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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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- Prompt original
- 1girl, white outline, beautiful face, apartment background, living room background, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, detailed background, immersive background, beautiful background, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, Long vibrant red hair, hazel eyes, solo focus, striking hyper-feminine silhouette, glasses, slutty outfit, on couch, watching tv, seductive pose,
- Modo
- ultra
- Tamaño
- 1104 x 1824
- Método de muestreo
- Euler
- Excluir de la imagen
- lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
Mostrar másn1
artist: ratatatat74
1girl, solo, long vibrant red hair, straight hair, hazel eyes, glasses, clear-rimmed rectangular glasses, oversized cream cable-knit sweater, sweater slipping off one shoulder, bare shoulder, tiny black lace panties, bare legs, striking hyper-feminine silhouette, sitting on couch, lounging, knees drawn up, watching tv, looking at television, holding remote, apartment interior, living room, sofa, television screen glow, volumetric lighting, light shafts, depth of field, blurred background, detailed background, white outline, beautiful face, sharp cel-shading, high contrast, rim lighting, dramatic backlighting, cinematic perspective, wide angle, moody atmosphere, sharp eyes, from below, three-quarter view, close-up, dutch angle
The camera sits low and off-axis, looking up and slightly tilted from below and to her left, so the couch cushions rise into the foreground and her figure occupies the right two-thirds of the frame in a three-quarter view turned toward the television off-frame left; her head is angled toward that screen, chin tipped down, hazel eyes narrowed behind clear-rimmed rectangular glasses with the screen's cool light caught as two small rectangular reflections on the lenses, a faint pleased closed-lip smile and one brow slightly raised. She lounges deep into the cushions rather than sitting square: her weight sinks on her right hip, her right shoulder pressed back into the seat, her left leg folded up with the knee raised and the bare foot hooked over the couch edge, her right leg stretched along the cushion with the heel resting on the far armrest; her left hand rests loose on her raised knee, fingertips just dimpling the knit, while her right hand lies beside her thigh with the television remote flat under her palm on the cushion. The oversized cream cable-knit sweater hangs loose off her left shoulder, exposing the bare curve of that shoulder and collarbone, its ribbed cuff bunched at her forearm, thick cabling twisting across the chest and the hem riding high over tiny black lace panties; her long vibrant red hair spills over the cushion behind her right shoulder and a few strands fall forward across her glasses' arm, while the far end of the sweater and the loose hair both lift faintly in the warm air current from a floor vent. Every contour of her — hair edge, sweater shoulder, raised knee, foot, the line of the couch — is traced with a crisp white outline that separates her cleanly from the darker room behind.
The room is a real apartment living room in medium depth: the couch in the midground, a low wooden coffee table in the foreground holding a half-finished mug and a folded blanket, a rug under it, and behind her a wall with a bookshelf, a slatted blind window and a standing lamp, all softened by shallow depth of field into a detailed but gently blurred backdrop; a small warm pool of lamplight behind the couch and the cold blue-white spill of the unseen television from frame left are the two light sources, and nothing else competes.
The palette is split by those sources — cold television blue on her left side, her glasses, the raised knee and the front of the sweater, warm amber on the right side of her hair, shoulder and the couch cushions, against the deep teal-brown shadow of the room; the sweater's cream and the red of her hair are the loudest colours, with the television glow raking volumetric shafts of faint dust through the air between lamp and screen. Her body compresses the cushion beneath her hip and the seat edge bows slightly under her heel; the woven blanket on the table crumples where it was dropped. Effortlessly cozy, moody and cinematic.
nyx14
b1
character: ellee-chan, artist: ratatatat74
1girl, red hair, hazel eyes, sitting on couch, bored, white outline, seductive_smile, half-closed_eyes, blush, from above, cowboy shot, depth of field, volumetric lighting
A high-angle cowboy shot looks down at a woman with long red hair and hazel eyes. She is sprawled across a plush living room couch, her weight shifted heavily onto one hip as she leans back, one arm draped lazily over the backrest and the other resting on her thigh. Her expression is one of profound boredom, with half-closed lids and a slight, sultry pout. A thin, crisp white outline traces her entire silhouette, separating her from the environment. The room is a modern living room, though the background is softened by a shallow depth of field. Warm, volumetric light streams in from a side window, creating sharp, dramatic rim lighting that catches the edges of her hair and form, while the rest of the scene is cast in deep, high-contrast shadows. The palette is dominated by the deep tones of the interior, punctuated by the vibrant red of her hair. Sharp cel-shading defines every fold of the couch fabric and the contours of her face. Effortlessly stylish.
bleh17
n0
artist: ratatatat74
1girl, solo, white outline, beautiful face, apartment interior, living room background, volumetric lighting, depth of field, detailed background, looking at viewer, long vibrant red hair, hazel eyes, solo focus, striking hyper-feminine silhouette, seductive pose, miniskirt, sitting on couch, bare midriff, bare legs, bare shoulders, both ears bare, hair completely unadorned, cowboy shot, from below, foreshortening, crossed legs, leaning back, arm support, head tilt, half-closed eyes, light smile, blush, looking at viewer, rim lighting, backlighting, sharp cel-shading, high contrast, vibrant accent colors, cinematic perspective, wide angle lens, moody atmosphere,
The camera sits low, just above the cushion line, tilted up: the girl fills the frame alone, near the left third, knees toward the lens while her shoulders lean back into the couch's right armrest, so the shot foreshortens her legs and lets the room fan out behind her. Both her legs are crossed at the knee, the top ankle drawn over the lower calf, her weight carried on the right hip and the small of her back pressed into the upholstery that dents visibly under her, one fogged handprint of warmth already fading where her palm rested. Her left arm is thrown straight along the top of the backrest, fingers curled over its far edge; her right hand rests loose on her own knee, thumb hooked into the hem of the very short miniskirt where the fabric rides up over the thigh. The outfit is deliberately provocative — the bare midriff, the thin straps and the bare shoulders left unadorned, no jewellery anywhere, both ears bare, her long vibrant red hair completely unadorned and tumbling loose down the backrest and over one shoulder in heavy vivid strands that catch the rim light. Tilted slightly toward the camera, chin drawn down, hazel eyes fixed directly on the viewer from under the strands, a faint closed-lip smile with a flush of blush high on her cheeks, mouth barely parted as if mid-breath.
The living room behind her: a low coffee table with a ceramic mug and a folded throw, a shelf of worn books, a tall window at frame right with thin curtains, a hallway door ajar. The warm key light comes through that window from behind and right, striking the trailing edges of her hair and shoulder as a hard hot rim while her face and throat fall into soft, cool shadow that keeps her hazel eyes bright and legible; the lamp in the left corner fills only a small pool, and the room beyond dissolves into blurred depth, edges reduced to soft ovals of warm brown and deep teal. Red, warm amber, soft charcoal upholstery and the pale cream wall — nothing else admitted. The window mullion's shadow breaks across the couch cushion and her bare thigh, bending where the fabric yields. Sharp cel-shading, crisp edges, rich detailed rendering of the apartment's clutter, cinematic and quietly teasing.
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