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AI art "Double Life: Construction Work / Burlesque Dancer"
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Double Life: Construction Work / Burlesque Dancer

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Dermot

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A full body shot at eye level depicts two versions of the same athletic woman in her 20s perched on a red steel girder atop a Manhattan skyscraper during a snowy golden hour. On the left, the builder sits astride the beam in a 3/4 view, gripping the girder with one hand and raising a coffee thermos with the other; she has lemon-blonde braided hair under a white hard hat, wearing an orange hi-vis vest over a grey thermal henley and tan carpenter jeans, flashing a dazzling, proud smile. Beside her, the showgirl stands with one gold T-strap heel crossed, holding a massive white ostrich-feather fan open behind her shoulders with gloved hands, wearing a gold-sequinned bodice, black opera gloves, and pearls, sporting a sultry, wicked smile and glossy finger waves. The background features red-painted girders, a crane hook, and the glowing Chrysler and Empire State Buildings under a falling snow. The scene uses a hyper-saturated neon palette of girder red and sun gold, featuring bold graphic linework, cel-shading, neon rim-light, and chromatic aberration for a high-energy, glossy finish.
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Prompt original
A full body shot framed head to toe at eye level. The image shows the same woman twice, both versions of her together in one place, as if her other self has stepped out beside her. She is a young woman in her 20s, a construction worker on a New York skyscraper crew who is secretly the headline burlesque star of a secret speakeasy. The image has a cheerful hard-hat slice-of-life vibe meeting a jazz-age speakeasy vibe, hi-vis vests and steel beams on one side, ostrich feathers, sequins and champagne on the other, one woman who can haul a girder and stop a show, and the mood is giddy, golden and alluring, the top of the steel frame at the end of a shift and the showgirl she becomes perched beside her in sequins and feathers. The builder: She is bright and lovely, a woman with an athletic, toned build: above average height, with squared shoulders, visibly defined arms and abs, a narrow waist, athletic hips and firm, strong thighs, and large, full breasts. Her light, freckled skin is struck hard and gold by the low winter sun across the open steel frame, and her face is bright and gorgeous, with high, freckled cheekbones, ice-blue eyes framed by long, pale lashes, softly arched blonde brows, a small, upturned nose and full, coral lips that curve into a big, dazzling smile. Her expression is proud and laughing, a big, dazzling smile. Her very long lemon-blonde hair falls in a thick braid over one shoulder below a white hard hat. She wears an orange hi-vis safety vest over a grey thermal henley with the sleeves pushed up, tan carpenter jeans, a leather tool belt and steel-toe work boots, so that her forearms are bare. Her makeup is a fresh, freckled face, cold-pink cheeks and a coral lip balm. The showgirl: She is the same woman, sultry and dazzling, with the same strong, athletic body, and her face is bright and gorgeous, with high, freckled cheekbones, ice-blue eyes framed by long, pale lashes, softly arched blonde brows, a small, upturned nose and full, coral lips that curve into a big, dazzling smile. Her light, freckled skin is struck by the same hard gold sun, snowflakes glittering on her shoulders. Her expression is sultry and dazzling, a slow, wicked smile. Her very long lemon-blonde hair is set in glossy finger waves with a jewelled feather headband. She wears a tiny gold-sequinned showgirl bodice cut barely past her breasts with a high-cut leg, long black opera gloves and gold T-strap heels, so that her shoulders, her arms above the gloves, her hips at the high-cut leg and her long, strong legs are bare. A long rope of pearls swings at her throat. Her makeup is glittering gold lids, a black cat-eye and a scarlet cupid's-bow lip. The setting is the topmost floor of a half-built skyscraper's steel frame high over Manhattan at a snowy golden hour, bare red-painted steel girders and beams, a crane hook hanging overhead, coils of cable and stacked bolts, the Chrysler Building and the Empire State Building glowing across the skyline, and snow falling through the hard low sun. The whole scene is fully detailed. Seen at eye level, both selves together on the steel frame: the builder sits astride a red girder in three-quarter view with the thermos of coffee raised in one hand and the other gripping the beam, her dazzling smile on the viewer; the showgirl stands on the same girder beside the builder facing the viewer with one heel crossed in front of the other, the huge white ostrich-feather fan swept open behind her shoulders with both gloved hands, her wicked smile on the viewer. Outdoor natural: the hard low winter sun strikes the builder and the showgirl from one side, crisp gold highlights on the hard hat and the jewelled headband, the hi-vis orange and the gold sequins, sharp shadows of the girders across them. Girder red dominates, with sun gold and hi-vis orange as the accents. Hyper Pop style: bold graphic linework with flat-to-cel shading punched up by neon rim-light and chromatic-aberration RGB-split edges, a hyper-saturated neon palette of girder red, sun gold, hi-vis orange and feather white, and a glossy, poster-flat, high-energy finish with sparkle and burst motifs.
Modo
standard
Tamaño
1024 x 1024

Modelo y LoRA utilizados

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.26k

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