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AI artwork featuring #Arknights, #Nearl, #Whislash, #Blemishine and #Młynar
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Nearl, Whislash

#Arknights#Nearl#Whislash#Blemishine#Młynar
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Sam Daniel

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character: blemishine_(arknights), mlynar_(arknights), whislash_(arknights), nearl_(arknights), copyright: arknights 4 girls, 1 boy, family, group photo, mlynar \(arknights\), whislash \(arknights\), nearl \(arknights\), blemishine \(arknights\), blonde hair, yellow eyes, blue eyes, horse ears, animal ear fluff, horse tail, long hair, short hair, ponytail, hair between eyes, black coat, black jacket, shirt, necktie, black pants, long sleeves, white cape, black hat, black shorts, black thighhighs, armor, fur trim, black gloves, sitting, on sofa, couch, living room, indoors, from above, wide shot, looking at viewer, light smile, relaxed, arms around shoulder, leaning on another, head rest, hand on head, warm lighting, golden hour Camera looks down from a high corner of the room onto a wide, lived-in living room at late afternoon: a deep caramel leather sofa sits three-quarters to the frame across the lower half, a low wooden table between it and the lens, a tall window on the right wall letting in the only light. Four figures share the sofa as one family unit, grouped tight. Mlynar occupies the far left seat, the oldest and largest silhouette, sunk back into the cushions with one ankle crossed over the other knee, one arm draped along the sofa back behind the next seat. He is a broad-shouldered man with short, slightly unkempt blonde hair swept back from a tired brow, yellow eyes half-lidded, a single lock falling forward at his temple; a pair of horse ears stand up through his hair, and a long horse tail lies draped over the sofa arm beside his hip. He wears a black coat left hanging open over a grey shirt, a dark necktie loosened a finger's width from the collar, black trousers and long sleeves; his hands rest one on his knee, the other slack along the sofa back. His gaze drifts sideways and down toward the girls rather than the lens, one corner of his mouth pulled into a faint, long-suffering smile. Beside him, Whislash sits perched forward on the cushion's edge, one leg crossed at the knee over the other with the black thighhighs catching the window light, her black shorts and long sleeves crisp against the white cape that spills over the sofa back. She is a slender woman with long blonde hair falling past her shoulders, a black hat tipped back on her head, blue eyes bright and narrowed with amusement, and horse ears with tufts flaring from behind the hat brim; her tail curls out past her hip along the seat. She leans a shoulder into Mlynar's side, one gloved hand raised to flick at the loosened knot of his necktie, chin tilted back toward him in teasing. In the middle-right sits Nearl, upright and composed in her armor, the plate catching the low light on its upward-facing curves while she loops an arm around her younger sister's shoulders. She has long blonde hair drawn into a ponytail with a strand falling between her eyes, yellow eyes warm and steady, horse ears alert, a headset hooked at her ear, and a black-gloved hand resting firmly on her sister's far shoulder; her horse tail folds along the cushion behind her. She wears her formal dress beneath the armor, and she turns her face slightly toward the youngest. Blemishine leans full-weight against Nearl's shoulder, cheek pressed to the armor's edge, her ponytail of blonde hair slipping down her back and her hands loosely clasped in her lap under the armor's fur-trimmed collar. Her yellow eyes are open wide and happy beneath the brows, horse ears perked, gloves folded together; her tail lies across the seat. She is the one who noticed the camera and looks straight up into the lens, grinning. The window's shaft of late gold falls across the group from the upper right, warming the tops of hats, ears, hair and shoulders and pooling on the thighs and the sofa's upper cushions; the room's far corners fall into a soft cool blue shadow, and their four shadows lean together onto the far wall low behind the sofa as one lumpy silhouette. Dust motes catch in the light shaft above them. The palette is caramel leather, cream and black, with the blonde of four heads and one white cape as the repeated notes. The ears and tails break the vertical line of the group to make the family's kinship visible at a glance. Warm, easy, affectionate.
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Prompt original
mlynar (arknights), whislash (arknights), nearl (arknights), blemishine (arknights), family, mlynar the uncle, whislash the auntie, nearl and blemishine the nieces
Modo
pro
Etiqueta de calidad
﹝Prompts﹞
Tamaño
1104 x 1824
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of Sam Daniel
character: blemishine_(arknights), mlynar_(arknights), whislash_(arknights), nearl_(arknights), copyright: arknights 4 girls, 1 boy, family, four people, blonde hair, horse ears, animal ear fluff, horse tail, yellow eyes, looking at viewer, newspaper, reading newspaper, sitting, living room, from above, dutch angle, cowboy shot, indoors, warm lamp light, whislash \(arknights\), nearl \(arknights\), blemishine \(arknights\), mlynar \(arknights\), long hair, ponytail, hair between eyes, blue eyes, short hair, black coat, necktie, black pants, long sleeves, hat, black hat, white cape, black shorts, black thighhighs, armor, fur trim, black gloves, headset, open newspaper, holding newspaper, crossed legs, leaning back, head tilt, one eye closed, grin, light smile, half-closed eyes, raised eyebrow, :d, arm support, tail, lapels, sofa, cushions, coffee table, teacup, afternoon, warm palette Seen from a slightly high, tilted angle across a deep-cushioned living-room sofa, the four sit close in one warm row: on the right the uncle, a broad-shouldered man with short blond hair and fluffed horse ears, slumps back into the sofa's corner with his ankles crossed, a wide opened newspaper held up in both hands across his chest; the paper's sheets hang in a soft arc from his grip, its printed columns reduced to blurred grey micro-text and one faintly readable headline block, and the top edge dips just low enough that one yellow eye peeks over it, half-lidded and flatly unimpressed, aimed straight at the viewer while he reads. Tucked against his left side the auntie sits with her legs folded sideways under her, a small black hat perched on her long blond hair, white cape spilling over the cushion behind her, her chin propped on one knuckle and one eye squeezed shut in a lazy wink at the viewer, a teasing curl at the corner of her mouth. Her tail curls forward over the cushion beside her hip. Next to her the elder niece leans forward over her own knees, long blond ponytail slipping off one shoulder, horse ears swiveled toward the newspaper, one black-gloved hand resting flat on the sofa arm, her gaze lifting from the paper's edge to the viewer with a calm, faint closed-lip smile and one brow faintly raised, as though she has just caught the joke. On the far left the younger niece has thrown herself half across the armrest, one elbow denting the cushion, her ponytail flipped up, her free hand pointing at the newspaper with an open-mouthed grin and a bright sideways glance at the lens, her armored shoulder pressed to the sofa's frame with fur trim flattened under her weight. Behind them tall windows wash the room in cool late-afternoon daylight from the left, while a low table lamp on the right throws a warm amber pool that catches the newspaper's underside so the sheet glows warm from below and cool from above; the folds of the paper cast a hard crease-shadow across the uncle's shirtfront, and the sofa cushions are visibly compressed in a shallow bowl where the four of them sink in. The palette keeps to blond gold, warm cream, deep charcoal and one brick-red cushion, with the newspaper's off-white as the brightest plane in the frame. Loud, comfortable, effortlessly familial.
Sam Daniel
AI artwork
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive 4girls, multiple girls, kotatsu, indoor, cozy Japanese living room, winter afternoon, Hagumaya Makoto, long grey hair, hair over one eye, very long hair, blue eyes, pointy ears, black demon horns, multiple horns, white gloves, dark hat, bare shoulders, sitting in kotatsu, holding teacup, drinking tea, warm steam, light smile, Sorasaki Hina, long white hair, very long hair, ahoge, parted bangs, hairclip, purple eyes, demon horns, wings, coat on shoulders, black gloves, black thighhighs, sitting in kotatsu, eating mikan, peeled mikan in hand, basket of mikan, slight pout, Natsume Iroha, long wavy red hair, very long hair, hair between eyes, grey eyes, black peaked cap, red necktie, sleeping inside kotatsu, eyes closed, peaceful expression, head resting on kotatsu blanket, Ginkyou Iori, long grey hair, twintails, hair over one eye, very long hair, red hair ribbon, red eyes, pointy ears, dark skin, black gloves, tail, carrying cardboard box, holding cardboard box in both arms, standing, walking into room, opening shoji door, wide shot, from below, dutch angle, no text The image opens from a low, slightly tilted angle across a warm Japanese living room on a winter afternoon. The camera sits close to floor level, looking in from the room's open side, so the kotatsu's quilted blanket and the low tatami fill the foreground while the four figures occupy the midground in a loose semicircular arrangement around the table. The room's one window is at the back, and modal afternoon light passes through its frosted glass across the blanket, though most of the light is filled by a warm hanging paper lantern over the table. Along the back wall: a low shelf, a thermos, a tray of mikan, and the shoji door left partly open. At the right of the kotatsu, Makoto sits with the table over her knees, leaning her weight slightly forward on one hip. Her long grey hair, falling over one eye, catches lantern light; one black horn rises above her dark hat. In her white-gloved hands she cups a warm teacup near her chin; faint steam rises and vanishes upward into the lantern light. She has already turned her head toward Hina; a faint, closed-lipped smile forms; her visible blue eye fixes on the mikan in Hina's hand, and her pointed ears tilt toward her. Across from Makoto, on the kotatsu's left side, Hina sits at the table with her coat draped over her shoulders. Her very long white hair falls in parted bangs around her horns, and an ahoge rises above; a hairclip holds a lock in place. Her dark wings fold down behind her back, mostly hidden by the table and her coat. Her black-gloved fingers peel a mikan, and one segment rises toward her mouth. Her purple eyes narrow into a slight pout at that very first bite of sourness; small wrinkles gather at the corner of one eye. Her shoulders are drawn up as if the room is warm; a basket of leftover mikan rests on the blanket beside her elbow. Deep beneath the kotatsu blanket, between Makoto and Hina, lies Iroha's sleeping form. Only her head and shoulders are visible above the blanket. Her black peaked cap sits askance, and her long, wavy red hair spills over the quilt's edge. Her grey eyes are closed in a peaceful expression; her cheek rests against the blanket's top surface and slightly creases it where she leans on it. Her breathing quietly distends the blanket. Her red necktie and shirt collar emerge from the top, and beneath the quilt, the fabric shows the rounded bulge of her curled body. At the room's far left, the shoji door has just slid open. Iori stands in the doorway, her tall, dark-skinned figure leaning slightly back as she bears a cardboard box's weight in both black-gloved arms. The box is plainly sealed and plain-brown; its bottom presses into her forearms. Her long grey hair in twin low tails hangs past her shoulders, a red ribbon on one. Her one visible red eye fixes on the kotatsu, and her pointed ears are angled forward; her mouth is pressed thin in one of exertion and mild annoyance. Behind her in the hallway beyond the door, the box's twin sits stacked out of her way. Her tail curls slightly behind her calf, and her boots pause just over the tatami's edge. The palette is warm and held: ochre and orange tones for the lantern, deep indigo and charcoal for the kotatsu quilt and the dark garments, off-white for the walls and shoji, and saturated orange for the mikan as the room's only vivid accent. The lantern is the principal light source. It casts a glowing pool across the low table and the blanket, illuminating the faces and hands nearest the middle while leaving the corners of the room in gentle shadow. The window light is a thin, cool counterpoint along the floor. The kotatsu's own heat is visible in the faces' soft flush and the loose, drowsy postures of everyone near it. The mood is cozy and quietly tender.
サブ
AI artwork
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive 4girls, multiple girls, kotatsu, indoor, cozy Japanese living room, winter afternoon, Hagumaya Makoto, long grey hair, hair over one eye, very long hair, blue eyes, pointy ears, black demon horns, multiple horns, white gloves, dark hat, bare shoulders, sitting in kotatsu, holding teacup, drinking tea, warm steam, light smile, Sorasaki Hina, long white hair, very long hair, ahoge, parted bangs, hairclip, purple eyes, demon horns, wings, coat on shoulders, black gloves, black thighhighs, sitting in kotatsu, eating mikan, peeled mikan in hand, basket of mikan, slight pout, Natsume Iroha, long wavy red hair, very long hair, hair between eyes, grey eyes, black peaked cap, red necktie, sleeping inside kotatsu, eyes closed, peaceful expression, head resting on kotatsu blanket, Ginkyou Iori, long grey hair, twintails, hair over one eye, very long hair, red hair ribbon, red eyes, pointy ears, dark skin, black gloves, tail, carrying cardboard box, holding cardboard box in both arms, standing, walking into room, opening shoji door, wide shot, from below, dutch angle, no text The image opens from a low, slightly tilted angle across a warm Japanese living room on a winter afternoon. The camera sits close to floor level, looking in from the room's open side, so the kotatsu's quilted blanket and the low tatami fill the foreground while the four figures occupy the midground in a loose semicircular arrangement around the table. The room's one window is at the back, and modal afternoon light passes through its frosted glass across the blanket, though most of the light is filled by a warm hanging paper lantern over the table. Along the back wall: a low shelf, a thermos, a tray of mikan, and the shoji door left partly open. At the right of the kotatsu, Makoto sits with the table over her knees, leaning her weight slightly forward on one hip. Her long grey hair, falling over one eye, catches lantern light; one black horn rises above her dark hat. In her white-gloved hands she cups a warm teacup near her chin; faint steam rises and vanishes upward into the lantern light. She has already turned her head toward Hina; a faint, closed-lipped smile forms; her visible blue eye fixes on the mikan in Hina's hand, and her pointed ears tilt toward her. Across from Makoto, on the kotatsu's left side, Hina sits at the table with her coat draped over her shoulders. Her very long white hair falls in parted bangs around her horns, and an ahoge rises above; a hairclip holds a lock in place. Her dark wings fold down behind her back, mostly hidden by the table and her coat. Her black-gloved fingers peel a mikan, and one segment rises toward her mouth. Her purple eyes narrow into a slight pout at that very first bite of sourness; small wrinkles gather at the corner of one eye. Her shoulders are drawn up as if the room is warm; a basket of leftover mikan rests on the blanket beside her elbow. Deep beneath the kotatsu blanket, between Makoto and Hina, lies Iroha's sleeping form. Only her head and shoulders are visible above the blanket. Her black peaked cap sits askance, and her long, wavy red hair spills over the quilt's edge. Her grey eyes are closed in a peaceful expression; her cheek rests against the blanket's top surface and slightly creases it where she leans on it. Her breathing quietly distends the blanket. Her red necktie and shirt collar emerge from the top, and beneath the quilt, the fabric shows the rounded bulge of her curled body. At the room's far left, the shoji door has just slid open. Iori stands in the doorway, her tall, dark-skinned figure leaning slightly back as she bears a cardboard box's weight in both black-gloved arms. The box is plainly sealed and plain-brown; its bottom presses into her forearms. Her long grey hair in twin low tails hangs past her shoulders, a red ribbon on one. Her one visible red eye fixes on the kotatsu, and her pointed ears are angled forward; her mouth is pressed thin in one of exertion and mild annoyance. Behind her in the hallway beyond the door, the box's twin sits stacked out of her way. Her tail curls slightly behind her calf, and her boots pause just over the tatami's edge. The palette is warm and held: ochre and orange tones for the lantern, deep indigo and charcoal for the kotatsu quilt and the dark garments, off-white for the walls and shoji, and saturated orange for the mikan as the room's only vivid accent. The lantern is the principal light source. It casts a glowing pool across the low table and the blanket, illuminating the faces and hands nearest the middle while leaving the corners of the room in gentle shadow. The window light is a thin, cool counterpoint along the floor. The kotatsu's own heat is visible in the faces' soft flush and the loose, drowsy postures of everyone near it. The mood is cozy and quietly tender.
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