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Артем Короленко
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- Modo
- ultra
- Tamaño
- 1408 x 1408
- Método de muestreo
- Euler
- Excluir de la imagen
- lowres, worst quality, low quality, bad anatomy, explicit
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ак
1girl, solo, full body, three-quarter view, from below, simple background, seamless pale backdrop, standing on one leg, twisted waist, one hand at collar, other hand lifting ribbon, looking down, open mouth, raised eyebrow, long hair, white hair, waist-length hair, little crown, red and white dress, bare shoulders, collar, detached sleeves, red sleeves, black sleeves, white gloves, gothic lace, layered ruffles, cascading crimson ribbons, painterly, pastel texture, chalk texture, dry brush, visible brushstrokes, canvas texture, film grain, matte coloring, sketch lineart, soft edges, high-key lighting, blown-out highlights, bloom, backlighting, rim light, limited palette, muted colors, chromatic aberration, soft focus, depth of field, pixel-dithered gradients, dot-screen shading, anime art, digital illustration, cel shading, flat color, clean sharp lineart, bioluminescent colors, detailed eyes, long eyelashes, perfect face, airbrush shading, smooth gradient shading, high contrast. A full-body three-quarter view from a slight low angle places the girl alone on a seamless pale cream field with no horizon, so all detail stays in her costume and the painted surface. She balances on the ball of her left foot, right knee bent and toe brushing the ground, hips twisted so the layered skirt and crimson ribbons swing outward; her left gloved hand curls into the lace at her collar, her right hand lifts one long ribbon at chest height and pulls it taut between glove and fabric. Her chin dips toward the lifted ribbon, detailed eyes tracking it under long lashes, her lips parting on a soft aha of discovery while one brow arches. Waist-length white hair falls in long strands over the bare shoulders, a little crown sits above it, and the red-and-white dress opens at the collarbone into a high collar, gothic lace and layered ruffles; one detached sleeve is crimson, the other charcoal black, both ending in white gloves, with cascading crimson ribbons trailing from the waist and sleeves. A large soft light behind her head is the only source: it backlights the white hair and turns the crown and glove edges into blown-out highlights, lays a clean rim down both bare shoulders, and spills a faint bloom into the empty ground. The shadows stay open except in the charcoal sleeve and the deep folds of the skirt. The palette is restricted to chalk white, dusty crimson, soft black, pearl white, and a faint bioluminescent mint-cyan that glimmers in the irises and crown, muted everywhere the backlight does not blow out to white. The whole image is painted with pastel chalk dust and dry-brush strokes that leave visible brush marks on canvas tooth; a sketch underdrawing softens the edges while clean sharp anime contours and flat cel-shaded color planes keep the silhouette crisp. Matte coloring kills gloss. Film grain, red-cyan chromatic fringing along the crown, glove edges and ribbon contour, soft focus, and shallow depth of field lie over the frame; dot-screen shading and pixel-dithered gradients break across the airbrushed cheek and the smooth cloth gradients, with high contrast holding the dark crimson and black sleeves against the pale ground.
Артем Короленко
ак
1girl, solo, full body, three-quarter view, from below, simple background, seamless pale backdrop, standing on one leg, twisted waist, one hand at collar, other hand lifting ribbon, looking down, open mouth, raised eyebrow, long hair, white hair, waist-length hair, little crown, red and white dress, bare shoulders, collar, detached sleeves, red sleeves, black sleeves, white gloves, gothic lace, layered ruffles, cascading crimson ribbons, painterly, pastel texture, chalk texture, dry brush, visible brushstrokes, canvas texture, film grain, matte coloring, sketch lineart, soft edges, high-key lighting, blown-out highlights, bloom, backlighting, rim light, limited palette, muted colors, chromatic aberration, soft focus, depth of field, pixel-dithered gradients, dot-screen shading, anime art, digital illustration, cel shading, flat color, clean sharp lineart, bioluminescent colors, detailed eyes, long eyelashes, perfect face, airbrush shading, smooth gradient shading, high contrast. A full-body three-quarter view from a slight low angle places the girl alone on a seamless pale cream field with no horizon, so all detail stays in her costume and the painted surface. She balances on the ball of her left foot, right knee bent and toe brushing the ground, hips twisted so the layered skirt and crimson ribbons swing outward; her left gloved hand curls into the lace at her collar, her right hand lifts one long ribbon at chest height and pulls it taut between glove and fabric. Her chin dips toward the lifted ribbon, detailed eyes tracking it under long lashes, her lips parting on a soft aha of discovery while one brow arches. Waist-length white hair falls in long strands over the bare shoulders, a little crown sits above it, and the red-and-white dress opens at the collarbone into a high collar, gothic lace and layered ruffles; one detached sleeve is crimson, the other charcoal black, both ending in white gloves, with cascading crimson ribbons trailing from the waist and sleeves. A large soft light behind her head is the only source: it backlights the white hair and turns the crown and glove edges into blown-out highlights, lays a clean rim down both bare shoulders, and spills a faint bloom into the empty ground. The shadows stay open except in the charcoal sleeve and the deep folds of the skirt. The palette is restricted to chalk white, dusty crimson, soft black, pearl white, and a faint bioluminescent mint-cyan that glimmers in the irises and crown, muted everywhere the backlight does not blow out to white. The whole image is painted with pastel chalk dust and dry-brush strokes that leave visible brush marks on canvas tooth; a sketch underdrawing softens the edges while clean sharp anime contours and flat cel-shaded color planes keep the silhouette crisp. Matte coloring kills gloss. Film grain, red-cyan chromatic fringing along the crown, glove edges and ribbon contour, soft focus, and shallow depth of field lie over the frame; dot-screen shading and pixel-dithered gradients break across the airbrushed cheek and the smooth cloth gradients, with high contrast holding the dark crimson and black sleeves against the pale ground.
Артем Короленко
ак
1girl, solo, full body, three-quarter view, from below, simple background, seamless pale backdrop, standing on one leg, twisted waist, one hand at collar, other hand lifting ribbon, looking down, open mouth, raised eyebrow, long hair, white hair, waist-length hair, little crown, red and white dress, bare shoulders, collar, detached sleeves, red sleeves, black sleeves, white gloves, gothic lace, layered ruffles, cascading crimson ribbons, painterly, pastel texture, chalk texture, dry brush, visible brushstrokes, canvas texture, film grain, matte coloring, sketch lineart, soft edges, high-key lighting, blown-out highlights, bloom, backlighting, rim light, limited palette, muted colors, chromatic aberration, soft focus, depth of field, pixel-dithered gradients, dot-screen shading, anime art, digital illustration, cel shading, flat color, clean sharp lineart, bioluminescent colors, detailed eyes, long eyelashes, perfect face, airbrush shading, smooth gradient shading, high contrast. A full-body three-quarter view from a slight low angle places the girl alone on a seamless pale cream field with no horizon, so all detail stays in her costume and the painted surface. She balances on the ball of her left foot, right knee bent and toe brushing the ground, hips twisted so the layered skirt and crimson ribbons swing outward; her left gloved hand curls into the lace at her collar, her right hand lifts one long ribbon at chest height and pulls it taut between glove and fabric. Her chin dips toward the lifted ribbon, detailed eyes tracking it under long lashes, her lips parting on a soft aha of discovery while one brow arches. Waist-length white hair falls in long strands over the bare shoulders, a little crown sits above it, and the red-and-white dress opens at the collarbone into a high collar, gothic lace and layered ruffles; one detached sleeve is crimson, the other charcoal black, both ending in white gloves, with cascading crimson ribbons trailing from the waist and sleeves. A large soft light behind her head is the only source: it backlights the white hair and turns the crown and glove edges into blown-out highlights, lays a clean rim down both bare shoulders, and spills a faint bloom into the empty ground. The shadows stay open except in the charcoal sleeve and the deep folds of the skirt. The palette is restricted to chalk white, dusty crimson, soft black, pearl white, and a faint bioluminescent mint-cyan that glimmers in the irises and crown, muted everywhere the backlight does not blow out to white. The whole image is painted with pastel chalk dust and dry-brush strokes that leave visible brush marks on canvas tooth; a sketch underdrawing softens the edges while clean sharp anime contours and flat cel-shaded color planes keep the silhouette crisp. Matte coloring kills gloss. Film grain, red-cyan chromatic fringing along the crown, glove edges and ribbon contour, soft focus, and shallow depth of field lie over the frame; dot-screen shading and pixel-dithered gradients break across the airbrushed cheek and the smooth cloth gradients, with high contrast holding the dark crimson and black sleeves against the pale ground.
Артем Короленко
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