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AI art "找死嗎？" featuring #Enfoque masculino, #Oscuridad, #Mirando hacia atrás, #Parche en el ojo, #Anciano, #mirando al espectador and #zetaCollab
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找死嗎？

獨臂大叔撞到小混混，小混混轉身要找麻煩時

Entrada al concurso
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Enfoque masculino#Oscuridad#Mirando hacia atrás#Parche en el ojo#Anciano#mirando al espectador
y9

yoyowilson98

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1boy, solo, middle-aged man, short hair, black leather eyepatch over one eye, one-armed, missing right arm, severed arm stump, dark energy hand,手 made of swirling black smoke and violet sparks forming at the stump, evil god behind him, giant looming silhouette, glowing eyes in the dark, over-shoulder composition, from behind, looking back, dutch angle, knee-up framing, heavy black coat, bare shoulder on the severed side, clenched jaw, half-closed eye, glowing embers, dark palette, ink-black and violet, cold rim light The camera sits behind his left shoulder, slightly low and tilted a few degrees off level, so his back fills the left half of the frame and the sealed void beyond him fills the right. He is turned three-quarters away from the viewer, chin dropped toward his left shoulder, and his one eye—under the black leather eyepatch that cuts a hard diagonal across the other socket—is narrowed and aimed back past his own collarbone at the thing that stands at his back: the eye looks at the evil god, lid heavy, jaw set, one muscle jumping at the hinge of it. His short hair, coarse and iron-grey at the temples, is flattened across the crown and lifted at the nape where the air behind him moves. He stands with his weight sunk into his left leg, right hip dropped, shoulders uneven. What remains of his right arm ends in a clean healed stump just below the shoulder, and the dark energy gathers there: black smoke drawn into a slow vortex that spins around the stump and tightens into the shape of a hand—a palm of packed shadow, four fingers and a thumb of violet-lit vapor curling in mid-air about a hand's width from his hip, not touching him, sparks peeling off the fingertips and drifting up. His real left hand is shoved into the coat pocket, knuckles showing through the wool. Behind him, the evil god towers at twice his height: a broad horned silhouette of dark stone and smoke, shoulders wider than the doorframe of the world, two narrow burning eyes the only bright points in its face, one long arm of shadow descending behind his head without quite landing on him. It occludes the background entirely; his body occludes its chest. The only light is the violet glow of the energy hand and the god's eyes, so the light climbs upward across his cheek, throat and shoulder, leaves the far side of his face and the underside of his coat in total darkness, and throws his shadow forward onto nothing—while the god's silhouette casts no shadow at all, since it stands between the light and the void. Cold violet, ink black, the dull warm grey of his skin the only other color admitted. Still, coiled, quietly damned.
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Prompt original
獨臂大叔、短髮、戴眼罩、後背有邪神、斷臂處有黑暗能量凝聚的手
Modo
flash
Tamaño
1056 x 1888
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.64k

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character: bondrewd lineart, monochrome, black and white, greyscale, clean crisp solid lines, no shading, no color, solo, 1boy, male focus, helmet, faceless, covered face, wide-brimmed helmet, mask, black coat, long coat, coat, black gloves, black suit, formal clothes, ascot, black ascot, black pants, tail, claws, purple eyes, from below, cowboy shot, dutch angle, standing, one hand raised, head tilted up, looking up, flowing coat, wind, empty background, geometric background, sketch, closed lineart A single tall male figure in a wide-brimmed helmet that covers his entire face, the smooth curved brim tilted so the underside is a shadowless dark curve, rendered entirely in unbroken black contour line on plain white ground. Low dutch angle looking up at him from knee height: the helmet's rim slices across the frame at a diagonal, the long black coat opening from the throat in two clean lapels, the black ascot knotted at the collar drawn in tight cross-hatch-free line, the black gloves articulated at every knuckle, the black suit and pants indicated by parallel contour lines only, the long tail curving out behind the coat hem in a smooth tapered line and the claws on one glove picked out as three sharp line-points. Weight settled on his left leg, right hip dropped, torso turned three-quarters toward the frame's right edge, chin tipped up under the brim so the hidden head reads as looking up and away past the upper right corner, out of frame. One gloved hand lifted to chest height, fingers half-curled around the ascot knot as if adjusting it, elbow out; the other arm hangs loose behind the coat's swing. The coat's right side and the tail are both swept to the left of frame by a wind from the right, so the fabric bellies out and the hem's contour lines spread and open into a fan of parallel strokes, the tail streaming the same direction as a single continuous sweep. Behind him an empty white field broken only by a few faint grey construction lines and a thin horizontal rule at the horizon, no scenery, the figure occupying the center-right two-thirds and leaving the upper left quiet. Line weight alone models depth: heaviest on the near shoulder, the helmet's front rim and the glove; hairline-thin on the far arm, the far coat edge and the tail's distant curve, and where the coat overlaps the leg, the far contour stops at the near edge. Light direction implied solely by the line hierarchy, light from the upper left. Pure white ground, pure black ink, nothing between. Crisp, imposing.
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