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たぬきのけだま
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- Prompt original
- スマホの画面がどアップ、snsのアプリを開いていていろいろ書き込まれている、スマホの上には立体の沢山のアバターがいる、立体的にスマホの上にいるように描いて、美女やアニメキャラや猫や犬やイケメンやロボットやおじさんや車や狸などがいてそれぞれ言い争いしてたり争ったり一緒に遊んだり手を繋いでいたりお菓子を食べてたり音楽を聞いていたり傍観していたりする、snsの縮図を描いて、水彩画、皮肉を込めて、沢山のアバターをスマホの画面から出して、スマホの画面から飛び出している、しっかり画面の中から飛び出していて色々している様子を描いて、ブラックユーモアな雰囲気で、不思議な絵、スマホの画面の中にはアバターは描かないで、
- Modo
- lite
- Estilo
- Acuoso suave
- Tamaño
- 768 x 1280
Estilo: Acuoso suave
Modelo y LoRA utilizados
Imágenes similares
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A close-up shot from a high angle focuses on a smartphone screen lying flat, serving as a platform for a surreal miniature world. The screen displays an open social media app filled with dense text posts and threads, but the surface is teeming with a chaotic crowd of three-dimensional avatars that have leaped out of the display.
A diverse multitude of tiny figures—including beautiful women, anime characters, handsome men, elderly men, robots, cats, dogs, tanuki, and miniature cars—swarm the phone's surface. They are engaged in a frantic microcosm of social media: some are shouting and arguing aggressively, others are holding hands and playing, some eat snacks or listen to music with tiny headphones, while others stand by as detached observers. The avatars are clearly rendered as physical entities standing atop the glass, with no characters remaining inside the digital screen itself.
The image is a watercolor painting on textured paper, characterized by loose linework, translucent washes, and gentle color bleeding. The atmosphere is one of black humor and irony, portraying a cluttered, noisy social miniature. The color palette consists of layered stains and soft washes that contrast with the chaotic energy of the scene.
たぬきのけだま
A close-up shot from a high angle focuses on a smartphone screen lying flat, serving as a platform for a surreal miniature world. The screen displays an open social media app filled with dense text posts and threads, but the surface is teeming with a chaotic crowd of three-dimensional avatars that have leaped out of the display.
A diverse multitude of tiny figures—including beautiful women, anime characters, handsome men, elderly men, robots, cats, dogs, tanuki, and miniature cars—swarm the phone's surface. They are engaged in a frantic microcosm of social media: some are shouting and arguing aggressively, others are holding hands and playing, some eat snacks or listen to music with tiny headphones, while others stand by as detached observers. The avatars are clearly rendered as physical entities standing atop the glass, with no characters remaining inside the digital screen itself.
The image is a watercolor painting on textured paper, characterized by loose linework, translucent washes, and gentle color bleeding. The atmosphere is one of black humor and irony, portraying a cluttered, noisy social miniature. The color palette consists of layered stains and soft washes that contrast with the chaotic energy of the scene.
たぬきのけだま
A medium shot from a high-angle perspective depicts a smartphone lying flat on a white surface, serving as a centerpiece for a chaotic social media microcosm. The phone's screen is active, displaying an SNS app filled with dense text posts and comments, but the screen itself is devoid of characters. Surrounding the device, a multitude of tiny, three-dimensional avatars have leaped out from the screen and are swarming the area. This diverse crowd includes beautiful women, anime characters, cats, dogs, handsome men, robots, middle-aged men, cars, and tanuki. These figures are engaged in a flurry of contrasting actions: some are violently arguing or fighting, others are holding hands and playing together, some are eating snacks or listening to music, while others stand by as indifferent observers. The scene is rendered in a watercolor medium on a textured paper background, featuring loose linework, translucent washes, and gentle color bleeding. The atmosphere is surreal and tinged with black humor and irony, suggesting the fragmented nature of digital interaction through a whimsical yet cynical visual style.
たぬきのけだま
A close-up shot from a high angle focuses on a smartphone screen lying flat, displaying a social media application filled with various text posts and threads. Physically standing on top of the glass screen is a crowded, miniature society of 3D avatars, including beautiful women, anime characters, cats, dogs, kabru, magrona_channel, robots, cars, and tanuki. These diverse figures are engaged in a chaotic yet pop-style microcosm: some are fighting, others are playing together or holding hands, some are eating sweets, listening to music, or simply observing the chaos with indifferent expressions. The environment is a vivid, ironic representation of social media interactions. The visual style is a cute watercolor medium on a distinct paper texture, featuring loose linework that blends into translucent washes, with gentle color bleeding and layered stains, creating a whimsical yet satirical atmosphere.
たぬきのけだま
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