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funnyprotest

Publicado: Oct 28, 2026

funnyprotest

1girl, solo, mouse girl, quadruped, four-legged stance, very mouse body, fur-covered body, two-tone fur, blue fur, green fur, blue and green body, non-human face, mouse face, mouse ears, round ears, whiskers, black nose, rodent snout, golden eyes, yellow sclera, slit pupils, two-tone hair, blue hair, green hair, ponytail, hair tied back, military uniform, military-style outfit, double-breasted jacket, epaulettes, exposed belly, protruding belly, bare midriff, emerald accessories, emerald earrings, emerald brooch, looking at viewer, from above, dutch angle, close-up, full body, on all fours, standing on four legs, tail, long tail, whiskers, dark background, dramatic lighting The camera looks steeply down from above at a dutch angle, so the girl-turned-mouse is seen from the top of her back and the crown of her head, her body crossing the frame diagonally in a close-up that fills most of the picture. She stands on all four legs on a bare wet stone floor, front paws planted forward and shoulder blades lifted, hind legs tucked under her haunches with her weight settled on the rear left leg while the rear right paw is caught mid-step, lifted an inch off the ground. Her body is entirely a mouse's: a long furred torso covered in two-tone fur, deep blue along the spine and back that shades into emerald green down the flanks and belly, fine short fur that catches the light in individual strands along the ridge of her back. Her face is a mouse's face, narrow and pointed, a small dark nose at the tip of the snout, long white whiskers sweeping out in an arc, round furred ears set high and swiveled slightly toward the lens, and golden eyes with dark slit pupils looking straight up into the camera with a bright, mischievous glint. From the back of her head a ponytail rises and falls away behind her ears, tied at the base, the hair graduated from blue at the roots to green at the tips so the strands split into two clear colours, its tail-end swinging out and up from the suddenness of her turn. She wears a military-style outfit cut to fit this body: a double-breasted dark navy jacket with brass buttons and stiff epaulettes across the shoulders, cropped short at the ribs, and beneath its hem her belly bulges bare and round, the exposed furred stomach lifting with each breath and pressed slightly against the stone where she leans forward. The jacket sleeves end above her front paws and fold back as the forelegs brace. At her ear hangs a faceted emerald stud, and at her throat a small emerald brooch is pinned to the collar; the green of the stones matches the green of her fur and catches the key light. Her long bare tail trails back behind her, curving out of the shadow and lifting slightly at the tip. The only light source is a cold overhead lamp, and it strikes her from directly above: the light rakes across her back and the top of her snout and the crown of her head, gleams on the polished emerald stones and the brass buttons, and leaves her chest, belly and the underside of her jaw in deep shadow. Her cast shadow sits directly beneath her on the floor, compressed and dark under her body. The floor is wet dark stone, and where the lamp hits the thin film of water, sharp caustics flicker along the seams between the flagstones and up the underside of her front legs. Behind her the space falls away into absolute black, so the mouse and the floor pool of light are the entire world. The palette is blue and emerald green across her coat and fur, gold in her eyes and the buttons, deep navy on the uniform, and near-black everywhere else. Quiet, dangerous, playful.

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