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AI artwork featuring #Code Geass: Lelouch of the Rebellion, #C.C. and #Glasses Characters Assemble
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C.C., Code Geass: Lelouch of the Rebellion

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Calling All Glasses Characters 👓#Glasses Characters Assemble
#Code Geass: Lelouch of the Rebellion#C.C.
k1

ki11 yukii

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character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), 1girl, 2girls, (1girl, center focus:1.5), mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, round glasses, (round glasses reflecting light:1.5), white dress shirt, unbuttoned top, visible cleavage, black pencil skirt, black pantyhose, torn pantyhose on thigh, sitting, office desk, (sitting at the office desk, crossed legs:1.4), crossed legs, holding pen, red pen, (holding a red pen, grading papers:1.3), grading papers, papers on desk, books on the desk, (minimalist office background, books on the desk:1.3), (perfect hands, delicate fingers:1.3), heavy blush, pretending to be calm, (looking away but eyes on viewer:1.4), head turned away, eyes on viewer, (student's hand touching her thigh under the desk:1.6), hand on another's thigh, under table, (student standing next to her:1.3), standing, from side, cowboy shot, slight high angle The camera sits at a slight high angle in a three-quarter side view, the teacher held dead center of the frame. She occupies the center of a minimalist office: a plain flat-walled room, one windowless pale wall behind her, a single desk filling the midground with the front edge running horizontally across the lower third. She is seated behind that desk on an office chair, torso turned a little toward the left of frame while her head is turned away to the right, chin lifted, so her profile line runs toward the right edge — yet both pupils are pulled back to the viewer, golden irises pinned on the lens above the blush that floods her cheeks and the bridge of her nose a hot even pink. Her round glasses catch a hard white diagonal streak across both lenses, the reflection sitting flat on the glass and hiding nothing of the eyes behind it. Her long light green hair falls straight past her shoulders and pools slightly against the chair back, a few strands lifted where her shoulder turns. Her white dress shirt is buttoned only to mid-chest, the collar open in a wide V, the top placket hanging loose; the fabric pulls taut over her chest and shows visible cleavage above the black pencil skirt. Her right hand — slim fingers, clean nails, elegant and precise — holds a red pen upright against a stack of student papers on the desk, the nib pressed to a line she has half-marked, red ink already scored across two of the sheets. Her left hand rests flat on the desk edge beside a small row of hardback books stacked at the desk's far corner. Her legs are crossed at the knee beneath the desk, right leg over left, the black pantyhose sheathing the visible calf and the skirt hem riding high on the upper thigh, where a jagged tear opens the nylon in a ragged oval exposing bare skin along the outer thigh. The student stands at her left side, next to the chair, body angled toward her, one arm reaching down behind the desk's near edge so that the hand disappears beneath the desktop and reappears in the dark gap under it, fingers spread and pressed flat against the teacher's torn-stocking thigh, the fingertips dimpling the nylon at the edge of the tear. The student's face is turned down toward that hidden hand, upper body leaning slightly over the teacher's shoulder height, shoulder overlapping the teacher's sleeve in the occlusion order. The teacher's shoulders are drawn up a fraction, her spine held rigidly straight in the pretense of calm, and her crossed knee has angled a few degrees away from the touch while her eyes stay locked on the viewer. The light is entirely flat: no shadows, no gradients, no cast shade anywhere — every surface is one single unbroken fill of pure colour, desk a plain warm mid-brown, walls a soft neutral grey, skirt and pantyhose a true black, shirt a clean white, hair a single mint-green, all edges closed by bold crisp black linework with hard cel boundaries only where two flat fills meet. Deliberate detail budget goes to her face, the glasses, the red pen and the two hands; the office behind stays bare and uncluttered. Quiet, flustered tension.
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Prompt original
(masterpiece, best quality, highres:1.2),(pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(c.c. (code geass):1.5), (teacher, mature female, long light green hair, golden eyes, beautiful face),(pretending to be calm, heavy blush, (looking away but eyes on viewer:1.4)), (round glasses reflecting light:1.5),(1girl, center focus:1.5), (sitting at the office desk, crossed legs:1.4), (holding a red pen, grading papers:1.3),(student's hand touching her thigh under the desk:1.6), (student standing next to her:1.3),(white dress shirt, unbuttoned top, visible cleavage:1.4), (black pencil skirt, black pantyhose, torn pantyhose on thigh:1.4),(minimalist office background, books on the desk:1.3),(perfect hands, delicate fingers:1.3)
Modo
flash
Tamaño
768 x 1280
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.51k

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k1
character: c.c., copyright: code_geass 1girl, solo female teacher, mature female, adult woman, long light green hair, very long hair, straight hair past hips, golden eyes, yellow eyes, beautiful face, thin framed glasses, delicate slender face, slight blush on cheeks, calm lowered gaze, focused on the paper, unaware of exposure, white dress shirt, shirt sleeves long and buttoned at cuffs, unbuttoned top, collar hanging open, black lace bra, lace trim, heavy cleavage, black pencil skirt, black pantyhose, zettai ryouiki, standing at podium, leaning forward, bending over slightly, holding test paper, both hands on paper, student's hand pointing at the paper, arm pressing against her chest, students' silhouettes in the background, dark flat silhouettes, minimalist classroom background, flat blackboard, center focus, medium shot, from side, three-quarter view, flat lighting, pure flat color, cel shading, bold black outlines, crisp clean lineart, no shading, perfect hands, delicate fingers Seen from a side three-quarter angle at chest height, the frame centred on her: a mature woman with long light green hair stands behind a lectern at the front of a minimal classroom, hips set back and shoulders tipped forward as she bends over slightly toward the sheet in her hands. Her hair falls in a straight pale-green curtain over the near shoulder and pools toward the lectern's far edge, one strand slipping forward as she leans. She wears thin framed glasses sitting high on the bridge of her nose; behind them her golden eyes are cast down and to her right, fixed entirely on the test paper, and her lips are parted a fraction on a quiet breath, a slight blush warm across both cheeks — she is absorbed in the paper and unaware of exposure. Both her hands hold the test paper flat at its upper corners in front of her chest, fingers even and slender, thumbs light on the page, the sheet hanging slightly bowed between them. From the near side a student's hand reaches in from the lower-left foreground — only the forearm and hand read in the frame — the index finger pressed to a line on the page, and the forearm lies across and lightly compresses the front of her white dress shirt, brushing against her chest; her posture does not turn toward it and her gaze stays on the paper. The white dress shirt is unbuttoned at the top with the collar hanging open in two loose points, the placket splayed wide to expose a black lace bra and heavy cleavage, the lace's open web pattern reading crisply in flat black; the long sleeves are buttoned at the cuffs. Below, a black pencil skirt hugs her hips, black pantyhose sheathes her legs, and a narrow band of bare thigh shows between the skirt hem and the stocking tops — zettai ryouiki. Behind her the background is reduced to three flat horizontal bands: the blackboard wall, the whiteboard ledge, and the pale wall above, the blackboard a single solid unbroken black rectangle with no reflection or chalk texture. Across the lower background, students' silhouettes sit in dark, uniform, featureless shapes, small and low in the frame, none of them rendered with internal detail. The light is entirely flat and frontal-side from the direction of the windows, casting no cast shadows and raising no gradients; every surface holds one unbroken colour — pale green hair, warm skin, white shirt, black bra, black skirt, black stockings, black board, dark grey silhouettes — with edges defined only by bold black linework. Pure flat colour throughout, cel shading with crisp clean lineart, no shading and flat lighting, high contrast between the flat white of the shirt and the flat black of the board. Focused, quietly charged.
ki11 yukii
#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo female teacher, mature female, adult woman, long light green hair, very long hair, straight hair past hips, golden eyes, yellow eyes, beautiful face, thin framed glasses, delicate slender face, slight blush on cheeks, calm lowered gaze, focused on the paper, unaware of exposure, white dress shirt, shirt sleeves long and buttoned at cuffs, unbuttoned top, collar hanging open, black lace bra, lace trim, heavy cleavage, black pencil skirt, black pantyhose, zettai ryouiki, standing at podium, leaning forward, bending over slightly, holding test paper, both hands on paper, student's hand pointing at the paper, arm pressing against her chest, students' silhouettes in the background, dark flat silhouettes, minimalist classroom background, flat blackboard, center focus, medium shot, from side, three-quarter view, flat lighting, pure flat color, cel shading, bold black outlines, crisp clean lineart, no shading, perfect hands, delicate fingers Seen from a side three-quarter angle at chest height, the frame centred on her: a mature woman with long light green hair stands behind a lectern at the front of a minimal classroom, hips set back and shoulders tipped forward as she bends over slightly toward the sheet in her hands. Her hair falls in a straight pale-green curtain over the near shoulder and pools toward the lectern's far edge, one strand slipping forward as she leans. She wears thin framed glasses sitting high on the bridge of her nose; behind them her golden eyes are cast down and to her right, fixed entirely on the test paper, and her lips are parted a fraction on a quiet breath, a slight blush warm across both cheeks — she is absorbed in the paper and unaware of exposure. Both her hands hold the test paper flat at its upper corners in front of her chest, fingers even and slender, thumbs light on the page, the sheet hanging slightly bowed between them. From the near side a student's hand reaches in from the lower-left foreground — only the forearm and hand read in the frame — the index finger pressed to a line on the page, and the forearm lies across and lightly compresses the front of her white dress shirt, brushing against her chest; her posture does not turn toward it and her gaze stays on the paper. The white dress shirt is unbuttoned at the top with the collar hanging open in two loose points, the placket splayed wide to expose a black lace bra and heavy cleavage, the lace's open web pattern reading crisply in flat black; the long sleeves are buttoned at the cuffs. Below, a black pencil skirt hugs her hips, black pantyhose sheathes her legs, and a narrow band of bare thigh shows between the skirt hem and the stocking tops — zettai ryouiki. Behind her the background is reduced to three flat horizontal bands: the blackboard wall, the whiteboard ledge, and the pale wall above, the blackboard a single solid unbroken black rectangle with no reflection or chalk texture. Across the lower background, students' silhouettes sit in dark, uniform, featureless shapes, small and low in the frame, none of them rendered with internal detail. The light is entirely flat and frontal-side from the direction of the windows, casting no cast shadows and raising no gradients; every surface holds one unbroken colour — pale green hair, warm skin, white shirt, black bra, black skirt, black stockings, black board, dark grey silhouettes — with edges defined only by bold black linework. Pure flat colour throughout, cel shading with crisp clean lineart, no shading and flat lighting, high contrast between the flat white of the shirt and the flat black of the board. Focused, quietly charged.
ki11 yukii
#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo female teacher, mature female, adult woman, long light green hair, very long hair, straight hair past hips, golden eyes, yellow eyes, beautiful face, thin framed glasses, delicate slender face, slight blush on cheeks, calm lowered gaze, focused on the paper, unaware of exposure, white dress shirt, shirt sleeves long and buttoned at cuffs, unbuttoned top, collar hanging open, black lace bra, lace trim, heavy cleavage, black pencil skirt, black pantyhose, zettai ryouiki, standing at podium, leaning forward, bending over slightly, holding test paper, both hands on paper, student's hand pointing at the paper, arm pressing against her chest, students' silhouettes in the background, dark flat silhouettes, minimalist classroom background, flat blackboard, center focus, medium shot, from side, three-quarter view, flat lighting, pure flat color, cel shading, bold black outlines, crisp clean lineart, no shading, perfect hands, delicate fingers Seen from a side three-quarter angle at chest height, the frame centred on her: a mature woman with long light green hair stands behind a lectern at the front of a minimal classroom, hips set back and shoulders tipped forward as she bends over slightly toward the sheet in her hands. Her hair falls in a straight pale-green curtain over the near shoulder and pools toward the lectern's far edge, one strand slipping forward as she leans. She wears thin framed glasses sitting high on the bridge of her nose; behind them her golden eyes are cast down and to her right, fixed entirely on the test paper, and her lips are parted a fraction on a quiet breath, a slight blush warm across both cheeks — she is absorbed in the paper and unaware of exposure. Both her hands hold the test paper flat at its upper corners in front of her chest, fingers even and slender, thumbs light on the page, the sheet hanging slightly bowed between them. From the near side a student's hand reaches in from the lower-left foreground — only the forearm and hand read in the frame — the index finger pressed to a line on the page, and the forearm lies across and lightly compresses the front of her white dress shirt, brushing against her chest; her posture does not turn toward it and her gaze stays on the paper. The white dress shirt is unbuttoned at the top with the collar hanging open in two loose points, the placket splayed wide to expose a black lace bra and heavy cleavage, the lace's open web pattern reading crisply in flat black; the long sleeves are buttoned at the cuffs. Below, a black pencil skirt hugs her hips, black pantyhose sheathes her legs, and a narrow band of bare thigh shows between the skirt hem and the stocking tops — zettai ryouiki. Behind her the background is reduced to three flat horizontal bands: the blackboard wall, the whiteboard ledge, and the pale wall above, the blackboard a single solid unbroken black rectangle with no reflection or chalk texture. Across the lower background, students' silhouettes sit in dark, uniform, featureless shapes, small and low in the frame, none of them rendered with internal detail. The light is entirely flat and frontal-side from the direction of the windows, casting no cast shadows and raising no gradients; every surface holds one unbroken colour — pale green hair, warm skin, white shirt, black bra, black skirt, black stockings, black board, dark grey silhouettes — with edges defined only by bold black linework. Pure flat colour throughout, cel shading with crisp clean lineart, no shading and flat lighting, high contrast between the flat white of the shirt and the flat black of the board. Focused, quietly charged.
ki11 yukii
#Glasses Characters Assemble
AI artwork
he
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (1girl, solo:1.5), mature female, long light green hair, messy hair, very long hair, golden eyes, (annoyed expression, condescending gaze, half-closed eyes, slight frown:1.5), thin gold-rimmed glasses, (metal glasses chain hanging down:1.6), (middle finger pushing glasses up:1.4), (sitting on an office chair, crossed legs:1.4), (one high heel dangling off foot:1.4), (torn white dress shirt, exposed collarbone and cleavage:1.4), (black garter belt:1.3), (black pantyhose:1.5), (torn pantyhose, snagged on the desk edge:1.5), (black witch hat on the desk, wooden desk, minimalist office background:1.4), (perfect hands, delicate fingers:1.3), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), cowboy shot, from side, looking down, head tilt, leaning back, parted lips, hand up, desk edge, high heels, swivel chair, wheeled base, armrests, no extra characters, empty hands otherwise, hair completely unadorned, bare earlobes, uncluttered desk, blank walls Seen from a low three-quarter side view at cowboy-shot distance, one woman sits alone in a minimalist office, her body angled toward a wooden desk while her chin lifts and her head tips back so she looks down the bridge of her thin gold-rimmed glasses at the viewer from under half-closed lids, a slight frown flattening one corner of her mouth into a cool, condescending line. Her long light green hair is a messy, very long tangle spilling over her shoulders and down her back, ends catching on the chair's backrest. Her right hand rises in front of her face, the middle finger extended to nudge the glasses' bridge up her nose while the other delicate fingers curl loosely and precisely beside her cheek, every knuckle clean and perfect; a fine metal glasses chain hangs from both temple arms and drapes in a shallow U against her jaw and collarbone, its links stopped flat and still. She wears a torn white dress shirt, its collar ripped open wide to bare her collarbones and the top of her cleavage, the fabric jagged at the shoulder seam; a black garter belt shows at her hips beneath the shirt hem, and black pantyhose sheathes her crossed legs, thigh over knee, one long run torn open along her calf where the fine mesh has snagged on the sharp corner of the wooden desk edge, stretched into a taut triangle of laddered threads pulling back toward the wood. Her top foot is bare of shoe, the black high heel hooked only by her toes and dangling heel-first, motionless. The black witch hat rests brim-down on the wooden desk beside a stack of papers, unworn, with nothing else on the surface and a bare pale wall behind her. The palette is held strictly to flat cel planes: pale mint-green hair, gold rims and chain, white shirt, black garter, hose and heel, warm mid-brown desk and chair, off-white wall and floor, nothing else admitted. Lighting is entirely flat — no cast shadows, no gradients, no highlights beyond hard-edged outlines and single flat fills, so the only depth cue is the bold black contour where the torn pantyhose meets the desk corner and the tiny laddered threads drawn as unbroken black strokes. Quiet, cutting contempt.
HASSEN E
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble

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