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Yuri
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- Prompt original
- Physical Appearance Hair: Long, flowing, and voluminous hair that mimics the texture of layered feathers. The base is a deep royal purple, transitioning into vibrant magenta highlights, and framed around her face with glowing golden-orange bangs that taper into sharp, horn-like points at the crown of her head. Eyes: Sharp, predatory, and striking golden-orange eyes that appear to glow, contrasted against dark, stylized eyeliner or facial markings around the eye sockets. Complexion: Warm-toned skin adorned with elegant, swirling black and golden body-art patterns along her arms, neck, and legs, mimicking the intricate underbelly stripes of the original design. Stature: Tall, lithe, and exceptionally graceful, carrying an air of regal nobility mixed with wild, avian agility. Attire & Wardrobe The Gown: She wears a dramatic, flowing avant-garde gown made of layered silk and iridescent feathers. The top is a fitted bodice in striking shades of orange and magenta that mimics the chest coloration. The Cloak: Draped over her shoulders is a massive, sweeping cape or train made of deep purple feathers that trails elegantly behind her, reminiscent of the creature's expansive wings and long tail. Accents: The edges of her clothing are trimmed with glowing gold embroidery, matching the celestial, starry patterns
- Modo
- flash
- Estilo
- Fusión retro
- Tamaño
- 1104 x 1824
Estilo: Fusión retro
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
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1girl, solo, tall, slender, long hair, very long hair, voluminous hair, feathered hair texture, layered hair, two-tone hair, royal purple hair, magenta highlights, glowing golden-orange bangs, horn-like hair points, hair updo at crown, sharp eyes, glowing golden-orange eyes, dark eyeliner, facial markings around eyes, warm-toned skin, body art, swirling black and gold patterns on arms, swirl patterns on neck, swirl patterns on legs, bare arms, regal posture, feather gown, avant-garde dress, layered silk, iridescent feathers, fitted bodice, orange and magenta bodice, massive purple feather cape, trailing plumage, gold embroidery trim, starry patterns, decorative purple feathers, from below, full body, wide shot, dutch angle, outstretched arm, cape lifting in the wind, looking down, parted lips, dramatic lighting, three-quarter view.
The camera sits low and close to the floor of an empty, seamless darkness, tipping into a slight dutch angle, so the figure towers above the lens in a three-quarter turn from below: her chin lifted, her gaze cast down the length of her own raised arm and past the camera rather than into it, one eyelid a fraction lower than the other and one lip corner drawn back just enough to show a single tooth — predatory, amused, and entirely unimpressed. She stands in an asymmetric contrapposto, weight sunk into her left hip with the left leg straight and bearing her, the right knee bent and the right foot set forward on the ball of the toe, so the gown's layered silk hem fans out over the unseen floor and the fitted orange-and-magenta bodice pulls taut across the ribcage on the lifted side. Her right arm is flung up and out to the side at shoulder height, wrist loose, fingers half-curled and open, the black-and-gold swirls on the forearm coiling around the tendon as it tenses; her left hand rests flat against her sternum just under the collarbone, fingertips spread over the feathered trim, gathering the cape's leading edge there. From this angle the body art is fully legible: gold-veined black spirals climb the throat and vanish into the shadow beneath her jaw, band the outside of the raised arm from elbow to wrist, and show through the gown's high slit along the right thigh.
The cape is the image's engine. Slung from both shoulders, its deep purple feathers sweep down and out behind her, and a lateral draught from the left catches the outermost plumes so the whole mass bellies sideways away from her body and breaks into individual visible purple feathers at its ragged outer edge — the nearest ones sharp and large in the foreground wing of the frame, the farthest reduced to a soft silhouette. Gravity and wind disagree along the train: the lower plumes hang and drag, the upper ones lift and stream, and it is the lift that reveals how far behind her the mantle actually extends. Her hair answers the same draught — the voluminous feather-layered mass of royal purple and magenta streams to the right, each layer separating into a distinct blade of colour, while the glowing golden-orange bangs stay plastered forward against her temples and cheekbones, their tapered points rising above the crown like a pair of small horns. Gold embroidery catches light along every garment edge — bodice seam, cape collar, the wrist of the raised arm — and the tiny celestial star patterns scattered across the silk wink out one after another as the fabric twists.
A single hard key light stands low and to the left, out of frame, raking upward: it flares along the left contour of her throat, cheekbone and raised forearm, sets the golden-orange iris and the embroidery alight, and pools warm on the iridescent feather barbs so each turns from orange to magenta to violet as the viewing angle shifts across them. Everything on her right side falls into deep shadow, and the cape throws a huge blurred shadow sideways across the dark ground behind her, cut through by her own thin shadow where the light passes between her parted legs. Palette is strictly royal purple, magenta, orange and gold against a near-black void; skin is the one continuous warm note, and the eye-glow is the brightest point in the frame.
Korean anime portrait rendering: graphic linework with bold silhouettes, muted yet punchy colour, textured shading and expressive anatomy, clean cel-edged shadows grading into painted feather detail, the figure large and dominant in the vertical frame with generous empty darkness around her. Regal, dangerous, effortlessly grand.
Yuri
1girl, solo, tall, slender, long hair, very long hair, voluminous hair, feathered hair texture, layered hair, two-tone hair, royal purple hair, magenta highlights, glowing golden-orange bangs, horn-like hair points, hair updo at crown, sharp eyes, glowing golden-orange eyes, dark eyeliner, facial markings around eyes, warm-toned skin, body art, swirling black and gold patterns on arms, swirl patterns on neck, swirl patterns on legs, bare arms, regal posture, feather gown, avant-garde dress, layered silk, iridescent feathers, fitted bodice, orange and magenta bodice, massive purple feather cape, trailing plumage, gold embroidery trim, starry patterns, decorative purple feathers, from below, full body, wide shot, dutch angle, outstretched arm, cape lifting in the wind, looking down, parted lips, dramatic lighting, three-quarter view.
The camera sits low and close to the floor of an empty, seamless darkness, tipping into a slight dutch angle, so the figure towers above the lens in a three-quarter turn from below: her chin lifted, her gaze cast down the length of her own raised arm and past the camera rather than into it, one eyelid a fraction lower than the other and one lip corner drawn back just enough to show a single tooth — predatory, amused, and entirely unimpressed. She stands in an asymmetric contrapposto, weight sunk into her left hip with the left leg straight and bearing her, the right knee bent and the right foot set forward on the ball of the toe, so the gown's layered silk hem fans out over the unseen floor and the fitted orange-and-magenta bodice pulls taut across the ribcage on the lifted side. Her right arm is flung up and out to the side at shoulder height, wrist loose, fingers half-curled and open, the black-and-gold swirls on the forearm coiling around the tendon as it tenses; her left hand rests flat against her sternum just under the collarbone, fingertips spread over the feathered trim, gathering the cape's leading edge there. From this angle the body art is fully legible: gold-veined black spirals climb the throat and vanish into the shadow beneath her jaw, band the outside of the raised arm from elbow to wrist, and show through the gown's high slit along the right thigh.
The cape is the image's engine. Slung from both shoulders, its deep purple feathers sweep down and out behind her, and a lateral draught from the left catches the outermost plumes so the whole mass bellies sideways away from her body and breaks into individual visible purple feathers at its ragged outer edge — the nearest ones sharp and large in the foreground wing of the frame, the farthest reduced to a soft silhouette. Gravity and wind disagree along the train: the lower plumes hang and drag, the upper ones lift and stream, and it is the lift that reveals how far behind her the mantle actually extends. Her hair answers the same draught — the voluminous feather-layered mass of royal purple and magenta streams to the right, each layer separating into a distinct blade of colour, while the glowing golden-orange bangs stay plastered forward against her temples and cheekbones, their tapered points rising above the crown like a pair of small horns. Gold embroidery catches light along every garment edge — bodice seam, cape collar, the wrist of the raised arm — and the tiny celestial star patterns scattered across the silk wink out one after another as the fabric twists.
A single hard key light stands low and to the left, out of frame, raking upward: it flares along the left contour of her throat, cheekbone and raised forearm, sets the golden-orange iris and the embroidery alight, and pools warm on the iridescent feather barbs so each turns from orange to magenta to violet as the viewing angle shifts across them. Everything on her right side falls into deep shadow, and the cape throws a huge blurred shadow sideways across the dark ground behind her, cut through by her own thin shadow where the light passes between her parted legs. Palette is strictly royal purple, magenta, orange and gold against a near-black void; skin is the one continuous warm note, and the eye-glow is the brightest point in the frame.
Korean anime portrait rendering: graphic linework with bold silhouettes, muted yet punchy colour, textured shading and expressive anatomy, clean cel-edged shadows grading into painted feather detail, the figure large and dominant in the vertical frame with generous empty darkness around her. Regal, dangerous, effortlessly grand.
Yuri
1girl, solo, tall, slender, long hair, very long hair, voluminous hair, feathered hair texture, layered hair, two-tone hair, royal purple hair, magenta highlights, glowing golden-orange bangs, horn-like hair points, hair updo at crown, sharp eyes, glowing golden-orange eyes, dark eyeliner, facial markings around eyes, warm-toned skin, body art, swirling black and gold patterns on arms, swirl patterns on neck, swirl patterns on legs, bare arms, regal posture, feather gown, avant-garde dress, layered silk, iridescent feathers, fitted bodice, orange and magenta bodice, massive purple feather cape, trailing plumage, gold embroidery trim, starry patterns, decorative purple feathers, from below, full body, wide shot, dutch angle, outstretched arm, cape lifting in the wind, looking down, parted lips, dramatic lighting, three-quarter view.
The camera sits low and close to the floor of an empty, seamless darkness, tipping into a slight dutch angle, so the figure towers above the lens in a three-quarter turn from below: her chin lifted, her gaze cast down the length of her own raised arm and past the camera rather than into it, one eyelid a fraction lower than the other and one lip corner drawn back just enough to show a single tooth — predatory, amused, and entirely unimpressed. She stands in an asymmetric contrapposto, weight sunk into her left hip with the left leg straight and bearing her, the right knee bent and the right foot set forward on the ball of the toe, so the gown's layered silk hem fans out over the unseen floor and the fitted orange-and-magenta bodice pulls taut across the ribcage on the lifted side. Her right arm is flung up and out to the side at shoulder height, wrist loose, fingers half-curled and open, the black-and-gold swirls on the forearm coiling around the tendon as it tenses; her left hand rests flat against her sternum just under the collarbone, fingertips spread over the feathered trim, gathering the cape's leading edge there. From this angle the body art is fully legible: gold-veined black spirals climb the throat and vanish into the shadow beneath her jaw, band the outside of the raised arm from elbow to wrist, and show through the gown's high slit along the right thigh.
The cape is the image's engine. Slung from both shoulders, its deep purple feathers sweep down and out behind her, and a lateral draught from the left catches the outermost plumes so the whole mass bellies sideways away from her body and breaks into individual visible purple feathers at its ragged outer edge — the nearest ones sharp and large in the foreground wing of the frame, the farthest reduced to a soft silhouette. Gravity and wind disagree along the train: the lower plumes hang and drag, the upper ones lift and stream, and it is the lift that reveals how far behind her the mantle actually extends. Her hair answers the same draught — the voluminous feather-layered mass of royal purple and magenta streams to the right, each layer separating into a distinct blade of colour, while the glowing golden-orange bangs stay plastered forward against her temples and cheekbones, their tapered points rising above the crown like a pair of small horns. Gold embroidery catches light along every garment edge — bodice seam, cape collar, the wrist of the raised arm — and the tiny celestial star patterns scattered across the silk wink out one after another as the fabric twists.
A single hard key light stands low and to the left, out of frame, raking upward: it flares along the left contour of her throat, cheekbone and raised forearm, sets the golden-orange iris and the embroidery alight, and pools warm on the iridescent feather barbs so each turns from orange to magenta to violet as the viewing angle shifts across them. Everything on her right side falls into deep shadow, and the cape throws a huge blurred shadow sideways across the dark ground behind her, cut through by her own thin shadow where the light passes between her parted legs. Palette is strictly royal purple, magenta, orange and gold against a near-black void; skin is the one continuous warm note, and the eye-glow is the brightest point in the frame.
Korean anime portrait rendering: graphic linework with bold silhouettes, muted yet punchy colour, textured shading and expressive anatomy, clean cel-edged shadows grading into painted feather detail, the figure large and dominant in the vertical frame with generous empty darkness around her. Regal, dangerous, effortlessly grand.
Yuri
b1
anime_style, artistic, front, front view, detailed clothes, detailed body, very detailed, detailed hair, masterpiece, bw, new, artistic, high contrastic, no background, aesthetic, black background, painterly, sketch, paint_sketch, solo female, adult, fair skin, divine, goddess, god, beauty, pulled back hair, hair pulled back, long hair, long sleek hair, hair bang slim, no hair bangs, black sclera, red hair, red hair, white streaks, red eyes, black marks face, fish antennas, fish antennas, sharp eyelashes, great eyelashes, black mandible, black chin, black body, black cape, black feathers, black feathers body, black wings, seraphim wings, six wings, black body, red petals, petals around neck, huge flower red aroud neck, red flowers in body, druyd, black arms, black hands, divine woman, very tall woman, pointy eras, elf ears, serious face, detailed, front, front view, imposing, very sleek hair, back hair, fart chest, neckline, red crystal in chest, black jaw, sketch, red thorns, red thorns around arms, red spike thorns marks in arms, red thorns marks in hands, black chin, black gross vertical line under mouth, tribal, demoniac goddess, imoposing
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