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Fitentia Lombardy

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Fitentia Lombardy

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character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no — distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light, Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind — his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her — heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him. The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed. Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings. One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing — crushed, not stirred. Tense, suffocating dread.
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Prompt original
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,fur dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,diamond collar,1 man,ugly man,tall man,la mujer esta siendo secuestrada,el hombre agarra por la cintura a la mujer y le tapa la boca
Modo
pro
Etiqueta de calidad
﹝Prompts﹞
Tamaño
1104 x 1824
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.43k

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character: kurokawa_akane 2girls? no -- 1girl, 1boy, 2 subjects, kurokawa akane, long hair, bangs, multicolored hair, gradient hair, black and blue two-tone hair, blue eye, green eye, heterochromia, enormous breasts, rococo style dress, overly ornate tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy huge oversized long skirt, (((la chica lleva un abrigo negro encima del vestido))), black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, tall man, ugly man, kiss on lips, brutal kiss, forced kiss, malicious kiss, woman not enjoying kiss, turning away, closed eyes, distressed, from side, profile, cowboy shot, dutch angle, dramatic lighting, chiaroscuro, A low three-quarter profile view from slightly below, tilted a few degrees off level, with the two figures filling the frame from mid-thigh up and the huge skirt spilling out of the bottom edge. The woman stands at the left of frame, her weight sunk onto her right leg so her left hip juts and the enormous puffed skirt bulges toward the lower right, its hem lost off-frame; her spine leans back and away, chin pulled to her right, whole torso torqued to escape. The man at the right of frame is a head and a half taller, stooping down and forward over her: his right hand clamps the back of her neck under the fur collar, his left fist bunches the black fur at her shoulder, and his mouth is crushed flat against hers, mashing her lips, his head tilted hard to one side. Her mouth stays compressed and pulled to one corner under his; her eyes are squeezed shut with the brows drawn up and pinched at the center, a shine of tears along the lower lash line, cheeks flushed deep red with blush, and her breath goes out in a thin visible puff from the corner of her mouth, the sigh escaping around the kiss. His eyes are open, narrowed, looking down at her face with a mean curl at one mouth corner. Her hair is long, falling past her shoulders in a black-to-blue gradient -- black at the crown and blue down the lengths -- with a heavy fringe of straight bangs over her brow, some strands crushed between her cheek and his jaw, the ends swinging back from the tilt of her head; one blue eye and one green eye, the blue on the frame-left side. The dress is a rococo explosion in red and white: a tight boned bodice crusted with sequins that throw hard pinpoint highlights, white lace foaming at the neckline in three stacked tiers, absurdly many ribbon bows in alternating red and white stuck at every seam, ruffles pleated so densely they read as a ridge of coral, gilt and paste-jewel ornaments of no consistent design bolted across the front, and a skirt puffed and gathered into a balloon that is wider than she is tall with more lace and bows at the hem. Over all of it she wears a heavy black fur coat, worn open and pushed back off her shoulders so it frames the dress, its thick nap swallowing the light and its collar standing up around her neck and crushed under his hand. A diamond collar rings her throat beneath the fur, above it colossal drop earrings pull at both earlobes, a tiara sits tilted in the black hair at her crown, enormous bracelets of stacked stones weight both wrists, and on her left hand the colossal engagement ring sits as a faceted mass the size of a plum, that hand hanging limp at her side with the fingers slack. The man's face is coarse and heavy-jawed, big nose, broken-veined cheeks, stubble, small wet eyes, greasy dark hair combed back; he wears a plain dark high-collared formal coat, dull and unornamented, so the visual weight sits entirely on her. The light is a single hard warm lamp from high frame-left, off-camera: it rakes the left side of the scene, catching the sequins and the facets of the ring and tiara in bright chips, throwing the man's shadow across her cheek and lighting the rim of the fur, while the right side of the frame and the underside of the skirt fall into deep brown-black. Palette is red and white on her, black in the fur and his coat, and warm skin tones -- nothing else admitted. A few loose sequins have fallen and lie scattered on the front of her skirt, twinkling where the light hits. Oppressive, glittering cruelty.
Brago bloodfallen
#Akane Kurokawa
AI artwork
sg
character: kurokawa_akane 2girls, 1girl, 1man, tall man, ugly man, man from behind, man grabbing woman's shoulders, hands on another's shoulders, from behind, long hair, bangs, hair between eyes, swept bangs, black hair, blue hair, multicolored hair, gradient hair, two-tone hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, (((((la chica lleva un abrigo largo negro encima del vestido))))), ((((fur coat)))), fur trim, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, woman standing, close-up, dutch angle, depth of field, Composed at a slight dutch angle in a medium close-up that crops the woman at mid-thigh, the frame is split between two depths: she faces the camera in the near plane while the man stands squarely behind her, his back to the lens so that only his broad shoulders, the back of his thick neck and the shaggy back of his head are visible, and his height carries his chin above the top of her tiara. He grips both of her shoulders from behind, one thick hand on each shoulder, fingers digging into the fur of her coat and the white lace beneath, thumbs pressed in above her collarbone; his bulk occludes the far wall entirely, and her long black fur coat bunches and rides up where his palms compress it, the black fur springing into tufts around his knuckles. Beyond them the environment is a bare, dim interior: a seamless deep-plum wall, a strip of parquet floor at the lowest edge of frame, nothing else admitted, the entire detail budget spent on the two figures and the costume. She is caught mid-sigh: chest lifted high on a slow inhale of the enormous bust, then shoulders dropping under his grip, lips parted on the exhaled breath, jaw slack, eyes half-lidded and cast down and to her left away from him and away from the lens, a wet gleam along the lower lid, brows drawn up at the inner ends. Deep blush sits high on both cheeks, warm and uneven. Her head is tilted slightly back and turned minutely over her left shoulder without meeting his hidden face. Her hands hang at her sides, the colossal engagement ring on her left ring finger dragging that hand down a little lower than the right, both colossal bracelets stacked heavy on her wrists, the diamond collar a band of cold white light at her throat above the endless lace of the neckline. Her hair falls long past the puffy shoulders of the dress, black at the crown and bleeding into deep blue at the ends in a smooth gradient, straight bangs squared across her forehead with a lock between her eyes; the tiara is pinned back among the bangs, its stones catching the light. Beneath the open black fur coat the dress is a catastrophe of ornament: red and white satin swollen into a huge puffy skirt that spreads to both edges of the frame, layer after layer of white lace in excessive cascades, ruffles stacked into ridiculous tiers, bows knotted everywhere a bow could be knotted, sequins and glitter fabric scattered across the red panels so that the whole costume throws back light in scattered points, and at the hem, absurd little ornaments dangle. Through the front of the dress enormous breasts push up and out, straining the ornate bodice and the lace trim across it, the fabric dimpling under the strain. Colossal earrings swing from both earlobes, heavy enough to pull the lobes down. Light comes from a single hard low-key source, high and to camera left: it rakes the woman's face and the glittered front of the dress, rims the fur coat in pale grey where the nap faces the light, and leaves the entire back of the man in silhouette so that his turned-away bulk is a dark shape with only the edges of his shoulders picked out; the shadow he casts falls across her left side and the wall behind her, and the undersides of the fur and the ruffles go deep black. The palette holds red, white, black fur, blue-black hair, and the plum wall, nothing else admitted. She does not pull away; his fingers stay clamped, and the two bodies read as heavy and still. Quietly miserable.
Shylpfiette greyrat
AI artwork
eb
character: kurokawa_akane 1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side, The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline. Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt. The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Eris Boreas greyrat
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, tears, furrowed brows, red and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, fur trim, puffy skirt, huge skirt, long skirt, oversized dress, 1 man, tall man, ugly man, kidnapping, being carried, arm support, over-shoulder carry, from below, dutch angle, cowboy shot, looking at another, reaching out, outstretched arm, clenched teeth, struggle, dim grand hall, chandelier light, Shot from below at a tilted dutch angle: a tall, gaunt, ugly man fills the right half of the frame, and against his chest he hauls the girl off her feet in a rough over-shoulder carry, his thick forearm clamped across her back, her weight slumped forward over his shoulder so her enormous ruffled skirt hangs down behind him and her long gradient black-to-blue hair spills over his sleeve. His face, seen in three-quarter from below, is drawn long and coarse -- heavy sloping brow, big hooked nose, small deep-set eyes squinting down at her, wide crooked mouth pulled back in a grin with a couple of teeth showing -- and he is unhurried, one hand gripping her waist under the lace, the other planted flat on her shoulder blade. She is seen mostly from the waist up: her head is tipped toward the camera, cheek pressed near his collarbone, brows pinched up in the middle, blue eye and green eye both wet and shining, tears escaping sideways into her hair, a small open mouth, a hot blush smeared across both cheeks. Her hand stretches down and out toward the viewer with the colossal engagement ring heavy on it, the gigantic stone catching a spark of light, colossal bracelets rattling at her wrist, and the huge teardrop earrings swinging away from her jaw as she is turned. The dress is a rococo disaster: red and white satin and fur, a bodice plastered in layers of lace and sequined appliqué, bows stacked on bows from the neckline to the hem, absurd porcelain-figure ornaments and a tiny candy-striped cage strung on the skirt, glitters and sequins studding every fold so the fabric throws specks of light wherever it turns. A small tiara sits crooked in her bangs, and a diamond collar glints at her throat just under the lace. Her gaze goes past the man toward the viewer, and his gaze is pinned down on her face. Around them a dim grand hall, tall rococo mouldings and a marble floor falling away into shadow; a single chandelier high behind and above them is the only light source, so their faces are lit from above, the underside of her skirt and the space behind the man go black, and a huge soft shadow pools on the floor at his feet. Cool white light, warm red and gold from the dress and the gilding, deep brown shadow. Melodramatic, uneasy.
Fitentia Lombardy
#Akane Kurokawa

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