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AI artwork featuring #Bleach and #Yoruichi Shihōin
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Yoruichi Shihōin, Bleach

#Bleach#Yoruichi Shihōin
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character: shihouin_yoruichi 1girl, solo, dark skin, dark-skinned female, dark purple hair, long hair, high ponytail, parted bangs, golden brown eyes, toned, toned female, orange overshirt, open overshirt, black sleeveless high-necked shirt, confident expression, smirk, electricity, glowing, dynamic pose, fighting stance, soul society, rooftop, tiled rooftops, courtyard, blue sky, afterimage, anime illustration, detailed background, cinematic lighting, from below, dutch angle, wide shot, low fighting crouch, outstretched arm, parted lips, looking down at viewer, wind, dust kicked up The camera sits low on the tiles and tilts slightly off level, looking up: the woman in the black high-necked sleeveless shirt and orange overshirt dominates the upper half of the frame, one knee dropped into a deep fighting crouch on the ridge of a tiled rooftop, her other leg braced wide, weight carried on the back hip and the ball of the front foot, each foot flattening a separate curved roof tile beneath it. Her torso is turned three-quarters to the camera, her leading forearm thrust out and low across the skyline, the other hand pulled back near her waist with the fingers hooked like claws, shoulder blades drawn tight under the orange fabric. Her chin is tucked, one brow lifted, one corner of her mouth pulled high in a lopsided smirk, lips parted on a breath, and her golden brown eyes look straight down the lens, reading the viewer as the opponent. The high ponytail of dark purple hair snaps to one side against the sky, parted bangs lifted off her dark forehead, the orange overshirt's hem and open front whipping backward away from her body; the fabric bellies outward while the trailing tassel of the ponytail streams the opposite way, both pinned by the same gust. The whole figure is rimmed in live electricity: white-violet arcs crackle from her leading forearm and knuckle to elbow, crawl up the shoulder seam of the shirt, hiss along the roof tiles at her feet, and snap off the ends of her hair, lighting the dark skin of her cheek and collarbone from below with a cold reflected glow. A second, faint copy of her silhouette lags half a body-length behind the first along the line of her motion — translucent, edges broken into streaks and static, its ponytail and overshirt trailing still further behind, so the afterimage sits between her and the courtyard and smears the rooftops it overlaps. Behind and below her the tiled roofs step away in receding diagonal ridges, stacked eaves and white plastered walls, down to an open courtyard ringed by walls whose far edge is dotted with tiny roofs, all simplified to big shapes and clean converging lines; the low camera throws the nearest roof ridge across the framed corner and makes the wall lines climb toward the sky. Sheer blue sky with a few thin high clouds fills the top third as clean negative space, and its brightness silhouettes the hair and the outline of her shoulders. The single light source is a high afternoon sun off frame left; it strikes the left side of her face, the top plane of the raised shoulder and the upward-facing curves of the tiles in warm tones, leaving the front of the black shirt as deep shadow and casting a hard, short shadow that drops to the lower right of each foot. The electricity is the only other light, cooler and violet, and it lands only on edges and on the tiles directly below her. Palette: deep indigo-violet hair, gold-brown eyes, warm orange overshirt, near-black shirt, terracotta and blue-grey roofing, saturated blue sky — nothing else admitted. The detail budget sits on her face, the leading hand and crackling forearm, the stretch of fabric across the chest and torn-looking tile edges underfoot; the courtyard and distant roofs stay broad and readable. Loose gravel and dust spray outward from her front heel in straight lines along the tile seams, and one tile that has lifted slightly under her back foot shows a bright hairline of exposed plaster. High-impact, electric.
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Prompt original
yoruichi shihouin, 1girl, dark skin, dark-skinned female, dark purple hair, long hair, ponytail, golden brown eyes, parted bangs, toned, orange overshirt, black sleeveless high-necked shirt, confident expression, smirk, electricity, glowing, dynamic pose, fighting stance, soul society, rooftop, tiled rooftops, courtyard, blue sky, afterimage, anime illustration, masterpiece, best quality, very aesthetic, highly detailed, intricate details, detailed background, cinematic lighting
Modo
flash
Tamaño
1104 x 1824
Asistente de prompts

Modelo y LoRA utilizados

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AI artwork
d
character: shihouin_yoruichi 1girl, solo, dark skin, dark-skinned female, dark purple hair, long hair, high ponytail, parted bangs, golden brown eyes, toned, toned female, orange overshirt, open overshirt, black sleeveless high-necked shirt, confident expression, smirk, electricity, glowing, dynamic pose, fighting stance, soul society, rooftop, tiled rooftops, courtyard, blue sky, afterimage, anime illustration, detailed background, cinematic lighting, from below, dutch angle, wide shot, low fighting crouch, outstretched arm, parted lips, looking down at viewer, wind, dust kicked up The camera sits low on the tiles and tilts slightly off level, looking up: the woman in the black high-necked sleeveless shirt and orange overshirt dominates the upper half of the frame, one knee dropped into a deep fighting crouch on the ridge of a tiled rooftop, her other leg braced wide, weight carried on the back hip and the ball of the front foot, each foot flattening a separate curved roof tile beneath it. Her torso is turned three-quarters to the camera, her leading forearm thrust out and low across the skyline, the other hand pulled back near her waist with the fingers hooked like claws, shoulder blades drawn tight under the orange fabric. Her chin is tucked, one brow lifted, one corner of her mouth pulled high in a lopsided smirk, lips parted on a breath, and her golden brown eyes look straight down the lens, reading the viewer as the opponent. The high ponytail of dark purple hair snaps to one side against the sky, parted bangs lifted off her dark forehead, the orange overshirt's hem and open front whipping backward away from her body; the fabric bellies outward while the trailing tassel of the ponytail streams the opposite way, both pinned by the same gust. The whole figure is rimmed in live electricity: white-violet arcs crackle from her leading forearm and knuckle to elbow, crawl up the shoulder seam of the shirt, hiss along the roof tiles at her feet, and snap off the ends of her hair, lighting the dark skin of her cheek and collarbone from below with a cold reflected glow. A second, faint copy of her silhouette lags half a body-length behind the first along the line of her motion — translucent, edges broken into streaks and static, its ponytail and overshirt trailing still further behind, so the afterimage sits between her and the courtyard and smears the rooftops it overlaps. Behind and below her the tiled roofs step away in receding diagonal ridges, stacked eaves and white plastered walls, down to an open courtyard ringed by walls whose far edge is dotted with tiny roofs, all simplified to big shapes and clean converging lines; the low camera throws the nearest roof ridge across the framed corner and makes the wall lines climb toward the sky. Sheer blue sky with a few thin high clouds fills the top third as clean negative space, and its brightness silhouettes the hair and the outline of her shoulders. The single light source is a high afternoon sun off frame left; it strikes the left side of her face, the top plane of the raised shoulder and the upward-facing curves of the tiles in warm tones, leaving the front of the black shirt as deep shadow and casting a hard, short shadow that drops to the lower right of each foot. The electricity is the only other light, cooler and violet, and it lands only on edges and on the tiles directly below her. Palette: deep indigo-violet hair, gold-brown eyes, warm orange overshirt, near-black shirt, terracotta and blue-grey roofing, saturated blue sky — nothing else admitted. The detail budget sits on her face, the leading hand and crackling forearm, the stretch of fabric across the chest and torn-looking tile edges underfoot; the courtyard and distant roofs stay broad and readable. Loose gravel and dust spray outward from her front heel in straight lines along the tile seams, and one tile that has lifted slightly under her back foot shows a bright hairline of exposed plaster. High-impact, electric.
discipleofandrewryan
AI artwork
d
character: shihouin_yoruichi 1girl, solo, dark skin, dark-skinned female, dark purple hair, long hair, high ponytail, parted bangs, golden brown eyes, toned, toned female, orange overshirt, open overshirt, black sleeveless high-necked shirt, confident expression, smirk, electricity, glowing, dynamic pose, fighting stance, soul society, rooftop, tiled rooftops, courtyard, blue sky, afterimage, anime illustration, detailed background, cinematic lighting, from below, dutch angle, wide shot, low fighting crouch, outstretched arm, parted lips, looking down at viewer, wind, dust kicked up The camera sits low on the tiles and tilts slightly off level, looking up: the woman in the black high-necked sleeveless shirt and orange overshirt dominates the upper half of the frame, one knee dropped into a deep fighting crouch on the ridge of a tiled rooftop, her other leg braced wide, weight carried on the back hip and the ball of the front foot, each foot flattening a separate curved roof tile beneath it. Her torso is turned three-quarters to the camera, her leading forearm thrust out and low across the skyline, the other hand pulled back near her waist with the fingers hooked like claws, shoulder blades drawn tight under the orange fabric. Her chin is tucked, one brow lifted, one corner of her mouth pulled high in a lopsided smirk, lips parted on a breath, and her golden brown eyes look straight down the lens, reading the viewer as the opponent. The high ponytail of dark purple hair snaps to one side against the sky, parted bangs lifted off her dark forehead, the orange overshirt's hem and open front whipping backward away from her body; the fabric bellies outward while the trailing tassel of the ponytail streams the opposite way, both pinned by the same gust. The whole figure is rimmed in live electricity: white-violet arcs crackle from her leading forearm and knuckle to elbow, crawl up the shoulder seam of the shirt, hiss along the roof tiles at her feet, and snap off the ends of her hair, lighting the dark skin of her cheek and collarbone from below with a cold reflected glow. A second, faint copy of her silhouette lags half a body-length behind the first along the line of her motion — translucent, edges broken into streaks and static, its ponytail and overshirt trailing still further behind, so the afterimage sits between her and the courtyard and smears the rooftops it overlaps. Behind and below her the tiled roofs step away in receding diagonal ridges, stacked eaves and white plastered walls, down to an open courtyard ringed by walls whose far edge is dotted with tiny roofs, all simplified to big shapes and clean converging lines; the low camera throws the nearest roof ridge across the framed corner and makes the wall lines climb toward the sky. Sheer blue sky with a few thin high clouds fills the top third as clean negative space, and its brightness silhouettes the hair and the outline of her shoulders. The single light source is a high afternoon sun off frame left; it strikes the left side of her face, the top plane of the raised shoulder and the upward-facing curves of the tiles in warm tones, leaving the front of the black shirt as deep shadow and casting a hard, short shadow that drops to the lower right of each foot. The electricity is the only other light, cooler and violet, and it lands only on edges and on the tiles directly below her. Palette: deep indigo-violet hair, gold-brown eyes, warm orange overshirt, near-black shirt, terracotta and blue-grey roofing, saturated blue sky — nothing else admitted. The detail budget sits on her face, the leading hand and crackling forearm, the stretch of fabric across the chest and torn-looking tile edges underfoot; the courtyard and distant roofs stay broad and readable. Loose gravel and dust spray outward from her front heel in straight lines along the tile seams, and one tile that has lifted slightly under her back foot shows a bright hairline of exposed plaster. High-impact, electric.
discipleofandrewryan
AI artwork
d
character: shihouin_yoruichi 1girl, solo, dark skin, dark-skinned female, dark purple hair, long hair, high ponytail, parted bangs, golden brown eyes, toned, toned female, orange overshirt, open overshirt, black sleeveless high-necked shirt, confident expression, smirk, electricity, glowing, dynamic pose, fighting stance, soul society, rooftop, tiled rooftops, courtyard, blue sky, afterimage, anime illustration, detailed background, cinematic lighting, from below, dutch angle, wide shot, low fighting crouch, outstretched arm, parted lips, looking down at viewer, wind, dust kicked up The camera sits low on the tiles and tilts slightly off level, looking up: the woman in the black high-necked sleeveless shirt and orange overshirt dominates the upper half of the frame, one knee dropped into a deep fighting crouch on the ridge of a tiled rooftop, her other leg braced wide, weight carried on the back hip and the ball of the front foot, each foot flattening a separate curved roof tile beneath it. Her torso is turned three-quarters to the camera, her leading forearm thrust out and low across the skyline, the other hand pulled back near her waist with the fingers hooked like claws, shoulder blades drawn tight under the orange fabric. Her chin is tucked, one brow lifted, one corner of her mouth pulled high in a lopsided smirk, lips parted on a breath, and her golden brown eyes look straight down the lens, reading the viewer as the opponent. The high ponytail of dark purple hair snaps to one side against the sky, parted bangs lifted off her dark forehead, the orange overshirt's hem and open front whipping backward away from her body; the fabric bellies outward while the trailing tassel of the ponytail streams the opposite way, both pinned by the same gust. The whole figure is rimmed in live electricity: white-violet arcs crackle from her leading forearm and knuckle to elbow, crawl up the shoulder seam of the shirt, hiss along the roof tiles at her feet, and snap off the ends of her hair, lighting the dark skin of her cheek and collarbone from below with a cold reflected glow. A second, faint copy of her silhouette lags half a body-length behind the first along the line of her motion — translucent, edges broken into streaks and static, its ponytail and overshirt trailing still further behind, so the afterimage sits between her and the courtyard and smears the rooftops it overlaps. Behind and below her the tiled roofs step away in receding diagonal ridges, stacked eaves and white plastered walls, down to an open courtyard ringed by walls whose far edge is dotted with tiny roofs, all simplified to big shapes and clean converging lines; the low camera throws the nearest roof ridge across the framed corner and makes the wall lines climb toward the sky. Sheer blue sky with a few thin high clouds fills the top third as clean negative space, and its brightness silhouettes the hair and the outline of her shoulders. The single light source is a high afternoon sun off frame left; it strikes the left side of her face, the top plane of the raised shoulder and the upward-facing curves of the tiles in warm tones, leaving the front of the black shirt as deep shadow and casting a hard, short shadow that drops to the lower right of each foot. The electricity is the only other light, cooler and violet, and it lands only on edges and on the tiles directly below her. Palette: deep indigo-violet hair, gold-brown eyes, warm orange overshirt, near-black shirt, terracotta and blue-grey roofing, saturated blue sky — nothing else admitted. The detail budget sits on her face, the leading hand and crackling forearm, the stretch of fabric across the chest and torn-looking tile edges underfoot; the courtyard and distant roofs stay broad and readable. Loose gravel and dust spray outward from her front heel in straight lines along the tile seams, and one tile that has lifted slightly under her back foot shows a bright hairline of exposed plaster. High-impact, electric.
discipleofandrewryan

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