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AI art "Transformation: Honey"
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Transformation: Honey

Avatar image of Dermot

Dermot

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A full body shot at a tilted Dutch angle depicts a statuesque woman in her 30s through four stages of transformation into living honey amber, separated by three glowing vertical seams of honey. The woman has a toned build, very long legs, and heavy breasts, with warm beige skin, emerald eyes, and short honey blonde hair. From left to right: First, she laughs while holding a honey dipper, wearing a low-scoop cream linen smock and blue gingham apron with wooden clogs. Second, she kneels with amber spreading up her arms, her smock slipping off her shoulders. Third, she stands by a window, her skin and hair turning to glowing amber with tiny bubbles, wearing only scraps of linen and gingham. Fourth, she lies on a table, her entire body transformed into clear, glowing gold amber with bees resting on her, wearing amber honeycomb attire. The setting is a detailed stone cottage honey room with oak shelves of jars, dried lavender, and honeycomb frames. The atmosphere is a blend of cottagecore and fairycore, lit by warm brass lamps creating a golden glow. The visual style features chromatic pencil linework with layered cross-hatching and watercolor-ish washes in a palette of honey gold, amber, and lavender.
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Prompt original
A full body shot framed head to toe, at a tilted Dutch angle, wide enough to take in all four figures. The image shows the same woman four times side by side, left to right, four stages of one transformation into living honey amber, each further along than the last, all in one shared scene. She is a woman in her 30s, a beekeeper who drank from the queen bee's own honey. The image has a cottagecore and fairycore vibe of honey-stone cottages and wildflower meadows, linen and gingham, dried herbs and beeswax candles, little folk in the hedgerows and the sweet, slow gold of high summer, and the mood climbs from sunny, sweet mischief on the left to slow, golden sensuality on the right. She is ravishing, a woman with a tall, statuesque build: very tall, with straight, broad shoulders, long arms and very long legs, a firm, toned body, a narrow waist, balanced hips and long, firm thighs, and enormous, heavy breasts. Her skin is warm beige, and her face is warm and gorgeous, with high, rounded cheekbones, bright emerald eyes framed by thick golden lashes, softly arched honey brows, a straight, fine nose and full, rosy lips. Her short honey blonde hair is soft and tousled. Her makeup is a honey-gold shimmer on the lids and a glossy rose lip. The setting is the honey room of an old stone cottage on a windy afternoon, rows of wooden frames heavy with golden comb, jars of honey glowing on oak shelves, bundles of dried lavender and herbs hung from the beams, a scrubbed oak table with a honey extractor and beeswax candles, bees drifting in through a casement window rattling in the wind, the meadow tossing outside, and brass lamps glowing on the shelves. The whole scene is fully detailed. Three slow, glowing seams of golden amber honey run from the top of the picture to the bottom, splitting the scene into four panes, one stage in each. The first, on the far left, whirls round the scrubbed table toward the viewer with a wooden honey dipper held up in one hand and the other arm swept out, laughing, a thread of golden honey glowing from her fingertips and hardening to amber in the air, her short hair tousled, wearing a cream linen smock dress with puffed sleeves, a blue gingham apron and wooden clogs, the smock's drawstring neckline pulled open low into a deep scoop and its skirt slit to the hip, so that her shoulders, her collarbones, the upper curves of her breasts and one long thigh are bare. The second, next to the first, kneels on the flagstones facing the viewer in three-quarter view, her honey-gold hands raised before her face as she gazes at the clear amber spreading through her fingers and up her arms to the shoulders, a dreamy, parted-lip smile on her face, a bee resting on the glowing amber at one cheekbone, wearing the same smock slipping off both shoulders and held up only by the single tie of the gingham apron at her waist, so that her shoulders, her arms, her upper chest and the upper curves of her breasts are bare. The third, next to the second, stands by the casement window facing the viewer with her arms raised to run her fingers through her hair and her head tilted, eyes half-closed, her skin almost all clear, glowing honey amber now with tiny golden bubbles caught in it, bees drifting round her, her short hair turning to glossy strands of amber, wearing the same smock fallen away into scraps, a tiny cropped band of linen across her breasts ending barely past them and a ragged micro wrap of the gingham apron at her hips, so that her shoulders, her arms, her whole midriff, her hips and her long thighs are bare. The fourth, on the far right, lies back across the scrubbed table among the golden honeycomb frames facing the viewer with one knee raised and one arm trailing over the edge, a slow, golden smile on her lips, her whole body living honey amber, clear and glowing gold from within, with living bees resting on her like jewels, her emerald eyes glowing and her hair a sculpted wave of amber, wearing the smock turned to amber and wax, a tiny cropped band of hexagonal golden honeycomb cut away into a plunge between her breasts and a micro skirt of glossy amber petals at her hips, so that her shoulders, her arms, the inner curves of her breasts, her midriff, her hips and her long thighs are bare. Artificial light from the side: the glowing brass lamps on the shelves light all four of her from one side, warm gold on her skin, the linen and the rows of honey jars, and in the later panes shining through the clear amber of her body so that it glows like honey held up to a lamp, the amber seams glowing between the panes. Honey gold and amber dominate, with linen cream and lavender as the accents. Chromatic Pencil style: visible fine, sketchy hand-drawn linework with loose, layered pencil-like cross-hatching softly blended into watercolour-ish washes, soft, diffused shading, a warm, gentle, slightly desaturated palette of honey gold, amber, linen cream and lavender, and a delicate mixed-media illustration finish.
Modo
standard
Tamaño
1536 x 864

Modelo y LoRA utilizados

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.30k

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