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AI art "着物ってメロいよねって話"
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着物ってメロいよねって話

Avatar image of シーナ1219

シーナ1219

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Comentarios

score_9, score_8_up, score_7_up, source_anime, (((masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic))), boy, girl, dark anime, heavily painted style illustration, neon_haze, soft lighting, pale skin, black hair with deep red gradient towards the tips, low half-up hairstyle, long hair in the back with a part tied in a thin braid with a red string, red to gold gradient eyes with petal-shaped highlights, a beauty mark under the eye, red eyeliner at the outer corners of the eyes, a red spider lily hair ornament on one ear and a gold hairpin with a short tassel on the other side, wearing a black kinagashi with a deep red long haori draped over the shoulders, the haori lining has gold thread embroidery, red spider lily embroidery from the hem to the sleeves, the chest is slightly open, double gold and black obi with a bell and red tassel hanging, long sleeves spreading in the wind, wearing geta and white tabi, black prayer beads around the neck, red braided cord on the wrist, man, solo.
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Prompt original
黒髪で、毛先にかけて深紅のグラデーション 低めのハーフアップ。後ろ髪は長く、一部を細い三つ編みにして赤い紐で結ぶ 瞳は赤から金のグラデーションで、花びら型のハイライト 泣きぼくろ、目尻に赤いアイライン 耳元に彼岸花の髪飾り、反対側に金の簪と短い房 黒の着流しに、深紅の長羽織を肩掛け。羽織の裏地は金糸の刺繍 裾から袖にかけて彼岸花の刺繍、胸元は少しはだけさせる 帯は金と黒の二重で、鈴と赤い房を下げる 長い袖が風で広がり、足元は下駄に白足袋 首元に黒い数珠、手首に赤い組紐 男性。一人
Modo
lite
Tamaño
768 x 1280

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Ataque a los titanes#Mikasa Ackerman
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