Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View detailsMostrar parámetros
- Prompt original
- Aggron is wearing a black hoodie. Charizard,after winning in a race against Aggron,is pulling Aggron's head,trasforming and streching it into a gray towel with Aggron's face stamped on the whole towel. Than Charizard deattached the towel from Aggron's body and attached it(the towel) to a pole,making the towel a flag. The rest of Aggron's body is still normal. Aggron has a scared face(you can clearly see Aggron's spiral black eyes and dizzy mouth) and is blushing so much,his face is all red. Charizard is blushing a lot too and is grinning. Aggron's ears are part of the towel too. Aggron's hands are trying to reach Aggron's face. Aggron's body doesn't have a head anymore. The artstyle is more mature. The towel is really sweaty.
- Modo
- flash
- Etiqueta de calidad
- ﹝Prompts﹞
- Tamaño
- 1104 x 1824
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
Mostrar másd
character: aggron, charizard
2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight
The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself.
On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted.
High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy.
The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
d
character: aggron, charizard
2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight
The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself.
On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted.
High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy.
The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
d
character: aggron, charizard
2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight
The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself.
On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted.
High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy.
The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
character: charizard
2subjects, 1monster, 1boy, dragon, black scales, draconic creature, sharp fangs, open mouth, devouring, eating human, swallowing, held in mouth, legs dangling, struggling, flame-tipped tail, fire, glowing eyes, horns, bat wings, leathery wings, massive size difference, young trainer, baseball cap, gloves, from below, low angle, dramatic angle, dynamic composition, volcanic ground, rocks, embers, rim lighting, dark atmosphere
Seen from a dramatic low angle looking upward, a colossal black-scaled draconic monster tilts its horned head back as it devours a young human trainer. The massive creature has matte charcoal-black scales, two swept-back horns atop its reptilian skull, glowing molten-orange slit pupils, and a roaring golden-red flame blazing at the end of its thick tail. Its cavernous jaws are stretched wide, with rows of sharp, gleaming fangs locking around the trainer's waist, saliva stringing between the jagged teeth as the creature's thick tongue guides the body into its throat. The young trainer flails in mid-air, kicking legs clad in shorts and scuffed sneakers while gloved hands push desperately against the dragon's scaled snout, a red-and-white peaked cap falling away toward the ground below. In the foreground, one of the dragon's heavy three-toed clawed feet rests heavily on jagged obsidian rocks, crushing a small red-and-white metal sphere into the stone. The primary light source is the intense flare from the tail fire, casting stark amber highlights across the creature's underbelly and leathery wing struts, contrasted by a faint silver moonlight tracing the edges of its charcoal body, while heat ripples physically distort the air above the flaming tail tip. Dark, ferocious intensity.
Romie Taylor
Explorar más
Usuarios recomendados
Podría gustarte
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ゚◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
Ceres [41]
snow
4
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
35
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
Comentarios