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AI artwork featuring #PixAI Halloween 2026
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IR

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
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1girl, solo, fox girl, fox ears, black hair, long hair, yellow eyes, kitsune, japanese clothes, kimono, obi, geta, fox tail, single tail, holding umbrella, open umbrella, wagasa, paper umbrella, bangasa, holding umbrella toward viewer, outstretched arm, fearless smile, smug, confident, looking at viewer, head tilt, from below, dutch angle, night, midnight, shrine path, sando, stone lanterns, torii gate, maple trees, autumn leaves, red leaves, falling leaves, swirling leaves, wind, depth of field, cinematic lighting, cool blue night palette, warm amber lantern glow, The camera sits low on the flagstones of a midnight shrine approach and tilts up at a slight dutch angle, so the girl reads tall and unbothered against the dark. She stands just off the path's centerline, weight sunk into her back right hip, left foot placed a half-step forward on the moss-edged stone; her right arm is flung out and slightly down toward the lens, gripping the bamboo shaft of an open red oil-paper umbrella so the canopy tilts over her and its rim cuts the top-left corner of the frame. The umbrella shaft crosses in front of her shoulder; her fingers wrap the handle, thumb locking the joint. Her left hand rests loose at the front fold of her kimono, just above the obi knot, fabric pinched between two fingers. Her long black hair is caught by the wind and sweeps across her right cheek toward her shoulder, a few strands lifted clear of her collar; the two fox ears rise from the crown of her head, the nearer one angled forward and twitching toward the viewer, the far one half-folded back. Behind her hip her single tail curves out and to the left, thick and brush-tipped, its fur lifting in the same gust that flutters the hem of her kimono and the loose sleeve on her raised arm. Her chin is lifted a fraction, mouth curved into a lopsided fearless smile with the corner of one lip pulled higher, one eyebrow arched, eyes half-lidded and fixed straight on the viewer with a defiant, knowing gleam, brows angled down at the inner ends. The world behind her: a stone-paved sando climbing away into the dark between rows of maple trees whose leaves have turned deep crimson and burnt orange, their branches meeting overhead to make a low tunnel. Paper-shaded stone lanterns line both sides at uneven intervals, each a small hot amber pool; the lantern nearest her right hip throws warm light up the underside of the umbrella canopy and along the grain of the bamboo ribs, warms the left side of her jaw and throat, and lays a long soft shadow of the umbrella across the flagstones at her feet. Beyond the lantern pools the night is deep blue-black, the maple canopies reading as darker masses with only the topmost leaves catching stray light, and fog gathers low between the tree trunks so the far end of the path dissolves. A single vermilion torii stands mid-distance, its silhouette black against the blue, small enough to state the path's length. The palette holds to three: deep indigo night, the burning red-orange of the leaves and the umbrella's paper, and the amber of the lanterns; her black hair and the dark kimono ground it all. Wind-driven leaves are in the air throughout the frame — sharp and legible near the umbrella rim where the lantern light catches them, small and blurred against the distant fog — one leaf plastered flat to the wet flagstone at her feet, the rest tumbling past her shoulder and through the umbrella's shadow. The paper of the umbrella glows faintly translucent where the nearest lantern shines through it from behind. Quiet, imperious, beautiful.
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Prompt original
紅葉した木々が綺麗に映える真夜中の参道。和服を着た黒髪の美少女妖狐がこちらに不敵に微笑んでいる。狐耳。尻尾が出ている。番傘を開いてさしている。風で紅葉した葉が舞っている。
Modo
pro
Etiqueta de calidad
﹝Prompts﹞
Tamaño
1104 x 1824
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

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AI artwork
IR
1girl, solo, fox girl, fox ears, black hair, long hair, yellow eyes, kitsune, japanese clothes, kimono, obi, geta, fox tail, single tail, holding umbrella, open umbrella, wagasa, paper umbrella, bangasa, holding umbrella toward viewer, outstretched arm, fearless smile, smug, confident, looking at viewer, head tilt, from below, dutch angle, night, midnight, shrine path, sando, stone lanterns, torii gate, maple trees, autumn leaves, red leaves, falling leaves, swirling leaves, wind, depth of field, cinematic lighting, cool blue night palette, warm amber lantern glow, The camera sits low on the flagstones of a midnight shrine approach and tilts up at a slight dutch angle, so the girl reads tall and unbothered against the dark. She stands just off the path's centerline, weight sunk into her back right hip, left foot placed a half-step forward on the moss-edged stone; her right arm is flung out and slightly down toward the lens, gripping the bamboo shaft of an open red oil-paper umbrella so the canopy tilts over her and its rim cuts the top-left corner of the frame. The umbrella shaft crosses in front of her shoulder; her fingers wrap the handle, thumb locking the joint. Her left hand rests loose at the front fold of her kimono, just above the obi knot, fabric pinched between two fingers. Her long black hair is caught by the wind and sweeps across her right cheek toward her shoulder, a few strands lifted clear of her collar; the two fox ears rise from the crown of her head, the nearer one angled forward and twitching toward the viewer, the far one half-folded back. Behind her hip her single tail curves out and to the left, thick and brush-tipped, its fur lifting in the same gust that flutters the hem of her kimono and the loose sleeve on her raised arm. Her chin is lifted a fraction, mouth curved into a lopsided fearless smile with the corner of one lip pulled higher, one eyebrow arched, eyes half-lidded and fixed straight on the viewer with a defiant, knowing gleam, brows angled down at the inner ends. The world behind her: a stone-paved sando climbing away into the dark between rows of maple trees whose leaves have turned deep crimson and burnt orange, their branches meeting overhead to make a low tunnel. Paper-shaded stone lanterns line both sides at uneven intervals, each a small hot amber pool; the lantern nearest her right hip throws warm light up the underside of the umbrella canopy and along the grain of the bamboo ribs, warms the left side of her jaw and throat, and lays a long soft shadow of the umbrella across the flagstones at her feet. Beyond the lantern pools the night is deep blue-black, the maple canopies reading as darker masses with only the topmost leaves catching stray light, and fog gathers low between the tree trunks so the far end of the path dissolves. A single vermilion torii stands mid-distance, its silhouette black against the blue, small enough to state the path's length. The palette holds to three: deep indigo night, the burning red-orange of the leaves and the umbrella's paper, and the amber of the lanterns; her black hair and the dark kimono ground it all. Wind-driven leaves are in the air throughout the frame — sharp and legible near the umbrella rim where the lantern light catches them, small and blurred against the distant fog — one leaf plastered flat to the wet flagstone at her feet, the rest tumbling past her shoulder and through the umbrella's shadow. The paper of the umbrella glows faintly translucent where the nearest lantern shines through it from behind. Quiet, imperious, beautiful.
IR
AI artwork
IR
1girl, solo, fox girl, fox ears, black hair, long hair, yellow eyes, kitsune, japanese clothes, kimono, obi, geta, fox tail, single tail, holding umbrella, open umbrella, wagasa, paper umbrella, bangasa, holding umbrella toward viewer, outstretched arm, fearless smile, smug, confident, looking at viewer, head tilt, from below, dutch angle, night, midnight, shrine path, sando, stone lanterns, torii gate, maple trees, autumn leaves, red leaves, falling leaves, swirling leaves, wind, depth of field, cinematic lighting, cool blue night palette, warm amber lantern glow, The camera sits low on the flagstones of a midnight shrine approach and tilts up at a slight dutch angle, so the girl reads tall and unbothered against the dark. She stands just off the path's centerline, weight sunk into her back right hip, left foot placed a half-step forward on the moss-edged stone; her right arm is flung out and slightly down toward the lens, gripping the bamboo shaft of an open red oil-paper umbrella so the canopy tilts over her and its rim cuts the top-left corner of the frame. The umbrella shaft crosses in front of her shoulder; her fingers wrap the handle, thumb locking the joint. Her left hand rests loose at the front fold of her kimono, just above the obi knot, fabric pinched between two fingers. Her long black hair is caught by the wind and sweeps across her right cheek toward her shoulder, a few strands lifted clear of her collar; the two fox ears rise from the crown of her head, the nearer one angled forward and twitching toward the viewer, the far one half-folded back. Behind her hip her single tail curves out and to the left, thick and brush-tipped, its fur lifting in the same gust that flutters the hem of her kimono and the loose sleeve on her raised arm. Her chin is lifted a fraction, mouth curved into a lopsided fearless smile with the corner of one lip pulled higher, one eyebrow arched, eyes half-lidded and fixed straight on the viewer with a defiant, knowing gleam, brows angled down at the inner ends. The world behind her: a stone-paved sando climbing away into the dark between rows of maple trees whose leaves have turned deep crimson and burnt orange, their branches meeting overhead to make a low tunnel. Paper-shaded stone lanterns line both sides at uneven intervals, each a small hot amber pool; the lantern nearest her right hip throws warm light up the underside of the umbrella canopy and along the grain of the bamboo ribs, warms the left side of her jaw and throat, and lays a long soft shadow of the umbrella across the flagstones at her feet. Beyond the lantern pools the night is deep blue-black, the maple canopies reading as darker masses with only the topmost leaves catching stray light, and fog gathers low between the tree trunks so the far end of the path dissolves. A single vermilion torii stands mid-distance, its silhouette black against the blue, small enough to state the path's length. The palette holds to three: deep indigo night, the burning red-orange of the leaves and the umbrella's paper, and the amber of the lanterns; her black hair and the dark kimono ground it all. Wind-driven leaves are in the air throughout the frame — sharp and legible near the umbrella rim where the lantern light catches them, small and blurred against the distant fog — one leaf plastered flat to the wet flagstone at her feet, the rest tumbling past her shoulder and through the umbrella's shadow. The paper of the umbrella glows faintly translucent where the nearest lantern shines through it from behind. Quiet, imperious, beautiful.
IR
AI artwork
IR
1girl, solo, fox girl, fox ears, black hair, long hair, yellow eyes, kitsune, japanese clothes, kimono, obi, geta, fox tail, single tail, holding umbrella, open umbrella, wagasa, paper umbrella, bangasa, holding umbrella toward viewer, outstretched arm, fearless smile, smug, confident, looking at viewer, head tilt, from below, dutch angle, night, midnight, shrine path, sando, stone lanterns, torii gate, maple trees, autumn leaves, red leaves, falling leaves, swirling leaves, wind, depth of field, cinematic lighting, cool blue night palette, warm amber lantern glow, The camera sits low on the flagstones of a midnight shrine approach and tilts up at a slight dutch angle, so the girl reads tall and unbothered against the dark. She stands just off the path's centerline, weight sunk into her back right hip, left foot placed a half-step forward on the moss-edged stone; her right arm is flung out and slightly down toward the lens, gripping the bamboo shaft of an open red oil-paper umbrella so the canopy tilts over her and its rim cuts the top-left corner of the frame. The umbrella shaft crosses in front of her shoulder; her fingers wrap the handle, thumb locking the joint. Her left hand rests loose at the front fold of her kimono, just above the obi knot, fabric pinched between two fingers. Her long black hair is caught by the wind and sweeps across her right cheek toward her shoulder, a few strands lifted clear of her collar; the two fox ears rise from the crown of her head, the nearer one angled forward and twitching toward the viewer, the far one half-folded back. Behind her hip her single tail curves out and to the left, thick and brush-tipped, its fur lifting in the same gust that flutters the hem of her kimono and the loose sleeve on her raised arm. Her chin is lifted a fraction, mouth curved into a lopsided fearless smile with the corner of one lip pulled higher, one eyebrow arched, eyes half-lidded and fixed straight on the viewer with a defiant, knowing gleam, brows angled down at the inner ends. The world behind her: a stone-paved sando climbing away into the dark between rows of maple trees whose leaves have turned deep crimson and burnt orange, their branches meeting overhead to make a low tunnel. Paper-shaded stone lanterns line both sides at uneven intervals, each a small hot amber pool; the lantern nearest her right hip throws warm light up the underside of the umbrella canopy and along the grain of the bamboo ribs, warms the left side of her jaw and throat, and lays a long soft shadow of the umbrella across the flagstones at her feet. Beyond the lantern pools the night is deep blue-black, the maple canopies reading as darker masses with only the topmost leaves catching stray light, and fog gathers low between the tree trunks so the far end of the path dissolves. A single vermilion torii stands mid-distance, its silhouette black against the blue, small enough to state the path's length. The palette holds to three: deep indigo night, the burning red-orange of the leaves and the umbrella's paper, and the amber of the lanterns; her black hair and the dark kimono ground it all. Wind-driven leaves are in the air throughout the frame — sharp and legible near the umbrella rim where the lantern light catches them, small and blurred against the distant fog — one leaf plastered flat to the wet flagstone at her feet, the rest tumbling past her shoulder and through the umbrella's shadow. The paper of the umbrella glows faintly translucent where the nearest lantern shines through it from behind. Quiet, imperious, beautiful.
IR
AI artwork
IR
1girl, solo, kitsune, fox girl, fox ears, fox tail, long black hair, red eyes, white kimono, obi sash, holding umbrella, open wagasa, paper umbrella, bangasa, defiant smile, smug, looking at viewer, from below, cowboy shot, autumn, autumn leaves, flying leaves, falling leaves, red maple leaves, wind, midnight, night, shrine path, sando, stone lanterns, torii gate, shrine, perspective, depth of field, dramatic angle, single light source, lantern light, warm light, cool shadows, detailed, high detail, anime coloring, dark background, atmospheric, autumn atmosphere From a low angle, the kitsune girl stands alone on a midnight shrine approach, framed from thigh to above the umbrella. A procession of weathered stone lanterns curves up the slope behind her, each lantern's paper window glowing with the only warm light in the scene; their flames are tiny and the darkness beyond them is total. The path is paved in damp stone, and the black-lacquered wooden bangasa she holds open rests against her right shoulder, its shaft gripped in her right hand, the handle end braced against her hip. Her left hand rests lightly on the umbrella's rim, fingers curled over the edge. Her body turns slightly off-axis to her left while her head faces the viewer: chin lowered, one brow arched, the corners of her mouth pulled up in a lopsided defiant smile, red eyes narrowed and fixed directly on the viewer. Her long black hair hangs loose over the white kimono, the wind lifting strands at her shoulders. Fox ears stand upright on her head, their tips catching the lantern light. The white kimono's fabric is smooth and folds at the elbows and knees; an obi ties at the waist. Behind her, a bushy fox tail emerges from under the kimono's hem and arcs out to her left, its fur rim-lit by the nearest lantern. Autumn maple trees flank the path, their leaves glowing crimson and amber where the lantern light strikes their lower branches and fading into blackness above. A gust carries a swirl of red maple leaves across the foreground, several leaves skimming past her umbrella and one caught between the spokes, and a scatter of leaves settles on the path stones. The lantern light strikes the left side of her face and the underside of the umbrella's canopy, leaving the right side of her face and the far side of the path in cool blue shadow. Red, black and white dominate the palette, with the warm lantern glow as the only saturated warmth besides the autumn leaves. Quiet, unsettling poise.
IR

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