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tkiya9143#0
Entrada al concurso
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Mostrar parámetros
- Prompt original
- 石野ミコト、泥プール、水着、泥に入る、泥に沈む、座り込む、水着の中の胸元を見せる、笑顔
- Modo
- flash
- Tamaño
- 1104 x 1824
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
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t9
character: ishino_mikoto
1girl, solo, ishino_mikoto, orange hair, short hair, long hair, hair between eyes, orange eyes, scrunchie, swimsuit, one-piece swimsuit, bare arms, bare legs, barefoot, muddy pool, mud, entering the mud, wading, lying prone, face down, smiling, open-mouth smile, looking at viewer, from above, high angle, outstretched arm, wet hair, wet clothes, splashing, mud on skin, mud on cheeks, murky brown water, outdoors, overcast daylight,
Seen from above at a steep high angle, the frame looks straight down into a shallow outdoor mud pool: a broad, opaque, milky-brown expanse of churned silt and standing water that fills almost the whole picture, its far edge running out of frame at the top and its near bank of flattened, glistening clay sliding under the bottom edge. The girl is the single figure in it, and she is already in the mud. She lies prone, chest and belly pressed flat into the pool, her legs stretched straight back behind her under the silt-stained surface, knees slightly apart, toes just breaking the water so that small rings spread and overlap around them. Her hips sit a little lower than her shoulders, sunk into the soft bottom, and the mud has risen up around her torso and made a dark wet collar along the line of her swimsuit. Both forearms are braced forward on the mud, elbows bent, palms flat and fingers spread against the slick surface, taking her upper weight so that her shoulders lift just clear of the water; her head is turned up and back over one shoulder toward the camera, chin at the waterline, and her gaze comes straight up the lens with a wide open-mouthed smile, teeth showing, cheeks creased, eyes bright and crinkled at the corners. Her orange hair is wet and hangs down around her face and into the water: the short mass is plastered to her skull, the longer strands swing forward past her jaw and float on the surface in loose dark-orange wisps, single clumps stuck to her temple and her cheek, and the scrunchie gathers what is left of the length at the back of her neck. Her swimsuit clings wet to her back and hips, its colour muddied and darkened where the silt has soaked in, and the pale skin of her shoulders, arms and the backs of her thighs is streaked with brown smears and dotted with flecks of wet grit; one streak of mud crosses her cheekbone and another sits on her chin. She is caught in the motion of pushing forward through the mud, not yet settled: a shallow bow wave and a few fresh splashes ring out around her forearms, water still running off her elbows, and a thin trail of broken ripples fans out behind her legs where she has dragged herself in. The light is flat, diffuse, overcast daylight from a wholly clouded sky, so there are no hard cast shadows and almost no specular glare, only a soft sheen lying on the wet backs of her arms and the top of her hair; the mud reads dark and heavy except where it catches that soft grey light in broad dull patches, and the edges of the frame fall into a slightly deeper, cooler shade. Palette is restricted to muddy browns, ochres and wet clay, with her orange hair and the darkened orange of her swimsuit the only warm accents, plus the white of her teeth and the small pale patches of clean skin on her shoulders. Her smiling face and her two muddied hands pressed into the silt carry the whole detail budget; the mud surface around her is kept broad and simple with a single half-sunk twig near the upper edge for scale. Playful, messy, and bright.
tkiya9143#0
t9
character: ishino_mikoto
1girl, solo, ishino_mikoto, orange hair, short hair, long hair, hair between eyes, orange eyes, scrunchie, swimsuit, one-piece swimsuit, bare arms, bare legs, barefoot, muddy pool, mud, entering the mud, wading, lying prone, face down, smiling, open-mouth smile, looking at viewer, from above, high angle, outstretched arm, wet hair, wet clothes, splashing, mud on skin, mud on cheeks, murky brown water, outdoors, overcast daylight,
Seen from above at a steep high angle, the frame looks straight down into a shallow outdoor mud pool: a broad, opaque, milky-brown expanse of churned silt and standing water that fills almost the whole picture, its far edge running out of frame at the top and its near bank of flattened, glistening clay sliding under the bottom edge. The girl is the single figure in it, and she is already in the mud. She lies prone, chest and belly pressed flat into the pool, her legs stretched straight back behind her under the silt-stained surface, knees slightly apart, toes just breaking the water so that small rings spread and overlap around them. Her hips sit a little lower than her shoulders, sunk into the soft bottom, and the mud has risen up around her torso and made a dark wet collar along the line of her swimsuit. Both forearms are braced forward on the mud, elbows bent, palms flat and fingers spread against the slick surface, taking her upper weight so that her shoulders lift just clear of the water; her head is turned up and back over one shoulder toward the camera, chin at the waterline, and her gaze comes straight up the lens with a wide open-mouthed smile, teeth showing, cheeks creased, eyes bright and crinkled at the corners. Her orange hair is wet and hangs down around her face and into the water: the short mass is plastered to her skull, the longer strands swing forward past her jaw and float on the surface in loose dark-orange wisps, single clumps stuck to her temple and her cheek, and the scrunchie gathers what is left of the length at the back of her neck. Her swimsuit clings wet to her back and hips, its colour muddied and darkened where the silt has soaked in, and the pale skin of her shoulders, arms and the backs of her thighs is streaked with brown smears and dotted with flecks of wet grit; one streak of mud crosses her cheekbone and another sits on her chin. She is caught in the motion of pushing forward through the mud, not yet settled: a shallow bow wave and a few fresh splashes ring out around her forearms, water still running off her elbows, and a thin trail of broken ripples fans out behind her legs where she has dragged herself in. The light is flat, diffuse, overcast daylight from a wholly clouded sky, so there are no hard cast shadows and almost no specular glare, only a soft sheen lying on the wet backs of her arms and the top of her hair; the mud reads dark and heavy except where it catches that soft grey light in broad dull patches, and the edges of the frame fall into a slightly deeper, cooler shade. Palette is restricted to muddy browns, ochres and wet clay, with her orange hair and the darkened orange of her swimsuit the only warm accents, plus the white of her teeth and the small pale patches of clean skin on her shoulders. Her smiling face and her two muddied hands pressed into the silt carry the whole detail budget; the mud surface around her is kept broad and simple with a single half-sunk twig near the upper edge for scale. Playful, messy, and bright.
tkiya9143#0
t9
character: ishino_mikoto
1girl, solo, ishino_mikoto, orange hair, short hair, long hair, hair between eyes, orange eyes, scrunchie, swimsuit, one-piece swimsuit, bare arms, bare legs, barefoot, muddy pool, mud, entering the mud, wading, lying prone, face down, smiling, open-mouth smile, looking at viewer, from above, high angle, outstretched arm, wet hair, wet clothes, splashing, mud on skin, mud on cheeks, murky brown water, outdoors, overcast daylight,
Seen from above at a steep high angle, the frame looks straight down into a shallow outdoor mud pool: a broad, opaque, milky-brown expanse of churned silt and standing water that fills almost the whole picture, its far edge running out of frame at the top and its near bank of flattened, glistening clay sliding under the bottom edge. The girl is the single figure in it, and she is already in the mud. She lies prone, chest and belly pressed flat into the pool, her legs stretched straight back behind her under the silt-stained surface, knees slightly apart, toes just breaking the water so that small rings spread and overlap around them. Her hips sit a little lower than her shoulders, sunk into the soft bottom, and the mud has risen up around her torso and made a dark wet collar along the line of her swimsuit. Both forearms are braced forward on the mud, elbows bent, palms flat and fingers spread against the slick surface, taking her upper weight so that her shoulders lift just clear of the water; her head is turned up and back over one shoulder toward the camera, chin at the waterline, and her gaze comes straight up the lens with a wide open-mouthed smile, teeth showing, cheeks creased, eyes bright and crinkled at the corners. Her orange hair is wet and hangs down around her face and into the water: the short mass is plastered to her skull, the longer strands swing forward past her jaw and float on the surface in loose dark-orange wisps, single clumps stuck to her temple and her cheek, and the scrunchie gathers what is left of the length at the back of her neck. Her swimsuit clings wet to her back and hips, its colour muddied and darkened where the silt has soaked in, and the pale skin of her shoulders, arms and the backs of her thighs is streaked with brown smears and dotted with flecks of wet grit; one streak of mud crosses her cheekbone and another sits on her chin. She is caught in the motion of pushing forward through the mud, not yet settled: a shallow bow wave and a few fresh splashes ring out around her forearms, water still running off her elbows, and a thin trail of broken ripples fans out behind her legs where she has dragged herself in. The light is flat, diffuse, overcast daylight from a wholly clouded sky, so there are no hard cast shadows and almost no specular glare, only a soft sheen lying on the wet backs of her arms and the top of her hair; the mud reads dark and heavy except where it catches that soft grey light in broad dull patches, and the edges of the frame fall into a slightly deeper, cooler shade. Palette is restricted to muddy browns, ochres and wet clay, with her orange hair and the darkened orange of her swimsuit the only warm accents, plus the white of her teeth and the small pale patches of clean skin on her shoulders. Her smiling face and her two muddied hands pressed into the silt carry the whole detail budget; the mud surface around her is kept broad and simple with a single half-sunk twig near the upper edge for scale. Playful, messy, and bright.
tkiya9143#0
t9
character: ishino_mikoto
1girl, solo, ishino_mikoto, orange hair, short hair, long hair, hair between eyes, orange eyes, scrunchie, swimsuit, one-piece swimsuit, bare arms, bare legs, barefoot, muddy pool, mud, entering the mud, wading, lying prone, face down, smiling, open-mouth smile, looking at viewer, from above, high angle, outstretched arm, wet hair, wet clothes, splashing, mud on skin, mud on cheeks, murky brown water, outdoors, overcast daylight,
Seen from above at a steep high angle, the frame looks straight down into a shallow outdoor mud pool: a broad, opaque, milky-brown expanse of churned silt and standing water that fills almost the whole picture, its far edge running out of frame at the top and its near bank of flattened, glistening clay sliding under the bottom edge. The girl is the single figure in it, and she is already in the mud. She lies prone, chest and belly pressed flat into the pool, her legs stretched straight back behind her under the silt-stained surface, knees slightly apart, toes just breaking the water so that small rings spread and overlap around them. Her hips sit a little lower than her shoulders, sunk into the soft bottom, and the mud has risen up around her torso and made a dark wet collar along the line of her swimsuit. Both forearms are braced forward on the mud, elbows bent, palms flat and fingers spread against the slick surface, taking her upper weight so that her shoulders lift just clear of the water; her head is turned up and back over one shoulder toward the camera, chin at the waterline, and her gaze comes straight up the lens with a wide open-mouthed smile, teeth showing, cheeks creased, eyes bright and crinkled at the corners. Her orange hair is wet and hangs down around her face and into the water: the short mass is plastered to her skull, the longer strands swing forward past her jaw and float on the surface in loose dark-orange wisps, single clumps stuck to her temple and her cheek, and the scrunchie gathers what is left of the length at the back of her neck. Her swimsuit clings wet to her back and hips, its colour muddied and darkened where the silt has soaked in, and the pale skin of her shoulders, arms and the backs of her thighs is streaked with brown smears and dotted with flecks of wet grit; one streak of mud crosses her cheekbone and another sits on her chin. She is caught in the motion of pushing forward through the mud, not yet settled: a shallow bow wave and a few fresh splashes ring out around her forearms, water still running off her elbows, and a thin trail of broken ripples fans out behind her legs where she has dragged herself in. The light is flat, diffuse, overcast daylight from a wholly clouded sky, so there are no hard cast shadows and almost no specular glare, only a soft sheen lying on the wet backs of her arms and the top of her hair; the mud reads dark and heavy except where it catches that soft grey light in broad dull patches, and the edges of the frame fall into a slightly deeper, cooler shade. Palette is restricted to muddy browns, ochres and wet clay, with her orange hair and the darkened orange of her swimsuit the only warm accents, plus the white of her teeth and the small pale patches of clean skin on her shoulders. Her smiling face and her two muddied hands pressed into the silt carry the whole detail budget; the mud surface around her is kept broad and simple with a single half-sunk twig near the upper edge for scale. Playful, messy, and bright.
tkiya9143#0
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