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View detailsMateus Pertussatti
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- Prompt original
- Um jovem de 17 anos, usando roupas padrões de um colégio japonês por debaixo de um kimono escuro com manchas vermelhas que lembram o trançado de cestas de vime, cabelos azuis claros prateados longos amarrados em dois rabos de cavalo mais longos junto de outra parte dos cabelos longos que vão até o ombro naturalmente, e olhos de Íris vermelhos claro rosado com Pupilas brancas em formato de X, pele parda clara com físico naturalmenre esbelto e Atlético, sentado em uma pedra no meio de uma floresta, enquanto brinca com uma esfera d'água flutuante, a esfera d'água é de coloração escura praticamente negra
- Modo
- pro
- Estilo
- Sueño lúcido
- Etiqueta de calidad
- ﹝Prompts﹞
- Tamaño
- 768 x 1280
- Excluir de la imagen
- lowres, worst quality, low quality, bad anatomy, explicit
Estilo: Sueño lúcido
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
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1boy, solo, 17-year-old boy, light brown skin, long light silvery-blue hair, two very long twintails, loose shoulder-length hair falling untied around the face, light pinkish-red eyes, white X-shaped pupils, dark kimono, red wicker-basket-weave stain pattern on the kimono, dark kimono worn open over a standard japanese high school uniform, dark slacks, sitting on a rock, seated with one knee drawn up, forest, deep forest interior, floating water sphere, dark almost-black water sphere, orb held between both hands, cupped hands, from below, low angle, wide shot, looking at object, faint closed-lip smile, dutch angle, depth of field, shojo manga style, screentone, soft focus, sparkle effects, delicate lineart, light and airy, flower motifs, dreamy atmosphere
The camera sits low and slightly to the boy's right, tilted a few degrees off level, looking up from among the ferns: he is seen from below at three-quarter view, so the mossy boulder he sits on fills the lower third of the frame and his shoulders read against a canopy of leaves. He is the only figure. He perches near the boulder's near edge rather than square to the lens, left hip and left thigh taking his weight on the stone, right foot braced flat on the rock's sloping top, left heel hanging just past the lip with the toe pointed; his dark slacks are creased at the hip and one sock has slid down. His torso leans a little forward and to his left over his hands, which are cupped close to his chest with fingers half-curled around nothing solid, palms up, cradling the floating water sphere a hand's width above them. The sphere does not touch him: it hangs unsupported, a dark near-black bead of water with a hard glossy highlight along its upper-left rim, its deepest black at the core, and beneath it the inside of his cupped palms shows a small round wet gleam where light is thrown back up through it -- the only place the water mirrors anything. Tiny droplets have pulled free of the surface and hang around it like grit; where one has already fallen it has left a darker damp patch and a single thin runnel following a seam in the stone. His chin is tipped down toward the sphere, so the low angle shows the underside of his jaw, the line of his throat, and the weight of his hair: the two very long twintails fall forward over his right shoulder and behind his left, their ties hidden by the strands, the loose shoulder-length hair slipping around his cheek and brushing the kimono's collar. His brows are relaxed, eyes narrowed in concentration with a faint closed-lip smile on one side of his mouth, lashes lowered toward the orb rather than the viewer; the white X in each light pinkish-red iris is fully visible against the dark.
His dark kimono is worn loose and open at the chest, the collar pushed back off the shoulders, the standard high-school uniform beneath it showing a white shirt front, the knot and stripes of its tie, and the grey-navy of its jacket at the forearms where the kimono sleeve has slid up. Across the dark cloth, red stains gather in a repeating criss-cross lattice of short interlocking strokes, wide and dense on his right sleeve and skirt panel, thinning to a sparse scatter near the open collar where the fabric has been pushed back; the kimono hem pools over the boulder's edge and one corner drags in the moss.
Behind and around him a deep forest closes in: a midground of broad-leaved undergrowth and pale thin trunks leaning out of frame, a background dissolving into blue-grey haze and stacked silhouettes of thicker trees, the pale sky only a scattering of light through the high leaves. Light is dappled and cool, broken by the canopy so that a few soft-edged patches land on his cheek, the wet palms, the sphere's rim and the red lattice of his right sleeve, and everything else sits in violet-grey shade. The palette stays muted and wintry -- deep dark blue-grey and near-black along the rock and the water, dusty lavender-grey and grey-white in the haze and the hair's highlights, warm brown in his skin and the trunk bark, and a single crimson note repeated only in the kimono's lattice and in the pale pink-red of his eyes. Delicate lineart with screentone shadow, soft focus, drifting flower petals and a few sparkles of light catching the water, airy and dreamy -- quietly absorbed.
Mateus Pertussatti
mp
1boy, solo, 17-year-old boy, light brown skin, light silvery-blue hair, long hair, shoulder-length hair, two long twintails, twintails longer than shoulder hair, light pinkish-red eyes, white X-shaped pupils, dark kimono, red wicker-basket-weave stain pattern on kimono, kimono worn over standard Japanese school uniform, sitting on a rock, forest, playing with floating water sphere, dark water sphere, nearly black water, from side, profile, cowboy shot, leaning forward, outstretched arm, head tilt, looking at object, half-closed eyes, light smile, shojo manga style, screentone, soft focus, sparkle effects, delicate lineart, light and airy, flower motifs, dreamy atmosphere
Seen in profile from a low side angle, the boy sits on a broad weathered grey stone raised out of the forest floor, knees drawn up unevenly — the left knee higher than the right, the right foot flat against the rock's top, the left heel hooked on the stone's lip. His torso leans forward over his lap, spine curving, and his long silvery-blue hair spills off one shoulder, the shoulder-length fall of it crossing his collarbone while the two long twintails hang past his back and drape down behind the stone, their tips just brushing the moss. His dark kimono is cut wide at the sleeve; the red basket-weave stain pattern curls across the chest panel and the sleeve in open interlaced bands, each band a translucent red wash that lets the weave of the fabric show through. The kimono falls open at the collar, and beneath it the stiff white collar of the school uniform shirt shows at the throat with a knotted dark tie tucked under the crossed kimono panel; the uniform's darker sleeve cuff peeks out past the kimono's wide sleeve opening at his right wrist. His right arm is extended forward, elbow slightly bent, the hand open and cupped with fingers curled up as though cradling something weightless; his left hand rests on the rock beside his hip, fingers spread against the stone. Between his cupped right hand and the rock, at chest height, a sphere of water the size of his head turns slowly in the air, its surface practically black — a near-black deep blue-green, glossy, with one bright curved highlight along its upper left edge and a faint inverted reflection of the forest floor inside its lower half; the sphere does not touch his palm, a thin gap of clear air between his fingertips and its surface, and three small droplets have separated from its underside and hang in a shallow arc below it, each one catching the same single light. His head tilts down toward the sphere at a slight angle, chin turned, one brow faintly raised and one lip corner lifted in a half-smile; the pinkish-red iris is visible in the profile eye, turned down and to the left toward the sphere, the white X of the pupil sharp against it, the lid half-lowered and the lash edge dark.
The forest behind him is a medium-depth wall of tall trunks in muted cool greys and violet-greys, receding into a soft blurred green-grey haze, with a patch of pale sky showing between two trunks at the upper right. Ferns and low moss fill the foreground bottom-left corner, one frond crossing in front of the stone's base and out of focus. A shaft of light comes from the upper left, broken by leaves, laying irregular bright patches on his left shoulder, the rock's upper face and the top of the water sphere, and the right side of his face and the underside of his jaw sit in cool shadow. The palette stays muted and cool: deep navy-blue shadow pooling under the stone and between the trunks, near-black at the sphere and the kimono's deepest folds, soft violet-grey midtones in the trunks, a dull red running through the kimono's stain pattern and a single red-sparked accent in the eye, warm grey stone, and pale silver-mauve in his hair and the highlight on the sphere — no bright greens beyond the muted moss. Delicate, thin, airy linework with screentone dithering in the shadows, soft-focus bloom on the light patches, a scatter of tiny four-pointed sparkles in the shaft of light around the sphere, and faint flower-petal motifs drifting in the hazy background. Quiet, dreamy concentration.
Mateus Pertussatti
mp
1boy, solo, 17-year-old boy, light tan skin, slender athletic build, long light silvery-blue hair, two long ponytails, loose shoulder-length hair strands left down, hair falling around shoulders, long hair, light pinkish-red iris, white x-shaped pupils, cross-shaped pupils, dark kimono, red wicker-basket-weave pattern on kimono, red basket-weave stains, japanese school uniform under kimono, white shirt collar visible, dark trousers, sitting on a rock, seated, knees bent, floating water sphere, dark water sphere, nearly black sphere of water, playing with water, one hand raised, palm up, cupped hand beneath sphere, forest, trees, undergrowth, moss, from below, dutch angle, cowboy shot, looking at object, focused expression, parted lips, faint closed-mouth intensity, side lighting, rim light, cool teal-blue forest atmosphere, warm golden highlights, dark navy and deep plum shadow, warm gray stone, muted rose accents
The camera sits low and tilted a few degrees off level, looking up from the mossy forest floor so the boy's seated figure rises against the trunks and the canopy gap above him; he is perched near the front edge of a broad, weathered grey boulder, one leg folded flat along the stone with the other knee drawn up and the boot planted on the rock's lip, his weight carried on the folded hip while his torso leans slightly forward over his raised right hand. His right arm is bent, elbow near the knee, hand open palm-up with fingers gently curled, and the nearly black water sphere floats a hand's breadth above that palm, its dark surface a glossy oil-black that swallows the forest light and shows only a single taut curved rim highlight on its upper-left, reflecting the trees inverted and shrunken. His left hand rests flat on the stone behind his hip, fingertips spread for balance; the dark kimono has slid open at the chest and one sleeve has fallen back off his forearm in a loose fold, revealing the white shirt collar of the school uniform and the dark uniform trousers at his bent legs, and the kimono's fabric drapes over the rock edge in heavy folds. The kimono is a deep charcoal-navy cloth patterned all over with dull red stains that lock into a repeating diagonal basket weave, the red running rust-dark where it crosses the folds and brightening to a warm brick along the raised ridges of the sleeve. His long silvery-blue hair is split into two ponytails that fall past his shoulder blades and swing forward slightly over the raised arm, while a separate loose layer of hair hangs unstirred to his shoulders and frames his jaw; one strand drifts across his cheek as if lifted by the sphere's slow rotation. His face is turned down toward the sphere, light pinkish-red irises catching the cool ambient light, the white X-shaped pupils sharp against them, his brows drawn a little together and his lips just parted in concentration rather than a smile, and the sphere's own faint glow lays a soft pale sheen along his chin and the underside of his raised hand. The light comes from a high canopy gap behind and above his left shoulder, cool teal-blue and diffuse, dropping a long soft shadow of him and the boulder across the moss, while a warm golden shaft breaks through on his right to touch the red weave at his shoulder and the rim of the rock; everywhere beyond that the forest recedes into deep navy and black plum shadow between the trunks. The palette stays within dark navy and deep plum, warm grey stone, muted rose and dusty silver-grey, with the red weave and the near-black sphere as the only saturated notes, and the background's greens pushed toward cool blue-teal. No other figures occupy the forest; the sphere makes the air's stillness visible in the faint disturbed ring of dust motes circling it. Quiet, focused magic.
Mateus Pertussatti
mp
1boy, solo, sitting, sitting on rock, forest, dark kimono, red woven basket pattern, japanese school uniform underneath, gakuran, long hair, light silvery-blue hair, twintails, two long ponytails, loose hair, shoulder-length hair strands, pinkish light red eyes, X-shaped pupils, white pupils, light brown skin, dark skin, slim athletic build, floating water sphere, black water, playing with water, magic, outstretched arm, open hand, from side, profile, cowboy shot, dutch angle, looking at object, light smile, parted lips, bare ears, unadorned hair, tall grass, ferns, tree trunks, dappled light, mist, shojo manga style, screentone, soft focus, sparkle effects, delicate lineart, light and airy, dreamy atmosphere
Seen from a low three-quarter side angle, tilted slightly into a dutch angle, the seventeen-year-old boy sits on a broad grey boulder lodged among ferns in the middle of a deep forest, one knee drawn up and the other leg folded under it, his weight settled on the left hip, torso turned partway to his right so that the camera catches his profile and the long line of his back. His light brown skin is warmly shaded, and his build reads lean and athletic through the loosened fall of the dark kimono, whose fabric carries a woven basket-weave tracery of dull red stains that follow the cloth over his shoulder and down the sleeve, belted loosely so that the collar of the Japanese school uniform underneath shows dark and neat at the throat. His long light silvery-blue hair is gathered into two very long twin tails that swing down past the rock and drift in the damp forest air, while a separate, shorter fall of loose strands reaches naturally to his shoulders and slides across his cheek; his ears are bare and his hair carries nothing at the parting. He has turned his head to watch the sphere, and his pinkish light red irises are lit from within by the pale glow of the water, the white X-shaped pupils sharp and bright at their centre, his lower lip slightly parted in a small absorbed smile. His right arm is stretched forward at chest height, elbow softly bent, fingers spread and curved as though cradling an invisible weight; above and slightly before his open palm hangs the water sphere, nearly black in colour, glossy and dense, its surface trembling into a faint orbiting ring where his magic turns it, a few droplets beaded and falling from its underside to darken the stone beneath. Around and behind him the forest closes in: tall trunks receding into haze, ferns and grass at the base of the rock, a low mist lying in the middle distance. Light comes in thin shafts from the upper left, screening through the canopy so that it catches his hair, the ridge of his nose and the top curve of the dark sphere, while the underside of the rock, the folds of the kimono and the hollows of the trees hold a cool violet-blue shadow; the sphere casts its own soft reflected gleam onto his fingertips and the underside of his chin. The palette stays cool and muted, bruised navy and charcoal shadows, dusty mauve and ash grey cloth, warm brown skin, with the red basket-pattern stains and the pink-red of his eyes as the only warm notes against the pale silver-blue of his hair. Delicate lineart, screentone grain in the shadows, soft focus at the edges, faint sparkles suspended in the mist. Quiet enchantment.
Mateus Pertussatti
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