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- 一個異色漸層色馬尾長髮及腰女孩，修長美腿，露出，胸部，黑紅相間色金邊，火焰花紋，斜開高衩，日式和服，，高衩內褲，上膝襪，水晶吊墜項鍊，雪花式的吊墜耳環，，微笑，紫色口紅，指甲紅色，星空，月亮，日式房間，窗口，坐者靠在窗上，
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- 768 x 1280
- Método de muestreo
- Euler
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- lowres, worst quality, low quality, bad anatomy, explicit
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ft
copyright: wangzhe_rongyao
blood queen, 1girl, solo, long black hair, very long hair, straight hair, hair ornaments, gold hairpiece, red eyes, makeup, red eyeshadow, pale skin, mature female, tall, curvy, large breasts, bare shoulders, strapless, black dress, red dress, gradient dress, long dress, high slit, gold trim, gold embroidery, detached sleeves, armlet, gold bracelet, facial mark, forehead mark, from below, dutch angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, hand on own hip, crossed legs, standing, weight on one leg, bare legs, bare feet, dark background, red light, dramatic lighting, single light source,
Low-angle dutch-angle shot tilted a few degrees off level, the camera below hip height and tipped upward, so the woman fills the frame from bare feet to the crown of her head, the verticals of her silhouette converging slightly toward the top edge. She stands in a seamless black void with no floor line and no horizon, balanced on her left leg with the right leg crossed loosely in front of it, toes pointed and resting on the unseen ground, the right hip pushed out and the shoulders counter-tilted so her whole body describes a long S-curve. Her right hand rests flat on her right hip, fingers spread over the fabric at the high slit; her left arm hangs free, the long detached sleeve sliding down the forearm away from the elbow, its gold hem hanging in loose folds. Her head tilts down and slightly to her left, chin drawn in, so that from the low camera she looks down along the line of her nose at the viewer, lids half lowered, one brow faintly raised, lips closed in a lopsided smile that shows more on the right corner than the left. Her eyes are a flat saturated red, ringed by the deep crimson shadow swept out past the outer corners, and a small dark ornamental mark sits centered on her forehead above the brow. Her very long straight black hair is parted low and falls in a dense heavy curtain behind her shoulders, its ends drifting a little to her left as if displaced by a slow air current; a gold hairpiece with hanging pendant tassels is pinned into the left side of it, and the tassels swing subtly forward against the fall of the hair. Her strapless dress is a black-to-crimson vertical gradient, deepest at the bust and brightening to a live ember red toward the hem, with gold trim banding the top edge and gold embroidered coils worked down the bodice and along the slit's edge; the slit opens from her right hip down, and the fabric there hangs in a straight fold rather than blowing. Her shoulders, collarbones and arms are bare apart from the detached sleeves and a gold armlet banding the upper left arm; a heavy gold bracelet circles the left wrist. The single light source is a hard red key from below and to the right of frame, out of shot: it throws a hot rim up the outside of her right leg, the underside of her chin and jaw, and the inner edge of the slit, while the top of her head, the outer shoulders and the far side of the dress sink into the black. Her cast shadow spills up and away behind her on the void rather than pooling at her feet, and the gold trim and armlet catch pinpoint speculars that the matte black fabric swallows entirely. Palette is restricted to black, crimson, ember red and gold, with her pale skin as the only neutral. Full-body emphasis on the sweep of the dress, the contact of toes with the unseen floor, and the gold working against the dark; haughty, opulent.
Frank Tuzzolo
ft
copyright: wangzhe_rongyao
blood queen, 1girl, solo, long black hair, very long hair, straight hair, hair ornaments, gold hairpiece, red eyes, makeup, red eyeshadow, pale skin, mature female, tall, curvy, large breasts, bare shoulders, strapless, black dress, red dress, gradient dress, long dress, high slit, gold trim, gold embroidery, detached sleeves, armlet, gold bracelet, facial mark, forehead mark, from below, dutch angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, hand on own hip, crossed legs, standing, weight on one leg, bare legs, bare feet, dark background, red light, dramatic lighting, single light source,
Low-angle dutch-angle shot tilted a few degrees off level, the camera below hip height and tipped upward, so the woman fills the frame from bare feet to the crown of her head, the verticals of her silhouette converging slightly toward the top edge. She stands in a seamless black void with no floor line and no horizon, balanced on her left leg with the right leg crossed loosely in front of it, toes pointed and resting on the unseen ground, the right hip pushed out and the shoulders counter-tilted so her whole body describes a long S-curve. Her right hand rests flat on her right hip, fingers spread over the fabric at the high slit; her left arm hangs free, the long detached sleeve sliding down the forearm away from the elbow, its gold hem hanging in loose folds. Her head tilts down and slightly to her left, chin drawn in, so that from the low camera she looks down along the line of her nose at the viewer, lids half lowered, one brow faintly raised, lips closed in a lopsided smile that shows more on the right corner than the left. Her eyes are a flat saturated red, ringed by the deep crimson shadow swept out past the outer corners, and a small dark ornamental mark sits centered on her forehead above the brow. Her very long straight black hair is parted low and falls in a dense heavy curtain behind her shoulders, its ends drifting a little to her left as if displaced by a slow air current; a gold hairpiece with hanging pendant tassels is pinned into the left side of it, and the tassels swing subtly forward against the fall of the hair. Her strapless dress is a black-to-crimson vertical gradient, deepest at the bust and brightening to a live ember red toward the hem, with gold trim banding the top edge and gold embroidered coils worked down the bodice and along the slit's edge; the slit opens from her right hip down, and the fabric there hangs in a straight fold rather than blowing. Her shoulders, collarbones and arms are bare apart from the detached sleeves and a gold armlet banding the upper left arm; a heavy gold bracelet circles the left wrist. The single light source is a hard red key from below and to the right of frame, out of shot: it throws a hot rim up the outside of her right leg, the underside of her chin and jaw, and the inner edge of the slit, while the top of her head, the outer shoulders and the far side of the dress sink into the black. Her cast shadow spills up and away behind her on the void rather than pooling at her feet, and the gold trim and armlet catch pinpoint speculars that the matte black fabric swallows entirely. Palette is restricted to black, crimson, ember red and gold, with her pale skin as the only neutral. Full-body emphasis on the sweep of the dress, the contact of toes with the unseen floor, and the gold working against the dark; haughty, opulent.
Frank Tuzzolo
1girl, solo, very long wavy silver ponytail, impossibly long hair, red eyes, vertical slit pupils, slit-pupil, beautiful makeup, eyeshadow, eyeliner, glossy lips, large breasts, curvy figure, wide hips, thick thighs, slim waist, one-shoulder gown, asymmetric dress, bare one shoulder, dissolving, body turning into sparkling dust, dust particles, sparkles, glittering motes, soft smile, sad expression, sorrowful eyes, farewell, from side, profile, from below, dutch angle, looking at viewer, half-closed eyes, grief, quiet sorrow, no text,
From a low dutch angle she is seen in three-quarter profile, chin turned back over her near shoulder so her red slit-pupiled eyes meet the viewer from under lowered lids, one small sad smile on her lips. She stands alone at a slight weight shift, hips canted away from the camera, her far hand closed gently at her chest and her near arm slack at her side, every contact point closed: bare toes on the dark ground, the one gown strap over the far shoulder only so the near shoulder, collarbone and one full curve of her large chest are open to the light while the fabric clings downward over her waist, hips and thigh. Her impossibly long wavy silver ponytail lifts and unspools sideways as if a wind is taking it, the ends thinning to nothing.
The dissolution begins at the hem and her near forearm and rises: the gown's edge, then her skirt, then the outer edge of one thigh break apart into a drifting cloud of fine shining dust, and the dust does not fall -- it rises, so the motes climb away from her and hang in the air in a slow spiral around her body, brightest where they peel off her, dim and far between where they scatter. Small sparks pop and glint inside the cloud, each a pinprick highlight on nothing, and the upward drift is the only evidence of the force taking her.
A single warm white key light stands low and in front of her, raking up the front of her gown and throat, striking the wet shine of her lips and the tears held at the lower lash; a faint red bounce from her own eyes catches the inner corner of each socket. Behind her and above, the light fails entirely, and the darkness there is absolute except where the floating motes catch their own glints, thicker and brighter the closer they are to her skin, sparse in the deep background. Palette: cold silver hair, smoke-grey and pearl gown with faint lilac in its shadows, and against all of it the one saturated red of her irises, echoed in the pupils' thin black vertical line. Deep shadow swallows the ground beneath her feet so she seems to stand on the dark itself. Tender, aching farewell.
Kylee Violette (Kiy Chan)
masterpiece, top quality, best quality, amazing quality, detailed face, detailed eyes, detailed fingers, good anatomy, detailed anatomy, original character, 1girl, giant moon, pitch-black night sky, kimono, silver grass pattern, full moon pattern, fluttering kimono, wind, folding fan, holding fan, looking up, night, dramatic lighting, ephemeral beauty
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