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character: an_elegant_femme_fatale_with_sleek_jet-black_hair_swept_up_in_a_loose_bun 1girl, solo, original character, elegant mature woman, femme fatale, jet-black hair, sleek hair, loose hair bun, updo, crimson lips, lipstick, smoky eyes, half-closed eyes, confident expression, looking at viewer, little black dress, black cocktail dress, form-fitting dress, sleeveless dress, high slit, bare legs, gold earrings, hip cocked, leaning forward, leaning on railing, hand on railing, rooftop, night, city lights, neon lights, pink light, cyan light, rim lighting, bokeh, depth of field, cinematic, medium-full shot, dutch angle, from side, outdoors, A cinematic medium-full shot tilted a few degrees off level by a slight dutch angle, framing one elegant mature woman from mid-thigh to just above her loose bun, the rooftop railing running diagonally across the lower half of the frame. She is seen mostly from the side-front, body angled about three-quarters away with her right shoulder toward the camera, and only her head turned back over that shoulder to meet the lens. Her weight rides entirely on her left leg, planted straight and firm; her right hip is cocked high and outward, the right knee bent and drifting inward so the calf crosses slightly behind the standing leg, the right foot resting on its toe rather than flat. Her right forearm lies along the top rail, the flat of her forearm taking her weight, the hand hooked loosely over the far edge of the rail, fingers curled down; her left arm hangs with the elbow slightly bent and the back of her left hand resting against the jut of her cocked hip, thumb hooked into nothing, no clutch, no bag. Her chin is dipped, the head tipped a fraction down so she looks up through half-lowered lids with a level, unbothered confidence, one brow very slightly higher than the other, the crimson lips closed and pulled at one corner into a small knowing asymmetry, no teeth. The gold earrings hang from both earlobes and swing faintly forward, the lower one throwing a tiny hard spark as the pink light catches it. The little black dress is form-fitting and sleeveless, its matte black fabric skimmed tight over the torso and gathered at the waist, gripped by the cocked hip; the high slit opens on her right thigh, the fabric falling away in a single long unbroken panel to reveal the full length of that thigh down past the knee, so the bare leg reads as one clean shape against the dark cloth. A few fine loose strands of the sleek jet-black hair have escaped the loose bun and lie along her right temple and the nape of her neck, lifting a little in the rooftop draft; the bun itself sits low and slightly off-centre at the back of her crown. Nothing else is on her except the dress and the earrings. The railing is a plain dark metal pipe rail with a square top bar and a thin lower crossbar, wet-cold and faintly reflective, and behind it the roof edge drops away. Beyond the drop the city opens out: layered towers in silhouette, saturated magenta and cyan signage glowing from their faces, and the whole background dissolved into bokeh — soft circular orbs of pink and cyan light overlapping and blooming, largest and loosest near the top corners, sharpening into distinct points only in the far distance. Distinct depth of field: she is tack-sharp from lipstick to earring while everything past the railing softens. Two rim lights do all the lighting work: a hard cyan edge runs down the right contour of her shoulder, her arm and the line of her jaw, and a hot pink edge rakes the left side of her hair, the bun's curve and the outer edge of her raised thigh; the fronts of her face and dress stay in deep shadow, lifted only by the city's ambient glow. Everywhere the neon is blocked, the shadow goes almost black. Where the top bar of the railing catches the pink source it throws a thin bright specular line, and the wet metal keeps a compressed, dimmer, slightly blue reflection of the sign glow rather than a mirror image. Rich contrast, saturated pink-and-cyan palette against deep blacks and her crimson mouth, smooth modern anime illustration rendering with clean cel edges and crisp highlights. Sophisticated, magnetic night glamour.
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Modo
flash
Tamaño
1536 x 2048

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.04k

Asistente de creación

Mio.2
Agente
Mio.2

Entrada mínima, resultado profesional

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1girl, solo, black hair, short hair, bob cut, bangs, parted bangs, 7:3 bangs, mole under eye, mole under left eye, dark eyes, no highlights, solid dark irises, long eyelashes, pale skin, fair skin, petite, slender, slim, small breasts, large hoop earrings, simple necklace, black dress, high neck, sleeveless, tight dress, sleeveless dress, slit skirt, stiletto heels, pumps, lace tights, faint smile, light smile, closed mouth, half-closed eyes, seductive, coquettish, decadent, night city, night street, neon lights, from side, cowboy shot, contrapposto, chin up, looking at viewer, The camera stands at her side and slightly below shoulder height, so she is seen three-quarter-back in a cowboy shot with her head turned over her near shoulder toward the lens. She is turned mostly away from the viewer on a night-city pavement; her weight rests entirely on her right leg, hip pushed out and knee locked, while her left leg crosses in front so the toe of the left pump touches the ground behind the right heel in a classic contrapposto line. Her left hand rises to rest on the back of her own neck under the bob, fingers lightly brushing the nape; her right arm hangs loose, the simple chain and the large hoop swinging slightly with the turn. The bob swings forward past her cheek with the head-turn, one earring hoop hanging free and catching a highlight on its far edge, the other pressed against the jaw. Her chin lifts toward the shoulder and her eyes look back over it; the faint closed-mouth smile pulls one corner up a little higher than the other, and her long lashes half-lower over flat dark irises that hold no catchlight — the eyes read as matte, almost unlit despite the neon around them. The mole under her left eye is visible on the turned cheek, only inches from the corner of her view. The dress hugs her narrow torso, the high collar cutting a clean line at her throat and the sleeveless cut leaving her shoulders bare against the night air; the skirt slit rides high enough on her crossed stance to show a length of lace tights down the outer thigh, the openwork pattern stretching visibly over the thigh. A faint beaded texture of lace tights continues down to the pointed pumps, the stiletto heel planting into a seam in the wet asphalt where a thin line of reflected signage runs along the crack. The night street is quiet and mostly empty. Behind her the midground recedes into a tall vertical shop sign on a building corner, an awning edge, and a railing at the curb; the far background is a wall of dark building faces with unreadable illuminated signage that blurs into vertical streaks. The scene is lit by a warm streetlamp on her left and cool magenta-blue neon on her right; the two lights meet across her face and neck so the warm side catches her cheek and the hoop's curve while the cool side falls on the back of her hair and shoulder, leaving the nape and the shadowed half of her face in deep darkness. The wet pavement reflects both colors; the reflected pink is darker and softer than the sign above it. Her heel makes a small dark ring in the shallow standing water at the curb. The palette is black, near-black navy, pale skin, and the two neon accents of amber and magenta; nothing else is admitted. A slight grain over the dark surfaces gives the scene a filmic texture. Smoke from a vent drifts diagonally in the frame, and the tails of her hair move very slightly in the same current, revealing that the air is moving without her moving. Sensual, softly decadent.
kurodanekoko
AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere — cool and self-assured.
Bryan Luna
AI artwork
Avatar image of Bryan Luna
copyright: cyberpunk_edgerunners, cyberpunk:_edgerunners sole female, 1girl, mature female, tall slender build, long sleek dark hair swept to one side, sharp angular eyes, confident lidded gaze, cyberpunk streetwear, cropped jacket with raised collar, skin-tight bodysuit, high-slit skirt panel, thigh-high boots, chrome implants visible at the neck, from below, low angle, dutch angle, cowboy shot, leaning against metal railing, hip cocked, weight on one leg, one hand gripping the railing, other hand at her collar, head tilt, smirk, half-closed eyes, looking at viewer, looking down at viewer, neon backlight, rim light, night city rooftop, wet concrete, rain-slicked surfaces. Shot from a low angle tilted a few degrees off vertical, looking up at a single tall woman leaning against a wet metal rooftop railing, the city's neon skyline rising behind her and filling the upper frame. She stands with her weight sunk into her left leg, right knee bent and right foot planted forward on tiptoe, hips cocked hard to her left, the railing pressing into the small of her back where she rests against it. Her right hand grips the top rail, knuckles whitening, thumb hooked over the bar; her left hand tugs at the collar of her cropped jacket, two fingers hooked under the fabric so the collar lifts. Her chin dips toward her chest and her eyes come down the line of the low angle to land on the viewer, lids half-lowered, one mouth corner pulled into a lopsided smirk, one brow faintly arched. Her side-swept dark hair falls across her right shoulder, the tips lifting and trailing toward the railing side in the updraft coming off the street below. The railing runs as a strong diagonal across the lower third, foreground, with its wet chrome surface catching and dragging long vertical streaks of neon; a few raindrops bead along the bar and collect, bulging, on its upper face where they touch her gripping fingers. Behind her, the rooftop drops away into depth: a far tower with a huge magenta-and-cyan sign, its lettering worn and half its bulbs dead, an air-conditioning unit, cable runs crossing like slack lines, two distant figures out of focus as scale markers far below street level. The light source is the city itself, its neon glow behind and above her, so the rim of her shoulders, the edge of her jaw, the raised collar and the tops of her boots carry a magenta-to-cyan edge while her face and the front of her jacket fall into cool shadow; a single passing car's headlights far below throw a faint warm shaft up across her right boot, and nothing else is lit. Palette held to deep wet blue-black, magenta, cyan and one flash of warm amber in the low headlight shaft; no other color admitted. The wet concrete under and around her reflects the neon in long broken vertical smears that are darker and softer than the signs above them. Blade-cut cel shading, clean hard edges, an unbroken cool palette with hot neon accents, night-city atmosphere — cool and self-assured.
Bryan Luna

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