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AI artwork featuring #zetaCollab
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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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photorealistic, highly detailed skin texture, natural skin texture, 1girl, solo, portrait, close-up, from above, head tilted back, looking up at viewer, brown eyes, long dark brown hair, loose strands across cheek, faint freckles across nose and upper cheeks, visible pores, fine vellus hair along jaw and cheekbone, subtle subsurface scattering in the ears and nose, light sheen of moisture on the lower lip, dewy highlights on the forehead and cheekbones, bare shoulders, bare collarbones, collarbone hollow catching light, both ears bare, earlobes unobstructed, hair completely unadorned, neutral fabric falling away at the lower edge of the frame, mouth slightly parted mid-breath, one brow faintly raised, half-closed eyes, light smile A close-up portrait seen from above and slightly in front, the camera high and looking down so that the face fills the lower two-thirds of the frame and the crown of the head is nearest the lens. Her chin is tipped up and back, throat drawn long, the head turned a few degrees to her left so the far cheek falls into a soft shadow while the near cheek turns full into the light. Her eyes are open to a heavy half-lid and aimed up and away past the lens, not at it -- she is looking at something above and behind the viewer, and the faint lift of one brow answers it. Her hair is unbound and falls away from the face on both sides, a few strands crossing the near cheek and one lying flat against the temple; nothing is pinned, nothing is tied. The detail budget is spent entirely on skin. Pores are individually visible across the nose, the inner cheeks and the chin, densest where the light rakes across the cheekbone, thinning toward the jaw. Fine downy hair stands out along the jawline and the edge of the cheekbone against the darker background. Freckles sit in an irregular scatter over the bridge of the nose and the tops of the cheeks, some sharp and some fading, none of them symmetrical. Colour shifts subtly across the face -- a warmer flush over the nose and the ears, slightly cooler and more olive toward the temples and the throat -- and the skin carries a low, irregular sheen rather than a uniform gloss: a wet highlight on the lower lip, a tighter one on the tip of the nose, a soft one on the forehead. The only light source is a large soft source above and to her right, close and slightly forward. It lays a gentle gradient down the forehead and catches the tops of the cheekbones, then falls off into the shadow under the jaw and along the far side of the neck; the shadow under the chin is soft-edged and only a shade darker than the lit skin, never black. A very faint bounce from below lifts the underside of the chin just enough to keep the shadow readable. The background is a seamless deep warm grey that swallows light, out of focus from the first plane, so that the small hairs at her jaw read crisp against it. Colour is a narrow naturalistic range: warm skin in ochre, rose and faint olive, dark brown hair, and a desaturated grey-brown ground, nothing else admitted. One judgeable physical note: the specular highlight on each pore along the lit cheekbone is a single pinpoint, and they cluster only where the light actually rakes -- the shadowed cheek shows texture but no sparkle at all. Intimate, quietly alive.
Mostrar parámetros
Prompt original
detailed skin texture, natural skin texture,photorealistic
Modo
pro
Tamaño
992 x 992
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.21k

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AI artwork
た
photorealistic, highly detailed skin texture, natural skin texture, 1girl, solo, portrait, close-up, from above, head tilted back, looking up at viewer, brown eyes, long dark brown hair, loose strands across cheek, faint freckles across nose and upper cheeks, visible pores, fine vellus hair along jaw and cheekbone, subtle subsurface scattering in the ears and nose, light sheen of moisture on the lower lip, dewy highlights on the forehead and cheekbones, bare shoulders, bare collarbones, collarbone hollow catching light, both ears bare, earlobes unobstructed, hair completely unadorned, neutral fabric falling away at the lower edge of the frame, mouth slightly parted mid-breath, one brow faintly raised, half-closed eyes, light smile A close-up portrait seen from above and slightly in front, the camera high and looking down so that the face fills the lower two-thirds of the frame and the crown of the head is nearest the lens. Her chin is tipped up and back, throat drawn long, the head turned a few degrees to her left so the far cheek falls into a soft shadow while the near cheek turns full into the light. Her eyes are open to a heavy half-lid and aimed up and away past the lens, not at it -- she is looking at something above and behind the viewer, and the faint lift of one brow answers it. Her hair is unbound and falls away from the face on both sides, a few strands crossing the near cheek and one lying flat against the temple; nothing is pinned, nothing is tied. The detail budget is spent entirely on skin. Pores are individually visible across the nose, the inner cheeks and the chin, densest where the light rakes across the cheekbone, thinning toward the jaw. Fine downy hair stands out along the jawline and the edge of the cheekbone against the darker background. Freckles sit in an irregular scatter over the bridge of the nose and the tops of the cheeks, some sharp and some fading, none of them symmetrical. Colour shifts subtly across the face -- a warmer flush over the nose and the ears, slightly cooler and more olive toward the temples and the throat -- and the skin carries a low, irregular sheen rather than a uniform gloss: a wet highlight on the lower lip, a tighter one on the tip of the nose, a soft one on the forehead. The only light source is a large soft source above and to her right, close and slightly forward. It lays a gentle gradient down the forehead and catches the tops of the cheekbones, then falls off into the shadow under the jaw and along the far side of the neck; the shadow under the chin is soft-edged and only a shade darker than the lit skin, never black. A very faint bounce from below lifts the underside of the chin just enough to keep the shadow readable. The background is a seamless deep warm grey that swallows light, out of focus from the first plane, so that the small hairs at her jaw read crisp against it. Colour is a narrow naturalistic range: warm skin in ochre, rose and faint olive, dark brown hair, and a desaturated grey-brown ground, nothing else admitted. One judgeable physical note: the specular highlight on each pore along the lit cheekbone is a single pinpoint, and they cluster only where the light actually rakes -- the shadowed cheek shows texture but no sparkle at all. Intimate, quietly alive.
たなかたかし
#zetaCollab
AI artwork
た
photorealistic, highly detailed skin texture, natural skin texture, 1girl, solo, portrait, close-up, from above, head tilted back, looking up at viewer, brown eyes, long dark brown hair, loose strands across cheek, faint freckles across nose and upper cheeks, visible pores, fine vellus hair along jaw and cheekbone, subtle subsurface scattering in the ears and nose, light sheen of moisture on the lower lip, dewy highlights on the forehead and cheekbones, bare shoulders, bare collarbones, collarbone hollow catching light, both ears bare, earlobes unobstructed, hair completely unadorned, neutral fabric falling away at the lower edge of the frame, mouth slightly parted mid-breath, one brow faintly raised, half-closed eyes, light smile A close-up portrait seen from above and slightly in front, the camera high and looking down so that the face fills the lower two-thirds of the frame and the crown of the head is nearest the lens. Her chin is tipped up and back, throat drawn long, the head turned a few degrees to her left so the far cheek falls into a soft shadow while the near cheek turns full into the light. Her eyes are open to a heavy half-lid and aimed up and away past the lens, not at it -- she is looking at something above and behind the viewer, and the faint lift of one brow answers it. Her hair is unbound and falls away from the face on both sides, a few strands crossing the near cheek and one lying flat against the temple; nothing is pinned, nothing is tied. The detail budget is spent entirely on skin. Pores are individually visible across the nose, the inner cheeks and the chin, densest where the light rakes across the cheekbone, thinning toward the jaw. Fine downy hair stands out along the jawline and the edge of the cheekbone against the darker background. Freckles sit in an irregular scatter over the bridge of the nose and the tops of the cheeks, some sharp and some fading, none of them symmetrical. Colour shifts subtly across the face -- a warmer flush over the nose and the ears, slightly cooler and more olive toward the temples and the throat -- and the skin carries a low, irregular sheen rather than a uniform gloss: a wet highlight on the lower lip, a tighter one on the tip of the nose, a soft one on the forehead. The only light source is a large soft source above and to her right, close and slightly forward. It lays a gentle gradient down the forehead and catches the tops of the cheekbones, then falls off into the shadow under the jaw and along the far side of the neck; the shadow under the chin is soft-edged and only a shade darker than the lit skin, never black. A very faint bounce from below lifts the underside of the chin just enough to keep the shadow readable. The background is a seamless deep warm grey that swallows light, out of focus from the first plane, so that the small hairs at her jaw read crisp against it. Colour is a narrow naturalistic range: warm skin in ochre, rose and faint olive, dark brown hair, and a desaturated grey-brown ground, nothing else admitted. One judgeable physical note: the specular highlight on each pore along the lit cheekbone is a single pinpoint, and they cluster only where the light actually rakes -- the shadowed cheek shows texture but no sparkle at all. Intimate, quietly alive.
たなかたかし
#zetaCollab
AI artwork
た
photorealistic, highly detailed skin texture, natural skin texture, 1girl, solo, portrait, close-up, from above, head tilted back, looking up at viewer, brown eyes, long dark brown hair, loose strands across cheek, faint freckles across nose and upper cheeks, visible pores, fine vellus hair along jaw and cheekbone, subtle subsurface scattering in the ears and nose, light sheen of moisture on the lower lip, dewy highlights on the forehead and cheekbones, bare shoulders, bare collarbones, collarbone hollow catching light, both ears bare, earlobes unobstructed, hair completely unadorned, neutral fabric falling away at the lower edge of the frame, mouth slightly parted mid-breath, one brow faintly raised, half-closed eyes, light smile A close-up portrait seen from above and slightly in front, the camera high and looking down so that the face fills the lower two-thirds of the frame and the crown of the head is nearest the lens. Her chin is tipped up and back, throat drawn long, the head turned a few degrees to her left so the far cheek falls into a soft shadow while the near cheek turns full into the light. Her eyes are open to a heavy half-lid and aimed up and away past the lens, not at it -- she is looking at something above and behind the viewer, and the faint lift of one brow answers it. Her hair is unbound and falls away from the face on both sides, a few strands crossing the near cheek and one lying flat against the temple; nothing is pinned, nothing is tied. The detail budget is spent entirely on skin. Pores are individually visible across the nose, the inner cheeks and the chin, densest where the light rakes across the cheekbone, thinning toward the jaw. Fine downy hair stands out along the jawline and the edge of the cheekbone against the darker background. Freckles sit in an irregular scatter over the bridge of the nose and the tops of the cheeks, some sharp and some fading, none of them symmetrical. Colour shifts subtly across the face -- a warmer flush over the nose and the ears, slightly cooler and more olive toward the temples and the throat -- and the skin carries a low, irregular sheen rather than a uniform gloss: a wet highlight on the lower lip, a tighter one on the tip of the nose, a soft one on the forehead. The only light source is a large soft source above and to her right, close and slightly forward. It lays a gentle gradient down the forehead and catches the tops of the cheekbones, then falls off into the shadow under the jaw and along the far side of the neck; the shadow under the chin is soft-edged and only a shade darker than the lit skin, never black. A very faint bounce from below lifts the underside of the chin just enough to keep the shadow readable. The background is a seamless deep warm grey that swallows light, out of focus from the first plane, so that the small hairs at her jaw read crisp against it. Colour is a narrow naturalistic range: warm skin in ochre, rose and faint olive, dark brown hair, and a desaturated grey-brown ground, nothing else admitted. One judgeable physical note: the specular highlight on each pore along the lit cheekbone is a single pinpoint, and they cluster only where the light actually rakes -- the shadowed cheek shows texture but no sparkle at all. Intimate, quietly alive.
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