the skirt godets, and a scatter of small black bat and crescent-moon appliqués is stitched along the hem. The satin's sheen breaks along every fold, brightest where the fabric pulls over her bust and hips. The background is a deep near-black void, and the only light is a warm orange glow rising from below the frame edge as though from a carved pumpkin at her feet: it rims the underside of her jaw, the inner curves of her bodice, the leading edge of the skirt and the loose silver strands, while her shoulders, the crown of her head and the far side of the ponytail fall away into darkness; a soft orange cast shadow of her silhouette stretches up the black behind her. Silver, red, black and burnt orange, nothing else admitted. Quiet, sultry Halloween glamour.
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Prompt original
a silver hair longest ponytail and red eyes as wearing a Halloween gown aged up and large chest and curvy, beautiful woman with innocent makeup, pull up the sunglasses
Modo
pro
Tamaño
1104 x 1824
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
5.92k

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long silver ponytail, silver hair, red eyes, adult woman, mature female, curvy, large breasts, wide hips, narrow waist, beautiful woman, innocent makeup, soft natural makeup, subtle blush, glossy soft lips, halloween gown, black and orange gown, satin gown, off-shoulder gown, dark sunglasses, holding sunglasses, pulling up sunglasses, hand on sunglasses, from below, cowboy shot, dutch angle, looking at viewer, faint closed-lip smile, raised eyebrow, head tilt, night, dark background, orange rim light, jack-o'-lantern glow The camera sits low and tilted a few degrees off level, looking up at her from about hip height in a cowboy shot, so her silver ponytail and the flared skirt both run out past the top and bottom of the frame. She stands with her weight sunk into her left hip, right knee bent and turned slightly inward, torso twisted a quarter-turn toward her left shoulder while her chin tips down at the lens — the low angle lengthens her legs and lets the gown's satin catch a long highlight down one side of her waist and hip. Her right hand is up at her brow, thumb and middle finger pinching the outer edge of the dark sunglasses; the frame is lifted clear of her eyes and resting against her forehead, one lens still shadowing the tail of her right eyebrow, and the temple arm presses a small dent into her hair above her ear. Her left hand hangs loosely at her side, fingers curled against the satin seam of the skirt. Her very long silver ponytail is gathered high at the crown into a thick elastic-free tail that sweeps back and drops in one heavy unbroken fall past her shoulder blades and out of frame behind her right arm; a few loose silver strands have escaped and cross her cheek and the bridge of her nose, stirred by the small motion of lifting the glasses. Her eyes are a clear saturated red, fully visible under the lifted frame, lashes long and lowered a fraction; her makeup stays deliberately innocent — a soft warm blush high on both cheeks, a barely-there rosy lip, no heavy liner, no smoky shadow — and her mouth holds a faint closed-lip smile with one brow arched higher than the other, her gaze aimed straight down the lens. The gown is a voluminous black satin floor-length Halloween gown with a fitted boned bodice that follows the curve of her large chest and narrow waist before the skirt flares wide; burnt-orange satin panels and orange piping run the bodice seams and the skirt godets, and a scatter of small black bat and crescent-moon appliqués is stitched along the hem. The satin's sheen breaks along every fold, brightest where the fabric pulls over her bust and hips. The background is a deep near-black void, and the only light is a warm orange glow rising from below the frame edge as though from a carved pumpkin at her feet: it rims the underside of her jaw, the inner curves of her bodice, the leading edge of the skirt and the loose silver strands, while her shoulders, the crown of her head and the far side of the ponytail fall away into darkness; a soft orange cast shadow of her silhouette stretches up the black behind her. Silver, red, black and burnt orange, nothing else admitted. Quiet, sultry Halloween glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long silver ponytail, silver hair, red eyes, adult woman, mature female, curvy, large breasts, wide hips, narrow waist, beautiful woman, innocent makeup, soft natural makeup, subtle blush, glossy soft lips, halloween gown, black and orange gown, satin gown, off-shoulder gown, dark sunglasses, holding sunglasses, pulling up sunglasses, hand on sunglasses, from below, cowboy shot, dutch angle, looking at viewer, faint closed-lip smile, raised eyebrow, head tilt, night, dark background, orange rim light, jack-o'-lantern glow The camera sits low and tilted a few degrees off level, looking up at her from about hip height in a cowboy shot, so her silver ponytail and the flared skirt both run out past the top and bottom of the frame. She stands with her weight sunk into her left hip, right knee bent and turned slightly inward, torso twisted a quarter-turn toward her left shoulder while her chin tips down at the lens — the low angle lengthens her legs and lets the gown's satin catch a long highlight down one side of her waist and hip. Her right hand is up at her brow, thumb and middle finger pinching the outer edge of the dark sunglasses; the frame is lifted clear of her eyes and resting against her forehead, one lens still shadowing the tail of her right eyebrow, and the temple arm presses a small dent into her hair above her ear. Her left hand hangs loosely at her side, fingers curled against the satin seam of the skirt. Her very long silver ponytail is gathered high at the crown into a thick elastic-free tail that sweeps back and drops in one heavy unbroken fall past her shoulder blades and out of frame behind her right arm; a few loose silver strands have escaped and cross her cheek and the bridge of her nose, stirred by the small motion of lifting the glasses. Her eyes are a clear saturated red, fully visible under the lifted frame, lashes long and lowered a fraction; her makeup stays deliberately innocent — a soft warm blush high on both cheeks, a barely-there rosy lip, no heavy liner, no smoky shadow — and her mouth holds a faint closed-lip smile with one brow arched higher than the other, her gaze aimed straight down the lens. The gown is a voluminous black satin floor-length Halloween gown with a fitted boned bodice that follows the curve of her large chest and narrow waist before the skirt flares wide; burnt-orange satin panels and orange piping run the bodice seams and the skirt godets, and a scatter of small black bat and crescent-moon appliqués is stitched along the hem. The satin's sheen breaks along every fold, brightest where the fabric pulls over her bust and hips. The background is a deep near-black void, and the only light is a warm orange glow rising from below the frame edge as though from a carved pumpkin at her feet: it rims the underside of her jaw, the inner curves of her bodice, the leading edge of the skirt and the loose silver strands, while her shoulders, the crown of her head and the far side of the ponytail fall away into darkness; a soft orange cast shadow of her silhouette stretches up the black behind her. Silver, red, black and burnt orange, nothing else admitted. Quiet, sultry Halloween glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long silver ponytail, silver hair, red eyes, adult woman, mature female, curvy, large breasts, wide hips, narrow waist, beautiful woman, innocent makeup, soft natural makeup, subtle blush, glossy soft lips, halloween gown, black and orange gown, satin gown, off-shoulder gown, dark sunglasses, holding sunglasses, pulling up sunglasses, hand on sunglasses, from below, cowboy shot, dutch angle, looking at viewer, faint closed-lip smile, raised eyebrow, head tilt, night, dark background, orange rim light, jack-o'-lantern glow The camera sits low and tilted a few degrees off level, looking up at her from about hip height in a cowboy shot, so her silver ponytail and the flared skirt both run out past the top and bottom of the frame. She stands with her weight sunk into her left hip, right knee bent and turned slightly inward, torso twisted a quarter-turn toward her left shoulder while her chin tips down at the lens — the low angle lengthens her legs and lets the gown's satin catch a long highlight down one side of her waist and hip. Her right hand is up at her brow, thumb and middle finger pinching the outer edge of the dark sunglasses; the frame is lifted clear of her eyes and resting against her forehead, one lens still shadowing the tail of her right eyebrow, and the temple arm presses a small dent into her hair above her ear. Her left hand hangs loosely at her side, fingers curled against the satin seam of the skirt. Her very long silver ponytail is gathered high at the crown into a thick elastic-free tail that sweeps back and drops in one heavy unbroken fall past her shoulder blades and out of frame behind her right arm; a few loose silver strands have escaped and cross her cheek and the bridge of her nose, stirred by the small motion of lifting the glasses. Her eyes are a clear saturated red, fully visible under the lifted frame, lashes long and lowered a fraction; her makeup stays deliberately innocent — a soft warm blush high on both cheeks, a barely-there rosy lip, no heavy liner, no smoky shadow — and her mouth holds a faint closed-lip smile with one brow arched higher than the other, her gaze aimed straight down the lens. The gown is a voluminous black satin floor-length Halloween gown with a fitted boned bodice that follows the curve of her large chest and narrow waist before the skirt flares wide; burnt-orange satin panels and orange piping run the bodice seams and the skirt godets, and a scatter of small black bat and crescent-moon appliqués is stitched along the hem. The satin's sheen breaks along every fold, brightest where the fabric pulls over her bust and hips. The background is a deep near-black void, and the only light is a warm orange glow rising from below the frame edge as though from a carved pumpkin at her feet: it rims the underside of her jaw, the inner curves of her bodice, the leading edge of the skirt and the loose silver strands, while her shoulders, the crown of her head and the far side of the ponytail fall away into darkness; a soft orange cast shadow of her silhouette stretches up the black behind her. Silver, red, black and burnt orange, nothing else admitted. Quiet, sultry Halloween glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, silver hair, very long ponytail, floor-length hair, red eyes, sunglasses, dark tinted sunglasses, halloween gown, black velvet gown, gothic lace trim, large breasts, curvy, wide hips, thick thighs, adult, mature female, aged up, from below, cowboy shot, dutch angle, looking at viewer, head tilt, hand on own hip, raised eyebrow, smug, night, jack-o'-lantern, candlelight, Shot from below at a dutch angle in a cowboy crop, a mature adult woman stands with her weight sunk into her right hip, left hand planted flat on that hip with the fingers splayed and the elbow winged out, her shoulders turned a quarter away from the camera while her chin tips down so she looks over the top rim of her dark tinted sunglasses at the viewer, one brow arched above the frame, the corner of her mouth pulled into a lopsided smirk. Her silver hair is gathered high at the crown into a single ponytail so long it falls past her waist and pools in a loose coil on the floorboards behind her right heel, the tie pulling the hair taut at the scalp and the tail swinging slightly forward against her back from the turn; her red eyes sit just visible above the dark lenses, catching the low warm light. She wears a black velvet Halloween gown cut close over a large chest and cinched narrow at the waist before it flares wide over curved hips and thick thighs, the skirt sweeping the floor, gothic black lace trim tracing the square neckline, the cuffs and the hem, the velvet's pile brightening where the light rakes across it and going dead black in the folds. The staging is a dim porch corner: carved jack-o'-lanterns clustered along a low step at the lower left, their candles throwing the only warm light, from below and to the left, glazing the underside of her jaw, the lace edge of her neckline and the glossy curve of the lenses while her back and the far side of the gown fall into deep shadow; the candlelight inside the nearest pumpkin glows through the carved eye and lays an orange lozenge on the floorboard beside her coil of hair, and the heat of the flames stirs the loose strands at her temple. Palette held to black velvet, silver, ember orange and deep brown shadow. Confident, sultry.
Kylee Violette (Kiy Chan)

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