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앙

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앙

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semi-realistic, colored lineart, soft pencil sketch, painterly rendering, rim lighting, soft blended shading, a young man with a slender and sharp but smooth jawline, very fair and pale ivory skin, smooth and clean complexion. Languid eyes that are long and slightly downturned, dark brown or grey-brown pupils, a dreamy gaze as if half-asleep, looking slightly to the side rather than directly at the camera. Thick and delicate eyelashes, with very faint redness and shadows under the eyes for a tired and decadent atmosphere. Thin, black, naturally curved eyebrows. A small, straight nose with a sharp but not overly pointed tip. Lips of natural thickness, with the lower lip slightly fuller than the upper, colored in a mix of dried rose and light brown, with a loose expression as if the mouth is slightly open. A calm, languid, and non-smiling expression, overall cold, elegant, and slightly decadent. Short black male hair with a white lace towel wrapped around the head (not long hair, not reaching the neck or below the ears). The overall length is short, but the bangs are long and lightly flowing, covering parts of the eyebrows and eyes without reaching the chin or neck. The back is short and does not cover the neckline, and the sides are trimmed short around the ears so the ears are visible. A voluminous, naturally messy layered short cut on top with some spiked stray hairs; very dark black-brown hair with faint brown highlights. Texture is slightly moist and clumped like wet hair, with thin, sharp ends. A long, thin neck and a slender build with narrow shoulders. Wearing a classic maid-style outfit with strong black and white contrast: a black shirt or top inside with a very large, sharp white shirt collar and a black tie or ribbon-like decoration at the center of the neck. A wide white apron-like cloth covers the upper body with large, voluminous white ruffles on both shoulders. The sleeves are a mix of black and white with soft folds and many wrinkles. The fabric has a natural, slightly wrinkled texture rather than being brand new; black fabric has a subtle satin-like sheen, and white fabric is a soft, thick ivory tone. The man is leaning diagonally against a classic sofa, body tilted comfortably to the side with one shoulder slightly lowered. His right elbow rests on the armrest or backrest of the sofa, with his right hand lightly supporting his temple, fingers naturally curved without pressure. The head is slightly tilted toward the hand. A vertical close-up composition from the head to the chest, with the face positioned slightly to the right of the center and the shoulder and white clothing visible on the left. 3/4 view of the face. The background is an interior of a luxurious old European aristocratic mansion or a vintage hotel parlor. Behind the man is an old fabric sofa in dark olive green and khaki with blurred floral and tapestry-like vintage patterns. Above and behind his head is an old Western painting in a thick gold frame with carved decorations and aged gold leaf; the painting inside is dark and blurry in dark brown and dark green. The walls are cream and beige with faded classic molding and decorative patterns. To the right, a teal and dark green decorative wall is partially visible. The entire background has an aged, weathered texture. The overall atmosphere is elegant, languid, dreamy, slightly decadent, and classically aristocratic, like a vintage Gothic romantic pictorial. Low saturation color palette centered on olive green, khaki, cream white, beige, faded gold, and brown. A thin brown and olive filter over the entire screen. Lighting is soft natural light coming from one side, touching only the center of the face, tip of the nose, cheeks, and lips, with deep and soft shadows on the hair and edges of the face. Pale skin with visible texture, very faint blush on the cheeks and eyes, and a very slight moist gloss on the lips. Shadows are a mix of dark greenish-brown and brown. The finish is between a real photo and semi-realistic digital illustration. Realistic three-dimensional face and skin, with delicate but slightly painterly brushstrokes on the hair and clothes. No thick comic-like outlines. Soft textures like an old oil painting on the background and clothing. Fine film grain, weak vintage noise, and a slight soft focus, with only the eyes and lips being the sharpest. Slight vignetting at the edges. Medium-high contrast but soft. jj_summer_manhwa, warm sunlight, golden hour, soft painterly rendering, korean illustration style, clean lineart, soft color blending, natural lighting, dreamy atmosphere, lush green background, sparkling water, high detail, Illustration, Soft color palette with vivid saturation, detailed clothing, beautiful eyes, slender, clean lineart.
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768 x 1280

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dudu boy DiT - AI Model cover image

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dudu boy DiT
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✧ moody illustrative style / semi-realistic - AI Model cover image

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semi-realistic, colored lineart, soft pencil sketch, painterly rendering, rim lighting, soft blended shading, sharp lines, cinematic lighting, masterpiece, best quality, semi-realistic shading, moist skin, sharp pencil lineart:1.25, painterly lineart, contrast shading, heavy shading, very beautiful light, clean_art_, calm gaze, delicate facial features, half-closed eyes, semi-realistic non-boy portrait, cute, light pastel romantic atmosphere, korean cartoon style, cinematic lighting. A young man with a slender, oval face, sharp but smooth jawline, and very fair, pale ivory skin with a clean texture. Long, slightly downturned, languid eyes with dark brown or grey-brown pupils and a dreamy, distant gaze, looking slightly to the side. Thick, delicate eyelashes with a hint of redness and shadow beneath the eyes for a tired, decadent mood. Thin, naturally curved black eyebrows. A small, straight nose and natural lips, with the lower lip slightly fuller and colored in dried rose and light brown tones, slightly parted in a calm, listless expression. Overall cold, elegant, and decadent aura. Short black hair (not long, not reaching the neck or ears), with long, light bangs falling over the forehead and eyes. A natural, messy layered shortcut with volume on top, avoiding mushroom or bowl cuts. Moist, clumping texture with fine, sharp ends. Very dark brownish-black color with subtle brown highlights. A white lace towel is wrapped around his head. A slim young man with a long, thin neck and narrow shoulders. Wearing a classic maid-style outfit with strong black and white contrast: a black shirt underneath with a very large, sharp white collar and a black tie or ribbon decoration at the center. A wide white apron covers the upper body with large, voluminous white ruffles on the shoulders. Sleeves are a mix of black and white with soft folds and wrinkles. The black fabric has a subtle satin sheen, while the white fabric is a soft, thick ivory tone. The man is leaning diagonally against a classic sofa, with one shoulder lowered and his upper body naturally curving. His right elbow rests on the armrest or backrest, with his right hand lightly supporting his temple, fingers naturally curved. Head tilted toward the hand. Vertical composition, close-up from the head to the chest, with the face positioned slightly to the right of the center and the left side showing the shoulder and white garment. 3/4 view of the face. Background is a luxurious, old European aristocratic mansion or vintage hotel parlor. Behind him is a dark olive green and khaki vintage fabric sofa with faint floral patterns and tapestry textures. Above his head is a thick gold-framed old Western painting with ornate carvings and aged gold leaf. Walls are cream and beige with faded classic molding and decorative patterns. A glimpse of a turquoise and dark green decorative wall is visible on the right. The setting is aged, quiet, and antique. Atmosphere is elegant, languid, dreamy, slightly decadent, and classically aristocratic, like a vintage Gothic romantic pictorial. Desaturated color palette of olive green, khaki, cream white, beige, faded gold, and brown. A subtle brown and olive filter is applied across the image. Soft natural light from one side, highlighting the center of the face, tip of the nose, cheeks, and lips, with deep, soft shadows on the hair and edges of the face. Pale skin with slight redness around the cheeks and eyes, and a very faint gloss on the lips. Shadows are a mix of dark greenish-brown and brown. Semi-realistic digital illustration with a painterly touch. Realistic three-dimensional facial structure and skin texture (not plastic). Detailed hair and clothing with soft, oil-painting-like textures. No thick cartoon outlines. Fine film grain, weak vintage noise, and soft focus, with the eyes and lips being the sharpest points. Slight vignetting at the edges. Moderate contrast with a soft, muted brightness. No neon colors, bright pastels, or simple cell shading.
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